Category Archives: Dramedy

Girls’ Last Tour

Type: Kinda sounds like a K-Pop group

Synopsis: What? I can listen to K-Pop. It’s 2020 people! If you want to know that I recommend, I’d say you can’t go wrong wit the classics: Black Pink, EXO, Girl’s Generation. BTS, or course, though maybe only stuff from their first album. The music videos are also something else. Totally more creative than our lazy western ones. There’s only so many times I can see a man talk-sing while walking on a sidewalk. Give me crazy set pieces!

Pros: Speaking of set-pieces, Girls’ Last Tour is an anime about two girls (Yuu and Chii) touring around the remains of a mega-city after some massive war. Each episode is basically a stand alone story, with some small elements carried over to the next episode. Most of the stories involve the girls looking for supplies, and discovering some new thing left over from the past. For example, in the first episode, the girls find a plane and kinda goof off with it. In another episode, the girls find a fish, and discover that fish are tasty to each. Throughout the show, we indirectly learn more and more about what happened to society, implying exactly how long it’s been since the end of civilization (the fact that Chii can’t read and both didn’t recognize what a fish was right away give off some strong hints). Sometimes, the girls will run into a singular survivor, through they too are one their own journeys. Due to the setting and quiet nature of the show, there is a melancholic tone through the series. This is thankfully balanced by Yuu and Chii’s comedic interactions and cartoonist design. Nothing bad actually happens to the characters, it’s not that kind of show. Yuu and Chii never abandon each other. There’s not bad guy trying to attack them. Whatever happens to them, Yuu and Chii come out unscathed at the end. It’s that rare post-apocalypse story that just revolves around exploration (which I wish more post-apocalypse stories would do). The show’s not funny haha, but it’s not a tragedy either.

Cons: The show is quiet. The show does a lot to establish the atmosphere and mood the girl’s new surroundings. That being said, it can get a little boring at times. It actually took me two months to finish it because I kept dropping off to watch something more lively. This is not for viewers that like action to happen ever few minutes. This is also not for viewers that like to multitask. You kinda need to play attention to this show. I would say that this show is like a cup of tea. To get the most out of it, you need to take it slow, enjoy the subtle flavor, and accepts it’s calming if bitter taste. (p.s. the show does find excuses to get the girls naked, because anime).

Watch it?: Yes, but only if your in the right mood (4/5)

MVP: Yuu and Chii

It’s either them of their Kettenkrad

Best Episode: Ep.02 Bath/Journal/Laundry (It gives you an inside look at their day to day routine).

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Dr. Stone

Type: Oh yeah, get excited

Synopsis: For some reason, a story about using science to save humanity after a cataclysmic event really resonated with me.

Pros: Dr. Stone is one of the new hot shonen properties to hit the anime market. It about a boy genius, Dexter, I mean Jimmy Neutron, I mean Senku Ishigami, who uses science in a primitive future. The set-up is that something caused all of humanity to petrify, with Senku and friends being freed about 3,700 years in the future. In addition, Senku and friends accidentally free Shishio, a Nietzschian ubermensch who refuses to revive the older generation and their corrupt society. This disagreement eventually evolves into a “Stone War” between Senki’s Kingdom of Science and Shishio’s Empire of Might. At least that’s what the anime leads up to. This first season only depicts the early parts of the manga, so no Stone War yet. There are three things that I think make this show really appealing. First, Senku’s faith in the power of science was actually inspiring. Though Senku does play up the “crazy scientist” role a little, his view of science as a positive force for humanity was great to hear.  Not to ruin the illusion, but I’m writing this during the Corona pandemic, so seeing a story play up the heroic aspects of science is kinda what I need right now. And I’m guessing some people feel the same way. Second, the anime is very bingeable. It was created in that old school style where certain stories take 2-3 episodes to resolve. While this might be a way to stretch out the plot for the manga’s benefit, it also allowed the anime to breath a little. I’m not gonna lie, some of the story beats between Senku and his dad made me tear up. Third, and this might be just me, but I like the manga artist’s Boichi’s character designs. I know that the internet got a kick out of some of the female characters eyeball distances (specifically Kohaku and Ruri), but you get use to it. I liked Boichi’s work on Sun-Ken Rock and Wallman, so I’m glad his finally hitting the big time.

