Category Archives: drama

Goblin Slayer

Type: Basically anime Batman

Synopsis: Now hold your horses. I know what your thinking. Your thinking “But Genetleman Otoku, Batmans good! He’s not an edgelord that focuses on controversy!” To which I point you to: The Dark Night Strikes Again, Joker, The Killing Joke, All-Star Batman, Hush, etc. Now your thinking “Yeah, whatever, but Batman works with other heroes to protect Gotham.” To which I remind you that Goblin Slayer consistently works with a Priestess, a Ranger, a Dwarf, and a Lizard Man. Now your thinking “*%&$ you! At least Batman’s not a sh%#% harem show!” To which I also remind you of: Catwoman, Talia Al-Ghaul, Vickie Vale, Poison Ivy, Harley Quinn (sometimes), etc. Face it, if you like Batman, you also like Goblin Slayer. May god have mercy on your deviant soul.

Pros: OK, aside from the fact that I know way too much about Batman despite not really resonating with the character, the stand by my analogy. Goblin Slayer really did remind me of Batman (with some Punisher thrown in there). The protagonist is a overly driven tactician/warrior who specifically focuses on goblins due to a mixture of trauma and pragmatism. He experienced a goblin raid, lost his sister, and now has a genocidal urge to kill every single Goblin in existence. Replace goblins with criminals, sister with parents, and kill with beat-up, and you have the caped crusader. Heck, one of the main throughlines of the show is Goblin Slayer learning to open up to others despite his loner nature. Like Batman, Goblin Slayer’s single mindedness and preparedness are what make his fun to watch. Also like Batman, it’s funny to see Goblin Slayer totally ignore world ending plots, like an apparent Demon King uprising, because local issues are more important to him. His relationships with the other characters are also key in softening his image, as this story could have gotten very old, very fast, if it was literally just killing goblins.

Cons: The show’s biggest problem is in its use of rape. The rape depicted in this show cannot be ignored. Nor should it. In the story, goblins are rapists, and this plot fact is used to make killing the goblins acceptable and ever gratifying. This series got into trouble when it’s first episode depicted the rape of one of it’s characters. The show never goes that far again, so don’t expect this to be another Elfen Lied or Kite. However, rape is still an underlying theme of the show. Every time the goblins appear, the show reminds us that they are rapist, usually with still images of them ripping the clothes off terrified women. Several characters are also affected by this. Goblin Slayer developed a hatred towards goblins because his sister was raped in front of him. The Elf ranger is barely survives an attempted assault by goblins, leading her to develop similar hatred. The priestess also witnessed a goblin assault first hand. And the Shield Maiden manipulated the Goblin Slayer and his party into killing a nest of goblins due to a previous goblin attack that she survived.  The thing is, this character trait for the goblins was not necessary. Them just being murderers would have been enough. Killer goblins would have sold the world of Goblin Slayer as a dangerous one just as well. But making them rapists just makes the show harder to watch. It wasn’t a necessary plot point, and therefore a mistake to use.

Watch it?: It depends on what kind of viewer you are (3/5)

MPV: My Batman comparison

Yes sister, I shall become an edgelord.

Best Episode: Ep. 05 “Adventures and Daily Life” (No goblins slaying, just a nice time in town).

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Castlevania (2017)

Type: Is this really an anime?

Synopsis: I mean really? It’s written by an American and partly produced by American animation studios. It’s also paced and shot like a typical western fantasy. But I guess that since it kinda looks like an anime, we’ll count it. Worked for Avatar.

Pros: The Castlevania “anime” is based on the Castlevania video game. Mostly Castlevania III: Dracula’s Curse. I’ve never played it since Castlevania starts at Symphony of the Night (YEAH, I SAID IT), but the stories pretty good. Dracula gets mad when the church kills his wife, so he unleashed literal hell on humanity. Trevor Belmont, a disillusioned monster hunter, decides to help after a cute girl and even cuter boy talk him into it. The anime touches upon the troupe of hypocritical faith. The church in this show, despite proclaiming the virtues of God, are corrupt and power hungry. Trevor and his crew, meanwhile, are heretics who try to help other people. Not that they don’t have their own ulterior  motives, but they don’t try to hid them behind a mask of benevolence as much as the church does. Being only 4 episodes, the show comes off as more of a cut up movie. Something you would see on Amazon as direct to video. Still, it’s a short fun introduction to the Castlevania mythos.

