Category Archives: Action

Eureka Seven: AO

Type: All you need is the original.

Synopsis: A blue haired boy joins a peace keeping organization in order to stop giant coral reef aliens from blowing up. This is in contrast to his father, who joined a pirate ship in order to hit on a pretty girl. But since the father had more episodes to play with, his comes out to be the more interesting story.

Pros: This anime is difficult to talk about because it had a lot of potential. The protagonist is the rare son of former protagonists whose following his own story instead of continuing the previous story. The setting is a slightly altered version of the real world, fought with political commentary. And the mecha are mainly piloted by pretty teenage girls. Later on in the series, the show even introduces the idea of alternate realities and time travel just to add a little bit of sci-fi spice into the story. An adult Eureka and Renton also show up in this story, so fans who saw the 2005 show as teens can now see their old heroes as grown ups like them. The show is at it’s most interesting when it explores all these factors, especially the last two. It’s just a shame that it fumbles it all so badly.

Cons: I’ve been doing this review thing for a while, but I still lack the words needed to communicate exactly what went wrong with this series. Because on paper it has everything it needs to succeed. It ticks all the generic anime mecha boxes: a boy pilot with daddy issues, robots that can only be piloted by teen girls, not so subtle jabs at American foreign policy, and psudo bulsh$t sci-fi. It’s also a sequel to a well known (kind of) show. But it all feels…hallow. The show has no soul. It all felt too by the numbers, nothing felt earned, and it never took that extra step after a big twist or reveal. “Betrayals” are almost immediately reversed, only one important character dies, romances are only hinted at, and the alternate reality stuff is not explored nearly enough. They don’t even show Eureka raising Ao by herself to understand why Ao loves her so much and resents his father. This is going to sound weird from a guy who likes to keep things light, but the show is just not mean enough. Eureka Seven was mean. Renton was beaten repeatedly by his own side! Holland kicked his 14 year old whining behind constantly, because he was not a father, he was a pirate. Eureka didn’t fall for him immediately, she didn’t even like him that much until 25 episodes in. And the kids of the show were plagued with all these new feeling that they didn’t know how to handle because they were teenage kids, while the adults were haunted by their past actions and still didn’t know who to handle certain emotions. But in AO, everyone loves AO. All the adults are extra nice to him, all the girls eventually have crushes on him, and Ao even forgives his dad after like a 5 minute skirmish. We never get to see Ao deal with the smaller, confusing moments in life that would make the audience empathize with him. He’s never shown to be weak, or rash, or awkward, or selfish. All this actually made me dig a little, and it turns out that the show was directed by the same guy who did Eureka Seven, Tomoki Kyoda, but not written by the same guy (Dai Sato). This would explain the dissonance I got while watching it. I’ll be honest, part of the reason why this show annoyed me was because Eureka Seven was one of my shows. An early anime that caught me as a teenager that I would watch at 4:30 am-5:30am before going to Calculus morning classes. It’s a show I’m very familiar with, and its sequel just does not satisfy me at all.

Watch it?: Let me summarize my points: you don’t sympathize with the protagonist, the plot is rushed, too many ideas are crammed in, you only get excited for the parts when Eureka and Renton show up for their one respective episode, you’re still left with a bunch of questions about what happened to everyone else in the original show (like Eureka and Renton’s other adopted kids) and the show has the gall to save the interesting alternate reality stuff for an online-only episode. (3/5)

MVP: Eureka and Renton

Sorry Ao, but your parents are just more interesting

Best Episode: Ep.13 “She’s a Rainbow” (hey, it’s Eureka!)

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Tsugumomo

Type: When your mom’s friend starts to hit on you.

Synopsis: In Japan, there’s this myth that if an item is possessed by a spirit, it gains self-awareness, often with the caveat that the item has to be 100 years old. In anime, characters often use anthropomorphized items as weapons/lover, especially when their human form is a cute girl. However, this become a bit awkward when the demon items are passed own the generations, and they start to tease you with their naughty bits.