Cons: As stated above, the show is a little old school and there are some questionable character design choices. Yes, the eye ball thing between Kohaku and Ruri is a thing. I got use to it, but my tolerance for bad animation is very high. Though I did notice that a lot of the female characters are usually posed in some suggestive ways. Just look up “Ruri drinking medicine” to see what I mean. Pacing wise, the anime seems to adopt a mid-2000’s philosophy, so stories are a little stretched out. I liked it because it kept me hooked for the next episode, but other might view it as a tease. This is clearly a TV anime. You might also have to turn off your critical thinking off, because there are some convenient plot points here. Putting some of the science stuff aside, the fact that a super genius and ultraman both lived in the same era, went to the same high school, and whose statues survived long enough to revive is stretching it a little. But logic and a good story don’t always mix. And the catch phrases. Oi, just try not to let them get you down. It’s a good show, I swear.

Watch it?: Right now, I need to believe in science heroes (4/5)

MPV: The power of science!

Stay safe out there!

Best Episode: Ep.15-17 The Hundred Tales mini-arc (To Senku)

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Fire Force (Season 1)

Type: This girl is on fiiiire!

Synopsis: But seriously, how great is Alicia Keys? One of our best all around singers. Anyway, this is an anime about magic firefighters.

Pros: Fire Force, or BLAZING FIREFIGHTING CORPS, is a shonen anime from Atsushi Okubo (the creator of Soul Eater) and David Productions. So right off the bat you’ll notice the unique character designs and stellar animation effects. Since this story’s power system involves creating and manipulating fire, a lot of the actions scenes are very flashy. In fact, I would say that the show’s animation effects team are the real MVP’s of this season. Each of the characters fighting styles were  pulled off well in animation, and were always fun to watch. This is definitely a youtube clip worthy show. Story wise, this is a basic shonen, but it manages to have the most important aspect of a shonen story: an interesting a likable cast. The main group is Special Fire Force Company 8, who are  the Fire Force’s internal affairs department. I liked all of Company 8, but my favorites were Captain Obi and Maki Oze. Captain Obi because he plays the “normal guy” character in a world full of super powered weirdos while also being a role model and leader to Company 8 (he’s also best boy and I love him). Maki because she’s strong and competent and feminine and feels like a legit sempai for the main characters (she’s also best girl and I love her). I like most of the scenes between Company 8, and the show does a good job making them feel like a tight knit team who would trust each other during an emergency. Ya know, like an actual company of firefighters.