Cons: For an anime where Dracula unleashes his grief on a country, the scale of the film feels really small. The story is mostly located entirely in a enclosed city. And even then, a lot of the story happens in a specific hut or church. For a show based on a game that revolutionized exploration, there isn’t much movement here. And the ending is a cliffhanger. This show anime is more of a prequel to the original game. There is some fan service, like Alucard and Trevor’s weapons. It also kinda bothers me that Dracula and the priest that killed his wife never had a face to face. But I guess he blamed humanity more than the church. But unless your into the game, or medieval supernatural stories, its may come off as generic or even slow.

Watch it?: It’s only 4 episodes, so give it the 4 episode test. (4/5)

MVP: Dracula

He’s really, really, really angry.

Best Episode: Ep. 1 “Witchbottle” (Dracula could have just killed the priest. But no, he had to be a drama queen about it).

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Armitage III

Type: Is this a rip-off?

Synopsis: Because this OVA came out in February 1995, while the Ghost in the Shell movie came out in November 1995. BUT, the Ghost in the Shell manga was published in 1989. So I don’t know if Armitage is a omage to the GTS manga, a product of the cyber punk trend in the mid-90’s, or a desperate cash grab at a more popular movie coming out 8 months in the future. Either way, it’s not that memorable.

Pros: Armitage III is a cyber punk story where an android questions what it means to be alive. Super original, I know. The basic story starts with a murder of “The last country singer in the Universe,” who turns out to be a robot. This starts Armitage, a cop and android, down a path of intrigue and philosophical questions of technology and society. This is all pretty by the numbers by now, but what I actually really liked was the setting of this OVA. This story takes place in Mars, where a “Third series” of robots who could give birth were secretly introduced to help with the low birth rate in order to increase the population and make Mars more autonomous from Earth. But then Earth pressured Mars to get rid of the robot women for moralistic and political reasons. Whether these robots who look, act, feel, and can reproduce just like humans deserve this type of treatment is what the anime ask you to decide. That type of political sci-fi is right up my alley.

Cons: I mean, in a world where Ghost in the Shell exists, is this OVA even worth paying attention to? Apparently not, given that I found this anime on Funimation, while Ghost in the Shell got a live action American adaptation starring Scarlet Johansson. So I guess the real winner is Armitage III. The story itself was fascinating, and I loved, loved, LOVED the old school cyber punk animation. But the characters really bring the story down. Armitage’s too cutesy, and Ross is too boring. And the 90’s English dub is…the 90’s English dub. Still, as an artifact of 90’s anime, it’s an interesting watch.

Watch it?: I still haven’t watched Ghost in the Shell! (3/5)

MVP: The backstory

I really should watch Ghost in the Shell

Best Episode: Ep.4 “Bit of Love”  (I’ve just been delaying it so long, it’s starting to get a little awkward).

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Seven Mortal Sins

Type: Yeah, I know.

Synopsis: What can I say, a man has needs. ¯\_(ツ)_/¯

Pros: Let’s get this out of the way. There’s nudity in every episode. There’s boob foundling in every episode. There’s boob licking every other episode. And there’s bdsm like scenes in every episode. All the characters have giant breasts. There’s one loli character, but she’s only the focus in episode ep.7, and again in episode 10. If you want to watch this uncensored, try a fan site, because most legal sites will have the censored version. Ok, now that the pervs got what they wanted, is this show actually any good? No. No it is not. Thank you.

Cons: Basic story-Lucifer is cast out from Heaven and she tries to take over Hell, but needs to go through Seven Demon Lords that represent the Seven Deadly Mortal Sins. Each Demon Lord gets one spotlight episodes that follows the same formula. Lucifer confronts the Demon Lord, she gets caught in their trap, gets sexually humiliated for a while, and then convinces them to join her side. Lucifer is also joined by the Demon Lord of Envy, whose really, really annoying, and a human who Lucifer keeps as a slave because she can locate the Demon Lords. This is made from the same company that created Queen’s Blade. It’s better than Queens Blade in terms of story, as it’s more focused and has an actual ending. Don’t get me wrong, it’s still total garbage, but if you want to watch it then go ahead. You do you.

Watch it?: Did I mention it’s total garbage? Because that’s important. (2/5)

MVP: Wrath

I mean, just the worst kind of anime.

Best Episode: Ep.1 “The Proud Fallen Angel” (Total boob show. Everybody gets groped, usually by each other. The characters are all one dimensional. It’s just soft core porn with an average story. Filthy, but genuinely arousing.)

