Tekkonkinkreet

Type: Street Rats. Well, Street Cats technically.

Synopsis: It’s basically about orphans beating up gangsters.

Pros: Well, there’s like more to it, but yeah. There are two orphans, Kuro and Shiro (black and white). They get into trouble with some Yakuza, and Kuro gets targeted by assassins. For his own good, Shiro is sent with the cops for protective custody, which throws off their whole Ying-Yang/Co-Dependent relationship. This gets explored in their senses of reality being distorted and what not. Real emotional stuff handled well via animation. Outside of this, we get spliced-in stories of life in an inner city. Frought with crime, tragedy, and a never ending cycle of violence. Kinda like if Elvis’s In the Ghetto was an anime. Though I do appreciate the more street level urban story.

Cons: It can get kinda messy. There is a lot of imagery thrown at you, and you may not get the significance of it all. That’s not me being pretentious. I don’t what half the weird stuff I saw meant! The cuts between the Kuro/Shiro plot and the Yakuza plot can be a bit confusing. And like a lot of anime movies, some of it’s scenes hang around a little longer than they should for the sake of “mood.” There also not a “happy ending” resolution to the stories. I mean, there’s nothing wrong with that, but Kuro/Shiro are basically in the same boat they were in at the start. You could argue that because of certain actions in the film, they’re home free, but are they? Who knows. The whole film is a very “International Anime” film, if you catch my drift. It’s not solidly Japanese (hell, the director was American). It’s made to appeal to a broad audience of film buffs. It’s more of a “Film” than a “movie.” Of at least it wants to be.

Watch it: Pretty nifty story about children beating up adults.

MVP: Kuro

Angry. Angry young man.

Best Moment: Kuro flying out of the sky (for some reason).

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