Cons: Let’s talk about Tamaki. Tamaki is the youngest member of Company 8 (technically a temporary trasfer) after being rescued in the second arc of the series. Tamaki is often used for fan service jokes, a lot. Like in every scene she’s in. It’s kind of her main characteristic. Her “Lucky Lewd Syndrome” is incredibly sexist and creepy given her age. It a big glaring negative on an otherwise fun shonen story. And, it’s like, it wouldn’t be so bad if this just happened once or twice. But the writers keep using the same joke in almost every scene she’s in. Even her big emotional rescue has the main character Shinra motorboat her breasts. It was also weird because based on Soul Eater, Atsushi Okubo seems to know how to portray female characters, at least more or less. I don’t know if this is editor mandated, or if the anime writers took some liberty, or if Okubo is just getting old and pervy, but this was amateur hour fan service. All it did was detract from Tamaki’s character. A great example of this is in Episode 19, where the female members of Company 8 have to face off against White-Clad members, the main antagonists of the series. This episode kinda showcases how Maki and Tamaki are treated as characters. Against a group of White-Clad, Maki admonishes them for attacking Shinra and Arthur in an earlier episode, and takes them out single-handily. She struggles a little against the main boss, but manages to use her powers tactically to get a win. In this scene, Maki was underestimated for being alone and a woman, but uses the element of surprise and her experience to win. Contrast that with Tamaki in the same episode, who is also underestimated for being along and a woman. She even has a flashback where Shinra makes fun of her for having to be rescued. Normally, this would be the scene where Tamaki proves to herself that she deserves to be a fire soldier by beating up the bad guy. However, she instead lunges at her opponent and land her breasts on his hand. And while the bad guy cops a feel, another person bashes his head in with a pipe. So Tamaki’s big moment of self-realization ends with a grope and a joke. The entire series has a weird spectrum of how it handles female characters, from Lisa’s sexualized torture to Hibanan’s iron grip over Company 5. It all felt very dated, which I think is my feelings overall for Fire Force. Overall, the entire story had stereotypical troupes. A main character who’s secretly the strongest character, a rival who’s also his brother, as secret organization of villains, friendly/antagonistic clicks, a central mystery, etc. The only unique thing about it, besides the flashy fights, it that a lot of story beats happen a lot earlier than expected. We meet the strongest fire force fighter in the second arc, Shinra’s missing brother is revealed in the third arc, the White-Clad’s main hideout is invaded at the end of the season, and Shinra fights his brother and unlocks a crazy power-up in the last fight (Episode 22). It feels a little rushed, and kind sacrifices world building. Also, for a show about fire fighters, there is very little actual fire fighting. The show gives up on the premise right away to focus on the White-Clad conspiracy. Which again, a lot of shonen stories do that. In the main story, Naruto doesn’t actually go on Ninja missions and Ichigo doesn’t actually patrol for Hollows. Personally, I do wish that we got to see more Fire Force stuff, as I really liked the premise of super powered fire fighters. Though I suppose the premise is a little limited…which I guess is why Fire Fighters don’t get a lot of TV shows centered around them. I mean, Rescue Me sure, but even that got lost and mostly rambled at the end, just like this thought….

Watch it?: It’s hit or miss at times, but it’s a good looking shonen (3/5)

MVP: Obi and Maki

I love them, but also want to be them.

Best Episode: Ep. 2 “The Heart of a Fire Soldier” (I could have chosen the brother’s fight, but this is the only episodes where the fire fighters do actual fire fighting).

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Mob Psycho 100 (Season 2) [Anime of the Year]

Type: From the creators of Mob Psycho 100 (season 1)!

Synopsis: Still trying to become better at social interactions, in case he accidentally walks into a dinner party, our main character Shigeo Kageyama continues to try to lead a normal life. And happily, he’s gotten a little better at it. He’s may not be running 10k marathons every week, but he’s a gotten more confident, made a few new friends, and has started to realize what kind of person he is. Dare I say it, but I think our little walking embodiment of unknowable power is starting to grow up.

Pros: Season 2 of Mob Psycho 100 is a much a continuation of season one as it is an organic evolution of that season. The season is slit into two main story arcs. The first arc deals with Mob’s everyday life at school and work. While this half may seem a little show at first, it’s actually a great way to showcase Mob’s personal growth. These episodes show that Mob is not a timid as he use to me, as his experiences allow him to become his own person. This is showcased the most in his relationship with Regan, his mentor, which is explored in Episodes 6 and 7, the best episodes in terms of character work. But don’t worry action fans! This season is still chock full of gloriously directed and animated actions scenes. There’s an amazing scene in Episode 5, or you can just go to Episodes 8-13, the second half of the show. This part of the show has Mob confront the mastermind behind the villainous CLAW organization. The second half of the show is where you want to go to if you want to see over the top psychic battles created by masters of the genre.