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Attack on Titan (Season 3)

Type: Oh my god! That’s opening!

Synopsis: What the hell was that!?

Pros: We WILL get to that. Believe me. As for season 3 of Attack on Titan: a lot of things happen. Very quickly in fact. This season of Attack on Titan mainly focuses on a power struggle between the Scouts, the Government, and the Royal Family. It’s only about 12 episodes, but well a lot longer. Like season 2, this season focuses less on the main trio of Eren, Mikasa, and Armin, and instead focuses of Krista and Levi. This is the season that expands on Krista and Levi’s backstories, respectively. They’re stories aren’t intertwined (they aren’t long lost twin or anything), but certain characters play important roles in both their pasts. We also get more backstory involving the origins of the titans and the walled city the series takes place in. This season isn’t as action packed as before, but it’s actually a major turning point in the story for various reasons.

Cons: Did you SEE that opening!? What. were. they. thinking. It was one of the most generic, bland, and out of tone openings I’ve ever seen. It’d be like if Evangelion opened to J-pop song. It’s be like if Cowboy Bepop opened to anything that wasn’t jazz. It’s be like if Attack on Titan opened to an uplifting tune about the past and grasping the future. Oh…it did. Huh….man, 2018 was the worst, wasn’t it?

Watch it?: Luckily you can just skip the opening (4/5)

MVP: Krista

Truly a historic performance

Best Episode: Ep. 6-7 “Sin” and “Wish” (We’re in the endgame now)

 

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Devilman Crybaby

Type: A good netflix anime!?

Synopsis: This must be the work of the DEVIL!!! (SPOILERS AHEAD)

Pros: Devilman Crybaby is an adaptation of the 1970’s manga Devilman, which was only like 20 chapters. The anime was released in 2018, and kinda set the tone for what to expect for the year. Ya know, with the apocalypse getting stated and all. But any hoo, the anime is about mild mannered crybaby named Akira whose taken to a sex n’ drug party by his best friend/life partner Ryo. Feeling like the party isn’t living up to his standards, and not wanting Akira to think all drug fueled orgies are lame, Ryo liven things up by going on a murders spree to summon actual demons. Akira ends up merging with one, and the plot kinda goes from there. The main draw for most people will be all the hardcore sex and nudity. And the stellar animation style. I guess. Helmed by Masaaki Yuasa, the anime has a unique and surreal art style that oozes creativity. This is one of those animes that you can just tell the animation crew had enjoyed working on. They really got to flex their talents. Sure, a lot of that went into the sex and gore, but also in the running animations, the family meals, the playful scenes between Akira and Ryo. It’s a visual masterpiece. There’s no getting around that. It’s also a creative showcase. Yuasa and his writers clearly had more freedom on Netflix than with traditional broadcasts. And I’m not just talking about all the breasts and blood. There’s literally a scene where a dud straight up raps for 30 seconds. Speaking of rapping, the show did a good job and modernizing a relatively short mange from the 70’s. Though I suppose since political corruption, public hysteria, and the power of scapegoating haven’t really changed in 50 years, we should really call it a tragedy.

Cons: And Devilman Crybaby is a tragedy. Almost to a predictable degree. By that I mean that Akira/Devilman have to face a new demon of the week every episode. This show also like to add a new story elements to each demon. Which sounds good on paper, but makes the entire story go by really, really, really fast. So some of the emotional punches won’t land depending on your attachment to certain characters. Miki being possessed by a demon is one thing, Akira’s parent’s both dying in the same episode they premiered in is another. Can’t miss someone you barely just met. Some story developments also cross that line from sad to EDGELORD. Aside from Akira’s parents, Miki’s family are also killed. Miki’s little brother turns into a demon that eats his mother. His father, unable to kills his demon boy, is killed by soldiers while trying to protect him. This was a little too much, and I preferred their manga fates more. In the manga, it’s Miki actually dies with her family at the hands of a murderous mob of humans. Not by having a weird running fantasy by the river. In fact, that whole scene worked a lot better in the manga because we don’t actually get to see Miki’s last moments. Like Akira, we only see Miki again when her entire family’s corpses are being paraded on spikes. The shock of that image works a lot better than in ep.9 due to the surprise of it. And out of every episode, I think ep.9 is the only one that suffered due it’s statues as an anime. Because it’s the only episode that feels like a stereotypical anime episode, and Miki is honestly the most anime characters in the series. She’s the typical good at everything. Which is kinda a shame. Not that I wanted her to be like her manga counterpart. That Miki was lame. Literally became Akira’s love lore groupie after his transformation. But I kinda wish they had kept some of her more lascivious qualities. For example, in the early parts of the show Miki is involved with a way older journalist. We don’t know what the nature of their relationship is exactly, though she does feel comfortable enough to shower in his house, but the implications were enough to add a layer of complexity to Miki’s good girl persona. But after that, Miki becomes just “the girl” to be honest…You know, for being one of the best anime of the year, I probably should have talked about things like religious metaphors and the nature of good and evil and all that. But enough people can and have analyzed every episode. SoI’d rather still complain about Ep.9 and Miki’s character. To summarize: The show sometimes goes too fast, some deaths and revelations seem unimportant, ep.9 is generic and dilutes an iconic moment, Miki could have been better, the English voice cast is a little wooden, and there is seriously a LOT of sex and violence in this. I cannot stress this enough. A LOT of sex and violence.

