Category Archives: Dramedy

Overlord III

Type: “The Isekai where the protagonist is playing as a renegade” –Digibro

Synopsis: I wish I could come up with original material, but it’s 2019.

Pros: But really folks, this quote manages to perfectly summarize why Overlord is different from other Isekai anime. It’s an anime where the main character is playing as the bad guy. Is Ainz’s a bad buy himself? Kinda. Neutral Evil to be honest. This season does an excellent job at demonstrating exactly what kind of campaign Ainz is playing. For example, we return to Carne Village, the first village Ainz visited and defended when he entered the New Word. We get to see how these villagers view Ainz as a benevolent master. On the other hand, we also get a story where Ainz brutally dispatches a group of adventurers after we get a whole episode getting to know. Not to mention his political manipulation of an entire empire to further his own ends. It was in this season that I finally realized that Ainz still sees his current reality as a game, which explains his coldness towards some characters, but warmth towards others. That’s why he’s Neutral Evil. He will destroy anyone to further his own ends (just like a player will kill a character to advance the story), but he still holds some respect and admiration for others.

Cons: If I was going to say anything about this season, its that it goes by very quickly. But I’m not sure that’s really a negative. Season 3 fixes Season 2’s problem by having a coherent narrative all the way through. It’s doesn’t break up the story flow, and each mini-arc goes into the other very well. This season is maybe a little light on action, but I really liked the stuff in Carne Village and the scenes in the Empire. The one real downside, and I do mean downside, is that this season cannot work for you unless you’ve watched Season 1 and 2. It simply has too many characters and storylines that you need to be familiar with to fully enjoy it.

Watch it: A great end to Act 1 of Overlord. (4/5)

MVP: Enri

Hail General Enri!

Best Episode: Ep. 6-8 The Worker Arc (I enjoyed every arc, but this one reminds you what characters we’re really dealing with)

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Overlord II

Type: Lizard men and Bandit killing

Synopsis: We have two main campaigns here. First is the Lizard Men campaign, where our noble heroes have to defeat a united lizard army. Can our heroes’ vast armies and infinite strength stand up to a bunch of reptiles with pointy sticks? You’ll just have to watch to find out! Second is the 8 Fingers campaign, a side-quest for a butler, a damsel in distress, a couple of bumbling swordsman, and one shade throwing maid. Can they ever get along? You’ll just have to watch to find out!

Pros: Overlord season 2 is a protagonist-less story arc. Think the Shikamaru arc in Naruto, or the Doctor-lite episodes in Doctor Who. This means that our mmorpg nerd/underad lord main character, Ainz Ooal Gown, doesn’t really show up this season. He’s more of a supporting character in these stories. The first half of the season involved a group of Lizard Men who have to deal with Ainz’s forces invading their lands. I liked this arc because it was very reminiscent of older fantasy stories involving alliances between warrior tribes, magic swords, and outcasts heroes. The second arc revolved around Sebas, Ainz’s head butler, as he makes gets caught up in fighting an underground crime syndicate after saving a slave from death. This story was way more of a modern fantasy story: you have a young knight, a weary swoardsman, a sly princess, political games, and a gentleman hero who I may or may not have developed a crush on. Overall, a solid season.

Cons: I forgot to mention, but whoever did the English dialogue deserves a raise, because I loved the proper manner that all the character’s spoke in. It really helped convey a lot of their status and upbringing, as well as they’re regard to certain other characters. That being said, the action, while there, isn’t really something to write home about. It’s pretty generic fantasy fighting. A few swords slashes, a magic spell here and there, but nothing amazing. I can also imagine that some people won’t be syked that Ainz takes a back seat this season. I think it works really well, but people do watch this show to see the Overlord, not a bunch of lizards of their butler. In addition, the story doesn’t to a great job transitioning between story arcs. One episodes ends one arc, another begins the next. It’s a little jarring. However, this show does an incredible job of juggling new characters and giving them each a personality you can care about.

Watch it?: It’s would be an afront to the great Ainz Ooal Gown not to! (4/5)

MVP: Sebas

Daddy. (D-Did I do it right?)

Best Episode: Ep. 5 “The Freezing God” & Ep. 8 “A Boy’s Feeling” (one has the best joke’s I’ve seen in a while, and the other makes me want a spin-off)

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Overlord

Type: A horrible nightmare for some, an opportunity for others.