Pros: Tsugomomo is what you would call a great commercial for the manga. I say this with no malice. In 12 episodes, the anime sets up the plot, the world’s rules, and provides you with enough sizzle to want more. In the show, a young man inherits his mother’s obi, a sash, that is actually a demon possessed item (a tsukumogami). They end up fighting together against the recent increase in evil tsukumogami and spirits. Of course, the obi takes the human form of a cute girl and Kiriha, whose power level determines her body shape. So she can become a mature beauty, or loli jail bait, but either way she’s still a flirty hot head. The protagonist, Kazuya, is surrounded buy spiritually inclined women, from a chibi-God to a well-endowed servant, to a thirsty child hood friend, making this a harem show as well. And boy, they do take advantage of that. And it always, ALWAYS, caught me off guard. I mean, just don’t expect that many blowjob jokes in a anime manga series, yet here we are.

Cons: In 12 episodes, you only get an introduction to the world. In a lesser show, the “read the manga” ending would be irksome. But this show is of a quality that it can get away with that. It has the right mix of action and comedy to keep you entertained. The only this it doesn’t do well is drama. Because the show is pretty light hearted, both in tone and art style, the more dramatic moments don’t land. For example, in one episode Kazuya and Kiriha have to stop a wig tsukumogami from attacking students. The big reveal was that the tsukumogami is possessing the dead corpse of a young girl who killed herself after her friends mercilessly bullied her for liking a boy. Pretty dark stuff, but none of it has any impact because you still have Kazuya and Kiriha bickering like an old married couple. So don’t watch this for the stakes. Watch it for the fun stories and characters, serviceable action, curb ball episodes, and moments that make you say “did I just see that!?”

Watch it?: I’m probably ganna read the manga later (4/5)

MVP: Kiriha

I loved that her speech patters where so formal, yet so rude

Best Episode: Ep.8 “A Certain Day in the Kagami Household/The Super Popular Fragrance” (a silent episode and and echii episode, what more could anyone ask for!)

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Manyū Hiken-chō

Type: or “Magic Breast Secret Sword Scroll” (I’m not joking)

Synopsis: Think equivalent exchange, but with boobs. In Tokugawa Japan, a young kinoichi steals her clan’s boob stealing technique in an effort to change the world. A world where a person’s boob size determines their social rank. Except for men, who are still lords and heads of families under this system. A system that would logically only benefit women. Huh….Well, whatever, BOOBIES!!

Pros: Magic Breast Secret Sword Scroll, because why not?, is a fairly serviceable boob anime. The set up has out main character, Chifusa, traveling Japan as she tries to outrun “assassins” sent to get back the scroll she stole. Except that instead of dying, she runs the risk of having her boobs shrunken. For about six episodes, Chifusa uses the scroll’s technique to not only shrink boobs, but also absorb their power. Meaning that every episode we see Chifusa’s boobs get bigger, with sexy results. The show stays fairly consistent with it’s main gimmick: the show revolves around boobs because it’s world revolves around boobs. And it takes many instances to point out the silliness of such a world, often with ridiculous fan service. Bouncy bouncy indeed.

Cons: I mean, it’s kinda a one joke series, isn’t it? Throughout the show, we will see boobs bounce, jiggle, and even twirl. We see them get grouped, sucked, ties up, measured, weighed, etc. The joke gets a little stale. Then there’s the plot, which has an identify crisis. While it’s mostly a boob comedy, the show tries to throw in some clan intrigue in Chifusa’s feud with the Manyu clan. The clan’s head is Chifusa’s father, who coldly and ruthlessly sends assassins to ruin his daughter. But having a male villain in a show that focuses so much on breasts and women’s relationship with them feels incongruous.  For example, towards the end of the show Chifusa learns how to give breasts, not just take them. The secret to the technique is maternal love, a fundamental form of femininity. So it would have made a lot more sense if Chifusa’s main villain was a Woman who lacked maternal love and took breasts, and therefore femininity, away. It would have set up a nice metaphorical conflict between the positive femininity and negative femininity. I guess masculinity could also be interpreted as a lack of femininity, but it would be too simplistic to frame this argument through gender binary–What the hell am I doing!? This is a dumb anime about about big boobs! If you likes boobs and moaning then watch it, if not, then don’t!