Cons: There are no cons. Instead, I’d like to use this section to talk more about Mob. What I realized throughout watching this show is that Mob may be one of the best anime protagonists in modern times. The character of Mob works because the ONE the author and the anime writers were able to convey Mob’s inner strength very effectively. It’s a slow burn, as we see Mob go from a shy and quiet boy to an empathetic and self-confident young man. In a great twist, Mob grows as a person in spite of his powers. In a lot of anime, we see some sort of “hidden power” be the avenue through which a character gains self-confidence. But Mob does not rest on the laurels of innate talent, and instead choose to develop in areas the he considers important. In fact, the show actively portrays those that rely solely on their natural talent as the villains. What sets Mob apart is that he put in a lot of effort to become physically stronger, he puts in a lot of effort to understand people, and this effort pays off in the form of personal growth and social recognition. Notice that in this season, Mob defeats two of the most powerful espers in the series not by overwhelming them with power, but by touching their spirits. His inner strength is is greatest asset. Mob joins the pantheon of great heroes not because he’s an all powerful warrior, but because he’s a good man.

Watch it: One of the best anime of the decade (5/5)

MVP: Shigeo Kageyama

98, 99, 100,…??????

Best Episode: Ep.6-7 The Reagan Arc (maybe not a flashy, but damn effective)

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Zombie Land Saga

Type: And they say comedy is dead!

Synopsis: Thank you, I’ll show myself out.

Pros: The anime is about a group of zombie girls from different times brought back to life to become Idols for a small Japanese prefecture. Saga is apparently a real place, though I don’t know how hard up they are for tourists. I hear their chicken is pretty good. Anyway, this show is known for being one of the best comedies of 2018. The comedy comes from three sources: The clashes of personalities between the girls, the brash nature of their manager (Kotaro), and the shows love for abrupt jokes. I mean, when the opening joke of a girl getting hit my a truck becomes a meme, I think you know what kind of show your getting into. The show has a strong cast, and I especially liked Sakura’s anxiety, Saki’s rudeness, and Yugiri’s slapping ability. If you want just pure comedy, I would say focus on episodes 1-5, which show the girls getting into idol-related situations as a group. From doing a silly commercial to trying to land a promotion deal, Franchouchou’s hijinks do a lot to sell the ensemble nature of the show. And the show does get very silly. The animators were clearly having fun at some moments. Tae bursting into a room will never be not great.

Cons: First off, this is an idol show. Zombie gimmick aside, a lot of the stories revolved around being an idol. So if you aren’t digging the rise of idol shows in anime, this probably won’t change your mind. This is because two of the show’s main characters, Ai and Junko, have story arcs the specifically revolved around being idols. Being only actual girls with idol experience, the show explores Ai and Junko’s hesitation to join another group. The show actually does a lot of character work, despite having a reputation as a irreverent comedy. Episodes 6-12 gives each of the characters (except Yugiri and Tae) spotlights episodes exploring their pasts in some way. Ai and Junko have a philosophical disagreement over idol-fan interactions. We learn how Lily and Saki died, and the people they left behind. We also get a three-episode exploration of Sakura’s character as the season finale. While all this is great, is does take away from the comedy of the earlier episodes. So from a comedy scale of Adam Sandler to Adam Sandler, I’d give this a Adam Sandler in Click (2006). Solid, but some of the emotional beats don’t quite mesh well with the comedic nature of the story. (p.s. Those 3D performances were also not great!)

Watch it: Better than dying, resurrecting, then becoming a singer (4/5)

MVP: The Rap Battle in Ep. 2

With one season out, will I live to see season 2? The way the anime industry is going, I don’t know….

Best Episode: Ep. 8 “Go Go Neverland SAGA” (Apparently there was some controversy over Lily being trans, but honestly? It’s a very sweet and funny story. Father-daughter stories get me ever time).

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Overlord III

Type: “The Isekai where the protagonist is playing as a renegade” –Digibro

Synopsis: I wish I could come up with original material, but it’s 2019.

Pros: But really folks, this quote manages to perfectly summarize why Overlord is different from other Isekai anime. It’s an anime where the main character is playing as the bad guy. Is Ainz’s a bad buy himself? Kinda. Neutral Evil to be honest. This season does an excellent job at demonstrating exactly what kind of campaign Ainz is playing. For example, we return to Carne Village, the first village Ainz visited and defended when he entered the New Word. We get to see how these villagers view Ainz as a benevolent master. On the other hand, we also get a story where Ainz brutally dispatches a group of adventurers after we get a whole episode getting to know. Not to mention his political manipulation of an entire empire to further his own ends. It was in this season that I finally realized that Ainz still sees his current reality as a game, which explains his coldness towards some characters, but warmth towards others. That’s why he’s Neutral Evil. He will destroy anyone to further his own ends (just like a player will kill a character to advance the story), but he still holds some respect and admiration for others.