Synopsis: A complete nerd that spent 12 YEARS on an online MMORPG has to sadly say good-bye to his friends as the servers are being shut down. As he closes his eyes to feel the sweet relief of digital death, he discovers the he is now stuck in the game. The game where’s he’s an over-leveled sorcerer, and commands other over-leveled characters, some of whom are hot babes that want to literally jump his bones (he’s a skeleton). Man, if I wasn’t such a huge nerd in other areas, I’d give MMORPG’s a try. According to anime, there’s no downside!

Pros: So this is an Isekai series…sit down DAMMIT! Or I’ll never give you the launch codes! Anyway, this one’s gimmick is that the character is stuck in a non-human body and is in charge of a crew of boss tier NPCs. Since the main character, Momonga, is the only player character still in the original game, the story takes him to another country. Kinda like an expansion pack map (or DLC for you kids out there). The two main plots are Momonga slowly gaining influence in the new country, while also trying to discover if any of his friends are also in the game. What I liked about this Isekai show is that Momonga is stuck in his player avatar, which is a huge skeleton, and how he basically starts to become his character, like become more indifferent towards other humans, and how something or someone is preventing him from losing his temper. And since he’s a character that’s been leveled up over 12 years, it makes sense that he’s so overpowered. Plus, Momonga’s tendency to reminisce about his past friends gives his characters an extra layer of sympathy.

Cons: Momonga’s general’s aren’t anything to write home about. They’re basically a mix of different troupes that, in fairness, seem like a group made by a bunch of MMO junkies. Even Albedo, the poster girl, isn’t that deep. Just your basic devoted demon. The best part of the anime are the first 1-4, which serve as an introduction to the series and help flesh out Momonga’s character. Episode 5-13 sadly move away from Momonga’s palace and deal with a local adventurer’s guild and church baddies. It ends with a battle against one of his generals (who’ve been brainwashed). Not bad, but nothing to write home about. Literally. And obviously, any fight involving Momonga has no stakes because you know that he’ll win, but sometimes having a show like isn’t a bad thing.

Watch it?: Depends on your tastes. (3/5)

MVP: Momonga

All hail the overlord!

Best Episode: Ep. 4 “Ruler of Death” (battle!)

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Ping Pong: The Animation

Type: It’s like mini-Tennis

Synopsis: How come Mini-Golf doesn’t get the same respect? Is it because it’s a little goofy? Are we SO afraid to be silly that we can’t endorse something built on fun? Because no one, in the history of Earth, has ever enjoyed Ping Pong. Even the boys in this anime don’t seem to enjoy it. Well, Peco does. Everyone else treats it more like a job, obsession, or personal mission statement. God, Ping Pong sucks. The game, not the anime, which is actually pretty great.

Pros: The big hook for this anime is that it was directed by Masaaki Yuasa, the director behind stuff like Kick-Heart, The Tatami-Galaxy, that one episode of Adventure Time, and 2018’s Devilman Crybaby. The guy’s know for having a unique style to say the least. And that’s the best way to describe this anime. It’s not groundbreaking or revolutionary, but it is unique. There is not other anime out there like it, and that’s surprising given that it follows the sports anime cliches pretty closely. But since it’s based on a Manga, that’s not surprising. The story follows Peco and Smile, two friends on the school’s ping pong team. The arrogant Peco is beaten one day by the new imported ace from a rival school. Humiliated, Peco quits the team for a while, leading his coach to focus on Smile, a talented but reserved person. The story follows their and their rivals’s growth as individuals, using Ping Pong as an analogy for life, like any other sports anime. Peco learns the value of humility and hard work. Smile learns to accept vulnerability and desire. And other players learn other things, like accepting your limits, being part of a team, or learning that fun and drive aren’t segregated concepts. The story’s not complicated, because it focuses on the character’s inner turmoil and conflict, and uses the “dramatic showdowns” to further along the character’s emotional arc.

The animation is the other hook this anime has. It uses a sort of rougher sketch style that accentuates the character’s movements and stances to enforce exaggerated realism. No one really moves or looks perfect. In fact, sometimes characters move and stand oddly. Which is exactly how people move and stand in real life! Everyone in this anime looks different, moves differently, and I cannot tell you how much I appreciate that. For example, Peco moves loosely, while Smile is stiff and a bit uncomfortable. But amazing, both of these character’s postures change to reflect their growth at the end of the series. Seriously, you can compare how each character stands to check how the events of the story affected them. Despite looking obviously drawn, this anime may also be the most realistic looking anime I’ve ever seen. (P.s. A great example of this is the killer opening). I honestly thought this was made in 2017, it’s that good looking.  It looks weird enough to scream ANIME, but is well made enough to say Anime. In fact, this is one of the few anime I’d recommend you introduce to any of your non-anime friends or family members.