Watch it: Oh, and the opening is terrible. (3/5)

MVP: Chifusa Manyū

Boobs are cool.

Best Episode: Ep.8 “Chifusa Imprisoned” (Lord Hatomune is the best!)

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Lord Marksman and Vanadis

Type: Vanadis also means Freyja, the sexy war goddess.

Synopsis: In an anime that I thought was based on a game, but is actually based on a light novel series, we see, well we see a bunch of stuff. To keep it simple: Lord Tigre is the count of a peaceful but valuable region who grabs the attention of many people, including several War Maidens, powerful female warriors chosen to wield mythical weapons. Through a bunch of medieval warfare, Tigre and crew are able to defeat an evil count who tries to usurp the throne.

Pros: You know, for a series that mainly portrays women, powerful women at that, I talked a surprising amount about the only male lead. The patriarchy is a funny thing…Anyway, one of the best things about this anime is the level of competency that all the characters show throughout the series. For example, the War Maiden’s Elen and Mila are portrayed as skilled and powerful warriors with tactical minds for battle. And they rarely, if ever, need Tigre to “rescue” them, even in the mist of battle. In fact, the the Elen and Mila  fight alongside Tigre, often back to back or shoulder to shoulder, and never really lose their sense of purpose. Elen and Mila never abandon or consider abandoning their posts to live with Tigre. I really appreciated this character trait, since it gets really tiring to see characters give up their current goals all for the sake of an infatuation. On the flip side, I also really liked that Tigre has actual skills and goals as well. He wasn’t just a “good, average guy” harem protagonist. He was incredibly skilled with a bow (usually portrayed as a female-only weapon), and a avid hunter/tracker. These skills are consistent throughout the series, and explain why most characters would be initially impressed by him, and then grow to admire him after getting to know him. This made Elen and Mila’s predictable romantic interests for him feel organic. He also loses his fist battle with Elen, which was a good way to define both their skill sets. He held his own for a little bit, but smartly lost to the supernatural war maiden.

Cons: Boob anime. This is a boob anime. Look at Elen. Look at her lieutenant. What are they feeding these girls!? Aside from that, this anime is only a small taste into the light novel series. Sorta like a very long commercial. It’s not like the show shills the rest of the series with annoying references to “that man” or tries to foreshadow the next story arc at the finale of the anime. But there are a lot of things we never see. For example, there are said to be about 8 War Maidens, but we only get to see 5 in the series. Two are main characters, one’s a cameo character, one’s a brief villain, and one shows up here and there to be all menacing. The other 3 are shown in the opening, but nowhere else. The looked cool, but too bad! Learn to read pleb! Outside of that, the story is also a bit hard to follow. Things tend to move from one battle to another, as different factions are fighting for the throne, with Tigre caught in the middle. (P.s. One interesting tid-bit: In the show, Tigre is given a magic bow that allows him to have power equal to, or possible greater than, the War Maidens. I just found that to be a bit…interesting).

Watch it?: Give it a go (4/5)

MVP: Tigre

He also tends to grab boobs when he’s asleep. Some sort of hunting instinct.

Best Episode: Ep.2 “The Return Home” (Tigre and Elen join forces!)

 

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My Hero Academia (Season 2)

Type: Also known as That 2017’s Show

Synopsis: You get it, because the television program That 70’s Show was a thing in the 2000’s, and My Hero Academia was really popular in 2017? Yeah? Well…I-I thought I was being clever and, ah, let’s just move on. This is My Hero Academia, also know as HeroAca, Boku No Hero, HeroAcademia, season 2. It’s still pretty good.