Cons: If I was going to say anything about this season, its that it goes by very quickly. But I’m not sure that’s really a negative. Season 3 fixes Season 2’s problem by having a coherent narrative all the way through. It’s doesn’t break up the story flow, and each mini-arc goes into the other very well. This season is maybe a little light on action, but I really liked the stuff in Carne Village and the scenes in the Empire. The one real downside, and I do mean downside, is that this season cannot work for you unless you’ve watched Season 1 and 2. It simply has too many characters and storylines that you need to be familiar with to fully enjoy it.

Watch it: A great end to Act 1 of Overlord. (4/5)

MVP: Enri

Hail General Enri!

Best Episode: Ep. 6-8 The Worker Arc (I enjoyed every arc, but this one reminds you what characters we’re really dealing with)

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Overlord II

Type: Lizard men and Bandit killing

Synopsis: We have two main campaigns here. First is the Lizard Men campaign, where our noble heroes have to defeat a united lizard army. Can our heroes’ vast armies and infinite strength stand up to a bunch of reptiles with pointy sticks? You’ll just have to watch to find out! Second is the 8 Fingers campaign, a side-quest for a butler, a damsel in distress, a couple of bumbling swordsman, and one shade throwing maid. Can they ever get along? You’ll just have to watch to find out!

Pros: Overlord season 2 is a protagonist-less story arc. Think the Shikamaru arc in Naruto, or the Doctor-lite episodes in Doctor Who. This means that our mmorpg nerd/underad lord main character, Ainz Ooal Gown, doesn’t really show up this season. He’s more of a supporting character in these stories. The first half of the season involved a group of Lizard Men who have to deal with Ainz’s forces invading their lands. I liked this arc because it was very reminiscent of older fantasy stories involving alliances between warrior tribes, magic swords, and outcasts heroes. The second arc revolved around Sebas, Ainz’s head butler, as he makes gets caught up in fighting an underground crime syndicate after saving a slave from death. This story was way more of a modern fantasy story: you have a young knight, a weary swoardsman, a sly princess, political games, and a gentleman hero who I may or may not have developed a crush on. Overall, a solid season.

Cons: I forgot to mention, but whoever did the English dialogue deserves a raise, because I loved the proper manner that all the character’s spoke in. It really helped convey a lot of their status and upbringing, as well as they’re regard to certain other characters. That being said, the action, while there, isn’t really something to write home about. It’s pretty generic fantasy fighting. A few swords slashes, a magic spell here and there, but nothing amazing. I can also imagine that some people won’t be syked that Ainz takes a back seat this season. I think it works really well, but people do watch this show to see the Overlord, not a bunch of lizards of their butler. In addition, the story doesn’t to a great job transitioning between story arcs. One episodes ends one arc, another begins the next. It’s a little jarring. However, this show does an incredible job of juggling new characters and giving them each a personality you can care about.

Watch it?: It’s would be an afront to the great Ainz Ooal Gown not to! (4/5)

MVP: Sebas

Daddy. (D-Did I do it right?)

Best Episode: Ep. 5 “The Freezing God” & Ep. 8 “A Boy’s Feeling” (one has the best joke’s I’ve seen in a while, and the other makes me want a spin-off)

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Overlord

Type: A horrible nightmare for some, an opportunity for others.

Synopsis: A complete nerd that spent 12 YEARS on an online MMORPG has to sadly say good-bye to his friends as the servers are being shut down. As he closes his eyes to feel the sweet relief of digital death, he discovers the he is now stuck in the game. The game where’s he’s an over-leveled sorcerer, and commands other over-leveled characters, some of whom are hot babes that want to literally jump his bones (he’s a skeleton). Man, if I wasn’t such a huge nerd in other areas, I’d give MMORPG’s a try. According to anime, there’s no downside!