Cons: I know I talked a lot about stances, but for real. This anime does stances right. Speaking of stance, one draw back about this anime is that there are a lot of still frames where characters just stand around and talk. Or a lot of jump cuts to static action scenes. Classic cost cutting measure. Another thing, I’m aware that I made fund of Ping Pong at the start, but I actually didn’t mind it in this show. The exploration of Ping Pong was entertaining. My personal research (the internet), revealed the Ping Pong is actually pretty ping overseas, particularly East Asia, Europe, and Africa. Not being from there (USA #1!), I don’t really get it, but I liked it nonetheless. I fact, this anime made me realize something: I don’t really hate sports anime. Every sports anime I’ve watched for this site has been enjoyable. I think I only hate The Prince of Tennis. Yeah..Screw you Prince of Tennis!

Watch it: Literally the most fun you’ll have with Table Tennis (5/5)

MVP: Dragon

I’m really glad he mellowed out in the end.

Best Episode: “Yes, My Coach” (the real turning point, though honestly almost any of the episodes could be watch by themselves and be marveled at. It’s that good.)

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Yuri on Ice

Type: Yeah, I know.

Synopsis: What can I say, a man has needs. ¯\_(ツ)_/¯

Pros: This anime is actually the story about a figure skater staging a comeback back into the international competitive male figure skating scene. That’s about it. Yep. Nothing else…expect for it’s status as watershed anime that proved that same-sex male relationships can be part of a commercially popular anime. I mean, Revolutionary Girl Utena and Free!, but Utena was about lesbians, and Free didn’t really have any romance in it. Not so with Yuri on Ice! The main relationship is between Yuri, a struggling figure skater, and Victor, the current world champ who takes an interest in him. Victor plays the goofy flirt while Yuri plays the sensitive shy one. They have a fun dynamic that can turn surprisingly emotional at times. Their in a relationship in all but name (they even trade rings for crying out loud!). In fact, the relationship transitions from idolization to emotional support fairly organically. Outside of that, the show has pretty good humor. The various skaters that are introduced get defined pretty well, especially for a 12 episode series. The sport aspect means you get to see different figure skating routines every few episodes. And as a guy that’s never been interested in figure skating in his life, I found the routines fun to watch. I really liked the one’s that used non-orchestral music. (p.s. I liked the opening song. I’ve heard it before and thought it was an actual rock song)

Cons: Here’s the thing about sports shows, it needs to have sports in it. Meaning that a large chunk of the show will take place during the game/meet/fight, etc. But anyone’s who’s ever seen a sports anime know that it’s more interesting to see the characters train and interact before competing against each other. I did say that I like the routines I saw during the show, and I meant it. The animation used for them was extremely impressive and fluid, and everyone on the animation side should be proud of themselves. That being said, the show tends to repeat routines, especially for Yuri and Yurio. And the show also jumps very quickly between competitions, only giving 1-2 episodes between them, so a lot of the show takes place in a skating rink during game day. So what you have is an anime that spends the first 6 half establishing Yuri’s hometown friends and personal motivations, then rushes the last half with competition after competition that all start to blur with each other. I mean, I didn’t even know that this show technically covers a whole year until I reread that episode descriptions for this review! (p.s.s. I also wish that Yuri and Victor’s relationship wouldn’t have a hint of ambiguity to it. The show’s 99% there, and it would be hard to argue that they’re not gay, but that extra 1% of honesty would have been nice).

Watch it?: One of the IT shows of 2016 (4/5)

MVP: Victor Nikiforov

He loves his boyfriend, job, and dog. I respect that.

Best Episode: Ep.3 “I Am Eros, and Eros is Me?! Face-Off! Hot Springs on Ice” (you can actually see that transformation from cutlet bowl to world class athlete)

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Nanbaka (Season 1 and 2)

Type: Don’t let the great promotional art fool you! It’s really kinda bland.