Pros: It’s still pretty good. With the season bumped up to 24 episodes, My Hero Academia covers about 3 story arcs. The Sport’s Festival Arc, the Hero Killer Arc, and the Final Exam Arc. While the first season focused on exploring the setting from our protagonist Deku/Midoriya’s point of view, this season focuses on fleshing out the extended cast. Instead of talking about my favorite characters (Froppy is best girl, and Tokoyami is surprising top tier) I’d like to point something out. What this season did very well was establishing a clear and shared goal for each of the supporting characters. Each character want’s to be a “hero,” for their own reasons. While their motivations may differ, they each have the same goal that audience can understand. Who didn’t cry when we learned that Ochako wanted to be a hero to help her family out? Or Todoroki’s whole deal? Hell, I even sympathized with Hitoshi, the guy that wanted to be a hero even though he looks creepy. Normally, a lot of shonen stories reserved having a “dream” to the main characters. And while, realistically, not everyone would want to be King of the Pirates or Hokage, it’s nice to see such a distinct class of characters all striving for the same goal. It makes the comradery between the characters seem more natural. A lot of episodes were about pairing characters together, or contrasting characters against one another. This even happens with the antagonists, as the show introduces fan favorite, Stain, a “hero killer” who’s more of an anti-hero, which is why he clashes with the show’s main villain group. The show also explain more about the power One-For-All, and some implied multi-generational lore, but that’s going to have to wait until season 3.

Cons: The only real not great thing about season 2 was a 10 minutes segments detailing Froggy’s internship in episode 19. It felt filler-y to me. But outside of that, nothing particularly wrong with this season. The intro’s were good. The comedy was on point. The action was well handled. The character moments were incredible. As one of the “it shows” of 2017, don’t expect an artistic masterpiece, or a watershed series or anything. But My Hero Academia continues to be a stellar shonen series.

Watch it?: Yes. Yes you should. (4/5)

MVP: Ochako Uraraka

She really is a good kid.

MVP: Ep.13-18 The Hero Killer Arc (Internships, Team Work, Anti-Hero, it has it all! Plus, I didn’t really talk about it in the review)

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Rage of Bahamut: Genesis

Type: Not to be confused with the Super Nintendo version

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Synopsis: To put in bluntly, the show’s about a demon who forces a con man into traveling with her while not knowing that she’s the key to reviving a world threatening Dragon. If you want it not so bluntly, you tease, the show’s about an afro-man who tries to get into a lady’s pants by telling her he knows the way to a mythical city. This backfires when the lady turns out to be a super powerful demon who stormed heaven to steal a magic key that can revive the world ending Bahamut. Along the way, they’re joined by a noble but unlucky knight and a zombie loli.

Pros: There’s not two ways about it. Rage of Bahamut is very pretty. If you want proof, look up the opening scene between Favaro and Kaisar. It’s practically movie quality. In fact, there quiet a bit of good animations scenes throughout the show. Like the Favaro and Amira dance in ep. 02, the giant crab battle in ep. 04, most of the fight and action scenes, and everything in ep11-12, etc. But the strongest aspect of the show are the characters of Favaro and Kaisar. Favaro is, in no uncertain terms, a scoundrel. He lies, cheats, steals, manipulates, and is basically motivated by his own well being. You even see it in his fighting style, which is dominated by misdirection and slight of hand. In all honesty, Favaro is the most entertaining thing about the show. He’s just so scummy, it’s great! Then you have Kaisar, whose much more noble than Favaro, but also has way more tunnel vision, often to the detriment of the situation at hand. He’s a buffoonish hero with a sad backstory that explains his love/hate relationship with Favaro.