Pros: So this is an Isekai series…sit down DAMMIT! Or I’ll never give you the launch codes! Anyway, this one’s gimmick is that the character is stuck in a non-human body and is in charge of a crew of boss tier NPCs. Since the main character, Momonga, is the only player character still in the original game, the story takes him to another country. Kinda like an expansion pack map (or DLC for you kids out there). The two main plots are Momonga slowly gaining influence in the new country, while also trying to discover if any of his friends are also in the game. What I liked about this Isekai show is that Momonga is stuck in his player avatar, which is a huge skeleton, and how he basically starts to become his character, like become more indifferent towards other humans, and how something or someone is preventing him from losing his temper. And since he’s a character that’s been leveled up over 12 years, it makes sense that he’s so overpowered. Plus, Momonga’s tendency to reminisce about his past friends gives his characters an extra layer of sympathy.

Cons: Momonga’s general’s aren’t anything to write home about. They’re basically a mix of different troupes that, in fairness, seem like a group made by a bunch of MMO junkies. Even Albedo, the poster girl, isn’t that deep. Just your basic devoted demon. The best part of the anime are the first 1-4, which serve as an introduction to the series and help flesh out Momonga’s character. Episode 5-13 sadly move away from Momonga’s palace and deal with a local adventurer’s guild and church baddies. It ends with a battle against one of his generals (who’ve been brainwashed). Not bad, but nothing to write home about. Literally. And obviously, any fight involving Momonga has no stakes because you know that he’ll win, but sometimes having a show like isn’t a bad thing.

Watch it?: Depends on your tastes. (3/5)

MVP: Momonga

All hail the overlord!

Best Episode: Ep. 4 “Ruler of Death” (battle!)

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Ping Pong: The Animation

Type: It’s like mini-Tennis

Synopsis: How come Mini-Golf doesn’t get the same respect? Is it because it’s a little goofy? Are we SO afraid to be silly that we can’t endorse something built on fun? Because no one, in the history of Earth, has ever enjoyed Ping Pong. Even the boys in this anime don’t seem to enjoy it. Well, Peco does. Everyone else treats it more like a job, obsession, or personal mission statement. God, Ping Pong sucks. The game, not the anime, which is actually pretty great.

Pros: The big hook for this anime is that it was directed by Masaaki Yuasa, the director behind stuff like Kick-Heart, The Tatami-Galaxy, that one episode of Adventure Time, and 2018’s Devilman Crybaby. The guy’s know for having a unique style to say the least. And that’s the best way to describe this anime. It’s not groundbreaking or revolutionary, but it is unique. There is not other anime out there like it, and that’s surprising given that it follows the sports anime cliches pretty closely. But since it’s based on a Manga, that’s not surprising. The story follows Peco and Smile, two friends on the school’s ping pong team. The arrogant Peco is beaten one day by the new imported ace from a rival school. Humiliated, Peco quits the team for a while, leading his coach to focus on Smile, a talented but reserved person. The story follows their and their rivals’s growth as individuals, using Ping Pong as an analogy for life, like any other sports anime. Peco learns the value of humility and hard work. Smile learns to accept vulnerability and desire. And other players learn other things, like accepting your limits, being part of a team, or learning that fun and drive aren’t segregated concepts. The story’s not complicated, because it focuses on the character’s inner turmoil and conflict, and uses the “dramatic showdowns” to further along the character’s emotional arc.

The animation is the other hook this anime has. It uses a sort of rougher sketch style that accentuates the character’s movements and stances to enforce exaggerated realism. No one really moves or looks perfect. In fact, sometimes characters move and stand oddly. Which is exactly how people move and stand in real life! Everyone in this anime looks different, moves differently, and I cannot tell you how much I appreciate that. For example, Peco moves loosely, while Smile is stiff and a bit uncomfortable. But amazing, both of these character’s postures change to reflect their growth at the end of the series. Seriously, you can compare how each character stands to check how the events of the story affected them. Despite looking obviously drawn, this anime may also be the most realistic looking anime I’ve ever seen. (P.s. A great example of this is the killer opening). I honestly thought this was made in 2017, it’s that good looking.  It looks weird enough to scream ANIME, but is well made enough to say Anime. In fact, this is one of the few anime I’d recommend you introduce to any of your non-anime friends or family members.