Synopsis: For real. I actually started watching this for about 6 episodes, them stopped for about month to watch other, better anime. That’s how much this show failed to keep my attention. I even caught up on regular shows I haven’t seen in years before picking this up again! (I’m talkin’ Brooklyn Nine-Nine season 3 and 4, Bob’s Burgers season 7, Victoria season 1, and Steven Universe season 5)

Pros: On paper, this anime is a comedy with an all male cast. Something in line with shows like Hetalia. It’s selling point is that you get to watch all these cute boys do silly things while deciding who’s the best husbando. It also has great advertisement art work. And in all honesty, the show excels when it focuses on the slice-of-life aspect of living in an anime prison. The comedy comes from the fact that the prisoners treat Nanba Prison like a dorm stay rather than a punishment. Instead of having to deal with the real world, they get to relax and hang out with their buddies. Sadly, this goes away rather quickly.

Cons: This show has a tone problem, and you can really see the manga aspects of this show early on. The show starts as a comedy show, but turns into an action drama at about episode 4. The thing is, the show know this. It acknowledges that this supposedly silly show has some dark elements to it. After all, all the prisoners are in prison for a reason. But it’s adherence to drama and action really takes the show down from a quirky comedy to just another generic anime. The only real dramatic stuff I like is the brief flashbacks into the character’s past. I feel that if the story really wanted to inject drama into this “comedy,” then the backstories were enough. It would make the audience sympathize with them and understand why they enjoy prison life so much. The first season mostly focuses on Jyugo, while also introducing all 1 billion extra characters. Focusing on Building 13, with 7 characters was enough, I didn’t need the rest of the prison right this minute. Jyugo’s past trauma was all well and good, but making him some sort of scissor man was the moment that this anime officially jumped the shark. I didn’t even now that anime could do that. It felt like the author got a dip in manga 4 weeks in and panicked. The second season is more focused, revolving around the revolt in Building 5, which also has a neat Chinese theme going. I kinda like the idea of alternating between different Prison blocks for story arcs, and this season came the closest to fulfilling that potential. That being said, it also ends in a cliffhanger, so f#$ it.

Watch it?: Maybe if your doing time (3/5)

MVP: Hajime

Maybe we’re all the real prisoners!?

Best Episode: Ep.2 “The Inmates Are Stupid! The Guards Are Kind of Stupid, Too!” (this is suppose to be a comedy anime!)

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Stigma of the Wind

Type: One story arc (maybe two)

Synopsis: Imagine a show that starts off with a black sheep from an elitist and prideful Japanese family coming home after being exiled for being a “disappointment.” The family happens to be in the middle of a crisis, and naturally targets the black sheep as the culprit, half because he’d likely hold a grudge and half because they’re bullies. But the black sheep isn’t going to take any more of their sh#t, and kicks their asses with his new wind powers.  Because screw Hierarchical social systems! DOWN WITH ELITISM!!–Then it turns out it’s not his fault…and everyone starts hanging out with each other, and ah, goes to the amusement park together. Huh, kinda petered out after the start there.

Pros: This show is based on a light novle. A one story light novel if I’m perfectly honest. And that’s the story of the return of Kazuma, the banished member of the Kannagi family of Fire wielders. Due to his inability to control fire, Kazuma was deemed an embarrassment and kicked out of the family. But a few years later, he comes back as a very powerful wind user. His return happens to be around the time that members of the Kannagi family are being killed by wind magic. The Kannagi’s assume it’s Kazuma, judge him guilty without a trial, and are soundly defeated by him. Worse yet, a few try to get him to turn himself in out of family loyalty, despite being exiled from the family. Jerks! This whole story arc, and the subsequent one involving someone trying to get revenge on Kazuma for something he didn’t do, are really compelling. It introduced a lot of the characters really well, it sets up the conflict as both a fight between family and between tradition, and it explores the idea of how resentment grows from inequality. Episodes 1-7 are watchable. Too bad I can’t say the same for the rest…

Cons: This show his based on a light novel that clearly had 2 thought out story lines, and nothing else. This means that either the author ran out of ideas very quickly, or that the anime writers went off script. Either way, after ep7 the show goes from an exploration of complex family interactions to a light hearted love comedy. Let’s just forget that our entire family was slaughtered and go to the amusement park! I’m sure that will convince the man we gave serious inferiority issues to marry his 18 year old cousin! I mean, now that he’s so strong, we can invite him back to the family no problem! Everything becomes very troupe havey after episode 7. Ayano goes from the headstrong heir of the Kannagi household to a love sick puppy. Kazuma goes from an anti-hero to kinda a brooding trickster? And Ren, well Ren actually become more tolerable. I though for sure he was going to be like a shota-type man child, but he was pretty normal. In any case, the show stagnates after it’s opening, and not amount of useless and unnecessary backstory about a dead chick is going to fix it.