Cons: While watching this show, I had a few consistent thoughts in my mind episode through episode. These were:  “this show is very pretty,” “Favaro sure is fun,” and “something’s missing…” It’s this last thought that troubled me the most. Because, by all accounts, this show should be great. It clearly had a high budget, strong directors, and a good main cast. But then I started to look at the show as a whole. And as a whole, the show’s kind of a mess. As you pull back from the central premise of a demon and a rouge traveling together, you get a big plot involving multiple angels, multiple demons, Joan of Arc for some reason, and a soon to be revived Dragon. These elements over complicate things, especially as they become more prominent as the show goes on.  The travel between Favaro and Amira was fun enough, especially with Favaro having to come up with new reasons for the long trip and Kaisar continually hounding them. Speaking of Amira, can I ask what the hell happened between episode 1 and 2? Because for some reason Amira goes from a quiet bad ass demon to a rather childish ditz in no time flat. Amira actually got increasingly on my nerves as the show went on, especially when a lot of her achievements are gradually revealed to be partially because of outside force. Overall, the show is pretty to look at, has fun moments, but I can see why it’s not talked about more. (p.s. It’s also got a horrid opening. Just awful).

Watch it?: Based on an online card game! (4/5)

MVP: Favaro

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Keep rockin’ the fro’

Best Episode: Ep.1 “Encounter Wytearp” (amazing scenes. very exciting)

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11 Eyes

Type: Yes, this is a late 2000’s anime alright

11eyesanime

Synopsis: Based on a visual novel? Check. Main protagonist is obviously the main protagonist thanks to his over the top eye patch? Check. High school kids killing demons? Check. Things get surprisingly dark in the middle? Check. Overly-complicated to the point of having a character WRITE A DIAGRAM to explain something. You’re goddamn right it’s a check.

Pros: Given the overexposure of light novel anime in the 2010’s, it’s a bit nostalgic to look at an anime back in the time where Visual Novels were the lazy production company’s answer to success. The anime is pretty stereotypical for the time: kids fighting demons. You have all the usual players as well, like the main character with a unique power (a magic eye!), an overly feminine love interest, a swords-woman with unrelated magical powers, a sweet blond girl with a split personality, and a cocky rebel who doesn’t work well with others. The plot does break the mold a bit by having moments of shock or drama. This can range from a sudden death to misunderstanding. I particularly liked what they did with Yuka, who goes on full on Yandere as the series progresses. It’s these darker moments that elevate the show from it’s default mediocrity.

Cons: As stated above, this show fells by the numbers. It has a generic cast, generic villains, and generic story lines. It’s saving grace is that it allows characters to die, or to express their sorrow/grief in interesting manners. For example, you have Takahisa, my least favorite character, who is the first of the main cast to die. As a result, his love interest Yukiko does into a suicidal rage, leading to her death as well. While I had absolutely no interest in either of these characters or their relationship, their deaths and reactions grabbed my attention. So you can imagine my reaction when good characters like Misuzu and Kakeru interacted. In fact, Misuzu and Kakeru are a fairly competent example of how to pace romantic/sexual tension, and is one of the few things that makes 11 Eyes shine. Because it sure ain’t the overly confusing plot with way too many elements to juggle. I’m talking flashbacks, time travel, parallel worlds, like three different kinds of magic (p.s. I check, and the index girl in this is not related to A Certain Magical Index in any way), and just, just so many contrivances…

Watch it?: This is surprisingly comparable to Shakugan no Shana. Probably due to the weak plot and monsters (3/5)

MVP: The Kakeru, Misuzu, and Yuka Love Triangle

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It’s not cheating if it’s the end of the world and your bae’s insane, right?

Best Episode: Ep.8 “Witching Hour” (the dark turning point!)

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Dai-Shogun: Great Revolution

Type: Bad Animation

fuuun-ishin-dai-shogun-bd-eng-sub

Synopsis: You call this a “Great Revolution,” despite the fact that it’s not great and there is no revolution depicted at all.