Watch it: I’d like to mention that I preferred Akira and Ryo’s characterization in this. Akira still remained a pretty good guy after becoming a devil man, and Ryo was more analytical (instead of being Mr. and Mr. Tough Cool guy in the manga) (5/5)

MVP: The animation

HAVE YOU SEEN THIS SHOW??

Best Episode: Ep. 1 “I Need You” (A lazy answer, I admit, but if your going to start, you should start here).

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Eureka Seven: AO

Type: All you need is the original.

Synopsis: A blue haired boy joins a peace keeping organization in order to stop giant coral reef aliens from blowing up. This is in contrast to his father, who joined a pirate ship in order to hit on a pretty girl. But since the father had more episodes to play with, his comes out to be the more interesting story.

Pros: This anime is difficult to talk about because it had a lot of potential. The protagonist is the rare son of former protagonists whose following his own story instead of continuing the previous story. The setting is a slightly altered version of the real world, fought with political commentary. And the mecha are mainly piloted by pretty teenage girls. Later on in the series, the show even introduces the idea of alternate realities and time travel just to add a little bit of sci-fi spice into the story. An adult Eureka and Renton also show up in this story, so fans who saw the 2005 show as teens can now see their old heroes as grown ups like them. The show is at it’s most interesting when it explores all these factors, especially the last two. It’s just a shame that it fumbles it all so badly.

Cons: I’ve been doing this review thing for a while, but I still lack the words needed to communicate exactly what went wrong with this series. Because on paper it has everything it needs to succeed. It ticks all the generic anime mecha boxes: a boy pilot with daddy issues, robots that can only be piloted by teen girls, not so subtle jabs at American foreign policy, and psudo bulsh$t sci-fi. It’s also a sequel to a well known (kind of) show. But it all feels…hallow. The show has no soul. It all felt too by the numbers, nothing felt earned, and it never took that extra step after a big twist or reveal. “Betrayals” are almost immediately reversed, only one important character dies, romances are only hinted at, and the alternate reality stuff is not explored nearly enough. They don’t even show Eureka raising Ao by herself to understand why Ao loves her so much and resents his father. This is going to sound weird from a guy who likes to keep things light, but the show is just not mean enough. Eureka Seven was mean. Renton was beaten repeatedly by his own side! Holland kicked his 14 year old whining behind constantly, because he was not a father, he was a pirate. Eureka didn’t fall for him immediately, she didn’t even like him that much until 25 episodes in. And the kids of the show were plagued with all these new feeling that they didn’t know how to handle because they were teenage kids, while the adults were haunted by their past actions and still didn’t know who to handle certain emotions. But in AO, everyone loves AO. All the adults are extra nice to him, all the girls eventually have crushes on him, and Ao even forgives his dad after like a 5 minute skirmish. We never get to see Ao deal with the smaller, confusing moments in life that would make the audience empathize with him. He’s never shown to be weak, or rash, or awkward, or selfish. All this actually made me dig a little, and it turns out that the show was directed by the same guy who did Eureka Seven, Tomoki Kyoda, but not written by the same guy (Dai Sato). This would explain the dissonance I got while watching it. I’ll be honest, part of the reason why this show annoyed me was because Eureka Seven was one of my shows. An early anime that caught me as a teenager that I would watch at 4:30 am-5:30am before going to Calculus morning classes. It’s a show I’m very familiar with, and its sequel just does not satisfy me at all.