Watch it: “Promise you’ll always protect me,” who says that!? (3/5)

MVP: Kazuma

Prime Kazuma. Not Tsui Ling Kazuma.

Best Episode: Ep1-4 Return of Kazuma Arc (interesting beginning)

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My Hero Academia (Season 3)

Type: UNITED STATES SMASH

Synopsis: It starts with U.A. High going on a school trip to the woods that ends with several children being injured and one kidnapping. It continues with several U.A. students attempting to interfere with a complicated and sensitive rescue operation. It finally ends with U.A. giving an exam that give minors licenses to get into fights with maniacs. Hogwarts don’t look so bad now, does it?

Pros: My Hero Academia season 3 kinda fixes every problem I had with season 2. Real talk, given all the hype around season 2, I was a little underwhelmed with the second season. I wasn’t really a big fan of Stain, and the tournament arc was just a tournament arc to me. But this season, man, this season was all that, and a bag of chips. This season had a lot of the hallmarks of the superhero genre that I love. Finally getting out of the school setting, this season explored the world more, and gave more context of what it means to be a hero in this world. We finally get to see Deku actually save a person from a super villain using his superpowers. We see the “death” of an important hero at then hands of a truly evil being. We see how the world reacts to this. However, the most important things this season does is explore the concept of how heroes inspire heroism in others. Over and over again, we see how the heroic actions of certain characters influence other characters to act the same. This, I think, is the true purpose of a hero. To inspire others to be heroes. To show others that they can be a better version of themselves. To show us that even in the darkest, most dire hour, there’s still someone who can save you with a smile on their face, even if that someone has to be yourself.

Cons: The season has a weird non-ending. Like, it doesn’t really have a cliffhanger per say, but a “until next season” sort of ending. Not a fan of that. I like bookends. The show also ends of another school related battle royal. Not a fan of that either, but it does set up a killer final battle for the season. This season also got me to catch up on that manga, which I had been meaning to do for a while now. So it’s actually a pretty good season overall.

Watch it: Honestly, I think it’s the best season yet (4/5)

MVP: The animation directors

Dude, the fights were sick this season!

Best Episode: Ep. 10 “One For All” (I mean, how could I not!)

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Hand Shakers

Type: This doesn’t taste like Monkey Butt!

Synopsis: A long time ago, or at least by anime release standards, this show made a very specific impression. It had a…unique animation style, and it’s first episode ended with a busty goth girl wrapped in chains heaving in sexy pain. This turned a lot of people off. That’s the thing about first impressions, you only get one.

Pros: Unless your me! I’ll give anything multiple first impressions. It took me 4 tries to get into The Office. 2 for Parks and Recreations. About 8 for the Dark Souls series. So I was like, what the hell?. I’ll watch Hand Shakers. How bad could it be? And honestly? It’s not that bad. It’s not good. But it’s not trash. It’s more, bargain basement than anything. A lot of the fun of the show come from being introduced to different Hand Shaker teams. The whole show is a Partner battle royale, with the winners getting a wish from “God.” So what you get is a lot of different pairing working together to achieve their goal. The fact that the fights are sudden death means that, no matter what, someone is losing their wish. It gives each team an understandable reason to fight. It’s really the exploration of each team’s origins and motivations that make this show interesting. And I’ll admit, the show’s fights and comedy moments grabbed my attention more than once. This show had competent directors by the feel of it.

Cons: Maybe sometimes if you don’t have something nice to say, don’t say anything at all, but I did start with some positive praise, so….OK, LOOK, I don’t hate this show. But it really is a good bad show. The story is predictable and clunky. I mean, a battle royale where if the protagonist loses, she dies? Really? The protagonists are boring at worst, saccharine at best. Yes, your a male protagonist who will mamuru his lady love. Yes, your a female protagonist whose secretly the strongest hand shaker but needs to learn how to “love” from the first boy she meets. All we need is a tragic back story and evil twin sister…Oops. What else can I say that no one else has? Awkward dialogue. Rush story. Visibly low budget. Some problematic issues (incest, the first episode, come one guys!). And of course, you can’t really ignore the 2D/3D animation style they went for. Not a personal fan, especially because Tazuna’s head look weird. Like his head model and body model weren’t meant for one another. But I think the most egregious issue is the real-life stills that they use as the backgrounds for the show. Now that is just sad. But still. Had the show been an exploration of the teams instead of the Tazuna/Koyori show, and had the used animated backgrounds, and maybe not gone with pairs fueled by incest and BDSM, then I think it would have been a better show for it.