Pros: The anime is basically a feudal Japan story with the occasional giant robot. It’s about trying to convince the illegitimate son of a shogun to take the title, all while dodging assassination attempts. That’s where the action comes in. The twist is that the main character has access to a giant robot called “Susanoo”, but only as long as he’s a virgin. That’s where the comedy comes in. And ironically enough, the person sent to protect his virginity is a busty ninja girl with curves for days in a loin-cloth kimono outfit. No wonder the shogunate died off.

Cons: The animation is horrendous. The anime uses this weird flash-hybrid style of animation that just does not work. It makes movement look awkward and fake. FAKE in an animated show about giant robots. I don’t really have a high standard for animation quality, but damn does this look bad. It took me about 3 episodes to notice, and once I did, the illusion was shattered. Story wise, the plot is fairly innocuous. The only real interesting bits are Keiichiro comically tries to lose his virginity, only for ninja girl Kiriko to stop him.  The lead is a typical hot blooded, prideful character. With the exception of the flat-chested fox demon, all the women have giant breasts. The main male villain is stereotypical evil. The only real character of interest is Hōkōin, and even she’s just a evil demon lady. All the other auxiliary characters, like the “cool” pirate, the female Shinsengumi, and the swordswoman that follows Keiichiro around, are not that interesting. That’s really the long and short of Dai-Shogun: it’s just not that interesting.

Watch it?: You can live without it (2/5)

MVP: Hōkōin

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I’m a FAN of her. Get it? DO YOU GET IT?

Best Episode: Ep.3 “The sex witch Hōkōin strikes!” (sex witch!? What’s that!?)

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Saga of Tanya the Evil

Type: Lil’Hitler, she’s such a scamp!

Synopsis: A cut-throat Japanese salary man is murdered on day by a disgruntled employee. It’s at this moment that he’s confronted by God, who he refuses to acknowledged. This starts a frankly pretty feud between the two that results in the salary man being reincarnated as a cute little blond girl in the middle of Nazi Germany. Well, technically it’s a parallel world where magic exists, but let’s be real here. We’re watching a show about Nazis. Now named Tanya, the young Nazi tries her best to land a cushy military job and spit in “Being X’s” smug face, only the be constantly sent to the front lines because she’s too good at the job. It’s almost like she’s truly blessed

Pros: In defense of a show about Nazis…yeah, ganna have to rethink that sentence. In defense of a show about a psychotic little girl, the title of the show does contain the word “Evil” in it. We are not watching a show about good guys here. The show basically depicts the invasion of France (and possibly Czechoslovakia or Poland) by Nazi forces. But to the show’s credit, we as an audience kinda forget that early on. Each of the Nazi’s shown, or “Imperials,” aren’t cartoonist super-villains, they’re soldiers trying to win a war. Even Tanya, the cruelest character here, would rather be a strategist than relish in the violence of battle. And the show never pretends that Tanya’s side is right. In every battle, we see the losing side’s reaction, and the show often comments on the destruction left in Tanya’s wake. All that being said, this is kinda a fun show. Tanya is delightfully evil, and her exaggerated actions are balanced well by her cutesy design. Tanya is adorable. Murder and all. And her personal feud with Being X, despite her obvious fate to lose, is hilarious. The show’s not “ha ha” funny, but it is entertaining (except for Tanya’s facial expressions, which are always hilarious).

Cons: Again, the protagonists are Nazis…so, yeah. I know it sounds like I’m beating a dead horse, but I’d rather be beating a dead Nazi. That was a little aggressive, wasn’t it…ah well, as long as we got a dead Nazi out of it. Story wise, the show has a cliffhanger ending, so either this gets another season or you’d better read the light novels. It was cool that the respective armies in the show had flying mages rather than airplanes. But I felt that a lot of the battles, and most of the setting for that matter, looked the same. Just a mishmash of grey with some city scenes thrown in. At least, as the show progressed. Early on, we got to see Tanya’s rise through the ranks, which was cool. But once she got her battalion, things become a bit stagnant, as story goes into a target, mission, target, mission, cycle. Such is the life of a solider I suppose. Ironically, Tanya seems to forget her original goal of a desk job once she becomes a leader. The only real consistent plot lines are Tanya’s feud with Being X, and the Sioux family’s feud with Tanya. But still, I hope there’s a second season down the line (especially since Russia and the United States are strongly hinted at in the last episode).