Cons: I know I talked a lot about stances, but for real. This anime does stances right. Speaking of stance, one draw back about this anime is that there are a lot of still frames where characters just stand around and talk. Or a lot of jump cuts to static action scenes. Classic cost cutting measure. Another thing, I’m aware that I made fund of Ping Pong at the start, but I actually didn’t mind it in this show. The exploration of Ping Pong was entertaining. My personal research (the internet), revealed the Ping Pong is actually pretty ping overseas, particularly East Asia, Europe, and Africa. Not being from there (USA #1!), I don’t really get it, but I liked it nonetheless. I fact, this anime made me realize something: I don’t really hate sports anime. Every sports anime I’ve watched for this site has been enjoyable. I think I only hate The Prince of Tennis. Yeah..Screw you Prince of Tennis!

Watch it: Literally the most fun you’ll have with Table Tennis (5/5)

MVP: Dragon

I’m really glad he mellowed out in the end.

Best Episode: “Yes, My Coach” (the real turning point, though honestly almost any of the episodes could be watch by themselves and be marveled at. It’s that good.)

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Nanbaka (Season 1 and 2)

Type: Don’t let the great promotional art fool you! It’s really kinda bland.

Synopsis: For real. I actually started watching this for about 6 episodes, them stopped for about month to watch other, better anime. That’s how much this show failed to keep my attention. I even caught up on regular shows I haven’t seen in years before picking this up again! (I’m talkin’ Brooklyn Nine-Nine season 3 and 4, Bob’s Burgers season 7, Victoria season 1, and Steven Universe season 5)

Pros: On paper, this anime is a comedy with an all male cast. Something in line with shows like Hetalia. It’s selling point is that you get to watch all these cute boys do silly things while deciding who’s the best husbando. It also has great advertisement art work. And in all honesty, the show excels when it focuses on the slice-of-life aspect of living in an anime prison. The comedy comes from the fact that the prisoners treat Nanba Prison like a dorm stay rather than a punishment. Instead of having to deal with the real world, they get to relax and hang out with their buddies. Sadly, this goes away rather quickly.

Cons: This show has a tone problem, and you can really see the manga aspects of this show early on. The show starts as a comedy show, but turns into an action drama at about episode 4. The thing is, the show know this. It acknowledges that this supposedly silly show has some dark elements to it. After all, all the prisoners are in prison for a reason. But it’s adherence to drama and action really takes the show down from a quirky comedy to just another generic anime. The only real dramatic stuff I like is the brief flashbacks into the character’s past. I feel that if the story really wanted to inject drama into this “comedy,” then the backstories were enough. It would make the audience sympathize with them and understand why they enjoy prison life so much. The first season mostly focuses on Jyugo, while also introducing all 1 billion extra characters. Focusing on Building 13, with 7 characters was enough, I didn’t need the rest of the prison right this minute. Jyugo’s past trauma was all well and good, but making him some sort of scissor man was the moment that this anime officially jumped the shark. I didn’t even now that anime could do that. It felt like the author got a dip in manga 4 weeks in and panicked. The second season is more focused, revolving around the revolt in Building 5, which also has a neat Chinese theme going. I kinda like the idea of alternating between different Prison blocks for story arcs, and this season came the closest to fulfilling that potential. That being said, it also ends in a cliffhanger, so f#$ it.

Watch it?: Maybe if your doing time (3/5)

MVP: Hajime

Maybe we’re all the real prisoners!?

Best Episode: Ep.2 “The Inmates Are Stupid! The Guards Are Kind of Stupid, Too!” (this is suppose to be a comedy anime!)

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