Watch it: Shoudn’t this be called “Hand Holders?” (2/5)

MVP: Team Shadow

I wish they had been used more as mentors

Best Episode: Ep. 3/4 “Blade and Dagger” and “Live Lab” (A fun pair to watch)

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Tenchi in Tokyo

Type: Not, ah, my favorite entry.

Synopsis: I was going to try to make a long point about people moving new places, dating new people, and how this sometimes means losing track of your old friends and family. But that was taking so long, so screw it. What this show is really about is Tenchi trying to escape his crazy life filled with alien girls by moving far away and shacking up with the most IRRITATING girl you could think of…only for her to be a psychic projection of another alien girl.

Pros: For all it’s faults, Tenchi in Tokyo does a good job at staying true to the characters of the Tenchi Muyo Series. There’s no real point that in the show that the characters act in a way that isn’t believable to them. The essential plot is that the bad guy tries and succeeds in separating Tenchi and crew, and each react to this in a way I can buy into. Mihoshi and Kiyone leave after getting a reassignment from the Galaxy Police. Ryoko goes on a violent rampage in space after having her heart broken, and goes through the best story arc she’s ever had in the franchise. Plus, it was cool to see Ryoko as a proper space pirate for an extended period of time. And Ayeka tries her best to keep it all together since, as a lonely princess, she most likely never had many friends. What’s also interesting is that this iteration of Tenchi may be the most unlikable he’s ever been, but arguably the most realistic. The catalyst for the show’s plot is when Tenchi decides to leave for Tokyo to further his studies. While there, he meets a seemingly normal human girl and starts to date her, leading to the group slowly drifting apart. What made Tenchi unlikable was his efforts to keep the girls away from him and his life in Tokyo. At first, it starts as him comedically trying to stop Ryoko and Ayeka from interrupting him from starting a new life. But as the show goes on, Tenchi starts to outright ignore his former friends. Almost as if he’s willing to abandon his friends if it means living a stereotypical normal life. The plot even revolves around this, as it’s Tenchi’s bond with the girls that the antagonist is trying to severe. What’s especially interesting is that Tenchi wasn’t tricked into doing this. Not really. All he did was move and meet someone. But that was enough to make him move one from his hometown life.

Cons: While the character work in this entry in the show was fascinating, and probably the best exploration of each member of the cast, or at least Ryoko and Tenchi, this show is a mess. The tone of the show is also all over the place. This show contains both the sillies jokes that Tenchi Muyo has ever broadcast, as well as it’s most dramatic moments.  It’s starts off way to slow. The first six episodes are basically an unfunny farce that do nothing to keep the audience’s attention. If I wasn’t for my commitment to the series, I probably would have stopped watching. Well, that’s a lie, I watch no matter how bad, cause I’m RIDE OR DIE. But I probably wouldn’t have payed as much attention. The real meat of the show doesn’t come until 7, when the show reveals how this version of Tenchi and the girl’s first met. From there we get Ryoko’s Date, Ayeka trying to hitch hike to Tokyo, Tenchi starting to date Sakuya–the real story basically. Then there’s Sakuya…OK, I don’t want to be that fanboy, but I’m gonna be that fanboy. Sakuya is a horrible character who forced me to skip every scene that she was in (which included the majority of Tenchi scenes). She’s a homewreaker. Literally. She was created to distract Tenchi and keep him away from the other girls. The other more interesting girls, like the bad-ass space pirate, or the alien princess, or the two space cops. The show tries really had to make the audience like her, but I don’t think she really added anything to the existing cast. Tenchi, like most harems, is build on troupes. Ryoko is the rude girl. Ayeka is the princess. Sasami is the cute one. Mihoshi is the ditz. Mihoshi is the exacerbated career woman. But no, Tenchi’s first kiss in the franchise had to come from Sakuya, another in a long line of cheerful school girls who makes boxed lunches every day and dreams of nothing more than being a beautiful bride, because Anime. Goddam it Anime. I think this whole thing would have worked better as a movie. It would have at least tightened the plot and reduced Sakuya’s screen time. That being said, I guess I can’t call this show terrible if it caused me to feel this strongly about it.

Watch it?: Man, for a average show, I sure had a lot to say about it. Heck I have more, like how Ryoko was the only one who trusted Tenchi with Sakura, but her trust was broken. Anime men are dogs! (3/5)

MVP: Ryoko

It was great to see Ryoko cut loose

Best Episode: Ep17-19 The Separation Arc (it’s like when your favorite band breaks up!)

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