Watch it?: Let me summarize my points: you don’t sympathize with the protagonist, the plot is rushed, too many ideas are crammed in, you only get excited for the parts when Eureka and Renton show up for their one respective episode, you’re still left with a bunch of questions about what happened to everyone else in the original show (like Eureka and Renton’s other adopted kids) and the show has the gall to save the interesting alternate reality stuff for an online-only episode. (3/5)

MVP: Eureka and Renton

Sorry Ao, but your parents are just more interesting

Best Episode: Ep.13 “She’s a Rainbow” (hey, it’s Eureka!)

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11 Eyes

Type: Yes, this is a late 2000’s anime alright

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Synopsis: Based on a visual novel? Check. Main protagonist is obviously the main protagonist thanks to his over the top eye patch? Check. High school kids killing demons? Check. Things get surprisingly dark in the middle? Check. Overly-complicated to the point of having a character WRITE A DIAGRAM to explain something. You’re goddamn right it’s a check.

Pros: Given the overexposure of light novel anime in the 2010’s, it’s a bit nostalgic to look at an anime back in the time where Visual Novels were the lazy production company’s answer to success. The anime is pretty stereotypical for the time: kids fighting demons. You have all the usual players as well, like the main character with a unique power (a magic eye!), an overly feminine love interest, a swords-woman with unrelated magical powers, a sweet blond girl with a split personality, and a cocky rebel who doesn’t work well with others. The plot does break the mold a bit by having moments of shock or drama. This can range from a sudden death to misunderstanding. I particularly liked what they did with Yuka, who goes on full on Yandere as the series progresses. It’s these darker moments that elevate the show from it’s default mediocrity.

Cons: As stated above, this show fells by the numbers. It has a generic cast, generic villains, and generic story lines. It’s saving grace is that it allows characters to die, or to express their sorrow/grief in interesting manners. For example, you have Takahisa, my least favorite character, who is the first of the main cast to die. As a result, his love interest Yukiko does into a suicidal rage, leading to her death as well. While I had absolutely no interest in either of these characters or their relationship, their deaths and reactions grabbed my attention. So you can imagine my reaction when good characters like Misuzu and Kakeru interacted. In fact, Misuzu and Kakeru are a fairly competent example of how to pace romantic/sexual tension, and is one of the few things that makes 11 Eyes shine. Because it sure ain’t the overly confusing plot with way too many elements to juggle. I’m talking flashbacks, time travel, parallel worlds, like three different kinds of magic (p.s. I check, and the index girl in this is not related to A Certain Magical Index in any way), and just, just so many contrivances…

Watch it?: This is surprisingly comparable to Shakugan no Shana. Probably due to the weak plot and monsters (3/5)

MVP: The Kakeru, Misuzu, and Yuka Love Triangle

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It’s not cheating if it’s the end of the world and your bae’s insane, right?

Best Episode: Ep.8 “Witching Hour” (the dark turning point!)

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Rumbling Hearts

Type: “Does Everything I do Have to Hurt Someone?”

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Synopsis: Once upon a time there lived a girl named Haruka, who had a best friend named Mitsuki. They both loved a boy named Takayuki very much, but he only loved one of them. Then one day, Haruka fell into a deep sleep and couldn’t wake up. Takayuki’s heart was broken, but Mitsuki helped him but it back together. She never left his side, even though part of his heart still remained with Haruka. What else could she do, she loves him…

Pros: Ok, so real talk. I kinda got into this show. I found this anime soap opera genuinely engaging. Sue me. The basic premise is: Takayuki, Haruka, and Mitsuki are high school friends stuck in a love triangle. Then one day, Haruka gets into an accident and falls into a coma. Takayuki and Mistsuki start dating, even though Takayuki isn’t fully committed. Three years later, Haruka wakes up and causes Takayuki and Mistuki’s relationship to become really strained. That’s basically the gist of it without giving away too much. I would love to explore the subtleties of the show, but that would spoil the experience. The strength of the show comes from the portrayal of Takayuki and Mitsuki, both as individuals and as a couple. More so with Mitsuki, who I found really relatable. You see, when Haruka wakes up, Takayuki basically begins an emotional affair with her. And Mitsuki’s reactions to this are all too understandable. She tries to ignore it, she tries to overcompensate physically and emotionally, she even verges on alcoholism. She spirals as she comes to the realization that the person she loves has stronger feelings for someone else, and probably always did. Both Mitsuki and Takayuki are guilty of trying to cling to the past, with Haruka being a not to subtle living memory that holds them back from the future.