Watch it?: I’ve written the word “Nazi” quiet a lot in this review (4/5)

MVP: Tanya

Who knew evil could be this moe

Best Episode: Ep. 1 “The Devil in the Rhine” (even though it’s a battle episode, it tells you everything you need to know about Tanya’s character)

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Attack on Titan (Season 2)

Type: Second verse, not as good as the first.

Synopsis: Remember the mystery of the titan in the wall? The fate of Annie? The key to Eren’s basement? Our three main protagonists comprised of a warrior, a tactician, and an avenger? Well shut your mouths because none of that is important! Do you love such popular characters as Reiner!? Bertald!? YMIR!? You f#$%ing better! (P.S. Serious spoilers ahead)

Pros: Attack on Titan season 2 is a sequel to the popular Attack on Titan season 1. Made 4 years later, after 4 manga sequels, an anime spin-off, and 2 crap movies where the main heroine was feed apple slices by some creepy dude. And breath….ok, this season of Attack on Titan takes place immediately after the last season’s stinger. But the mystery of the titan in the wall is more or less sidelined in favor of the struggle of Reiner, Bertald, and Ymir. Because guess what, they’re all Titan Shifters! Reiner and Bertald are the damn Armor and Colossus Titans, the guys that cause this big mess in the first place. So if season 1 was all about the protagonist’s call to action, season 2 is all about the antagonist’s guilt. And a big selling point is the emotional and psychological toll that Reiner and Bertald as portrayed as being under. You don’t understand why they’re doing this, but you see that they are not happy about it. They’re antagonists, not villains (except for all the people they killed, but you get the idea). Ymir is only loosely connected to them, but the exploration of her backstory hints at larger story points and start painting a clearer picture of the world at large. You get two story arcs: The Castle Arc and the Eren Retrieval Arc, which both fall under the manga’s “Clash of the Titans” Arc. Oh, and the end credits are amazing. My official favorite end credits.

Cons: After Attack on Titan season 1, a family member of mine got really, really, really into the series, so I’ve more or less kept up with the series through osmosis. I’m caught up with the manga, I know the lore (because I’m a Lore nerd), so it’s hard for me to judge if someone who just watched the first anime would like the second season. I imagine that any casual fans who get into the first season have most likely moved on. But for those fans who stuck around, this season has HUGE revelations. Not only those stated above, but it foreshadows the larger conflicts of the world. It even reveals what the titans actually are (and maybe even when they come from)! But here’s the thing: I had a more or less apathetic reaction to this season. Maybe cause I read the manga, maybe cause I wasn’t that big a fan to begin with, or maybe because this premiered 4 YEARS after the first season, but I just wasn’t that into it. Don’t get me wrong, the show didn’t really dip in quality. Objectively, it still has over the top acting, it still has unexpectedly funny moments (e.g. The Reiner reveal), and the gore seems to have been ramped up, because it hurt to see people get eating way more this time. The action is a mixed bag. You don’t get amazing Omni-Gear maneuvering, but you do finally get the Attack vs. Armor titan fight. The inclusion of the new Beast Titan doesn’t really add much, except another question. And the show’s stop and start story progression is still very present. And really, that’s the basic summary of this season. It’s good, it’s still Attack on Titan, but it’s not the new hot thing anymore, so it’s hard to say exiting things about it. (P.S. The only glaringly bad thing was the 3D Colossus Titan. That was just a bad decision).

Watch it?: This probably would have been amazing, had it premiered in 2014, not 2017. (4/5)

MVP: The End Credits

I never skipped these (and I always skip end credits!)

Best Episode: Ep.7 “Close Combat” (Brawler vs. Mui Thay)

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