Cons: The show has a good beginning, and a strong ending, but a weak middle. This is because the beginning sets everything up, the ending ties everything together, but the middle has to let the story breath. And it takes long breaths. The middle of the story, about ep4-9, has to show Mistuki and Takayuki’s relationship slowly deteriorate. So you get a lot of awkward silences and montages of everyone looking sad. It’s necessary, but also skimmable. The ending, however, really sticks the landing. So much many character arcs come to a head in ep10-14 that I want to talk about, but it would spoil them!! Even sweet, stereotypical Haruka gets to react to her situation in a realistic manner. The show does have it’s faults. The story is a soap opera, and fairly predictable. All the heroines seem to love Takayuki for because it’s anime and “he’s a nice guy.” But I saw how he lived with Mitsuki, and honestly…he seems like a dick. He’s distant, emotionally self-centered, and rather boring. But dammit if the story’s not engrossing. I partly attribute this to the fact that main cast are all in their early 20’s instead of in high school, so the drama can be taken a little more seriously. Although I do admit that the character designs do make everyone look older than they should. Takayuki and Mistuki are suppose to be 20-21, but they look 25. I watched the English dub, which was great, although Takayuki’s performance came off as a but wooden. I do have to mention, however, that I have never heard the phrase “baby” in the romantic sense this much in an anime before. Since Takayuki and Mistuki are adults in a relationship, they tend to sleep together a few times in the show (nothing explicit pervs!), so the phrase comes up. That’s not a bad thing, it just tickled me a little.

Watch it?: If I even did Anime Audio Commentaries, this show would be one of them (4/5)

MVP: Mitsuki

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You can’t help who you love, and that hurts sometimes.

Best Episode: Ep10-14 The Ending Arc (Though I’m not sure how I feel about Mitsuki and Takayuki’s ultimate fate…)

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xxxHolic

Type: A lot more lore than you think

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Synopsis: A boy named Watanuki visits a mysterious magic shop to because he attracts spirits. The owner of the shop, Yuko, agrees to help him in-exchange for becoming the shop’s part time cook/butler/errand boy. This sounds like a good deal, except for the fact that Yuko constantly sends him on supernatural-related missions Personally, I think Yuko is swindling the kid, but maybe it’s all just a coincidence…

Pros: The anime functions on a case-of-the-week story structure. Every episode deals the Watanuki and Yuko “helping” someone with a minor problem, like being a compulsive liar, or having an internet addiction. Something these people should really be going to a mental health clinic for, not a magic shop. And while these clients sometimes do have a spirit hanging around them, a lot of times it’s because the spirits were attracted to their negativity. They generally aren’t the cause of it. As such, Yuko often had to deal with the person’s personal issues rather an exorcise any evil spirits. The show had good characters to deal with these stories. Yuko is enigmatic and wise, but also lazy with a witty sense of humor. Watanuki is loud and complains a lot, but he’s generally a kind soul. These characters make the show’s predictable pace interesting to watch, and are the real reason to watch the show. (p.s. I’m not super cray about the lanky character designs, but Yuko’s outfits are always on point).

Cons: As with any case-of-the-week anthology show, things get boring and repetitive fast. Every week, some specifically female customer comes in, goes into self-denial over the problem they came to fix, and then Yuko fixes that problem. I actually found myself skipping through a lot of these episodes. And there were a few times when it even felt like a chore to watch the show. This season also has no real ending. It just ends. The only saving grace from the monotony of these episodes are the spotlight episodes with Watanuki and Domeki. The show has a running joke that Wataniki hates Domeki because he’s madly jealous at his popularity, but Yuko keeps finding ways to put them together because Domeki can repel spirits, and thus protect Watanuki. The two make a good comedic pair, with Domeki’s stoic personality contrasting well with Wataniki’s high-strung reactions. Now, the show does have one weird caveat: xxxHolic is actually part of a larger shared universe created by CLAMP, the all female writing group. This CLAMPaverse also includes Tsubasa: Reservoir Chronicles, Card Capture Sakura, and sometimes Blood C. From what I gather, you don’t really need to watch any of these to enjoy xxxHolic, but Tsubasa at least apparently helps.

Watch it?: It’s boring  (2/5)

MVP: Watanuki

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Complain, complain, complain….

Best Episode: Ep.19 “Unreasonable” (a fun episode! snowball fights!)

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