Category Archives: Dramedy

Ping Pong: The Animation

Type: It’s like mini-Tennis

Synopsis: How come Mini-Golf doesn’t get the same respect? Is it because it’s a little goofy? Are we SO afraid to be silly that we can’t endorse something built on fun? Because no one, in the history of Earth, has ever enjoyed Ping Pong. Even the boys in this anime don’t seem to enjoy it. Well, Peco does. Everyone else treats it more like a job, obsession, or personal mission statement. God, Ping Pong sucks. The game, not the anime, which is actually pretty great.

Pros: The big hook for this anime is that it was directed by Masaaki Yuasa, the director behind stuff like Kick-Heart, The Tatami-Galaxy, that one episode of Adventure Time, and 2018’s Devilman Crybaby. The guy’s know for having a unique style to say the least. And that’s the best way to describe this anime. It’s not groundbreaking or revolutionary, but it is unique. There is not other anime out there like it, and that’s surprising given that it follows the sports anime cliches pretty closely. But since it’s based on a Manga, that’s not surprising. The story follows Peco and Smile, two friends on the school’s ping pong team. The arrogant Peco is beaten one day by the new imported ace from a rival school. Humiliated, Peco quits the team for a while, leading his coach to focus on Smile, a talented but reserved person. The story follows their and their rivals’s growth as individuals, using Ping Pong as an analogy for life, like any other sports anime. Peco learns the value of humility and hard work. Smile learns to accept vulnerability and desire. And other players learn other things, like accepting your limits, being part of a team, or learning that fun and drive aren’t segregated concepts. The story’s not complicated, because it focuses on the character’s inner turmoil and conflict, and uses the “dramatic showdowns” to further along the character’s emotional arc.

The animation is the other hook this anime has. It uses a sort of rougher sketch style that accentuates the character’s movements and stances to enforce exaggerated realism. No one really moves or looks perfect. In fact, sometimes characters move and stand oddly. Which is exactly how people move and stand in real life! Everyone in this anime looks different, moves differently, and I cannot tell you how much I appreciate that. For example, Peco moves loosely, while Smile is stiff and a bit uncomfortable. But amazing, both of these character’s postures change to reflect their growth at the end of the series. Seriously, you can compare how each character stands to check how the events of the story affected them. Despite looking obviously drawn, this anime may also be the most realistic looking anime I’ve ever seen. (P.s. A great example of this is the killer opening). I honestly thought this was made in 2017, it’s that good looking.  It looks weird enough to scream ANIME, but is well made enough to say Anime. In fact, this is one of the few anime I’d recommend you introduce to any of your non-anime friends or family members.

Cons: I know I talked a lot about stances, but for real. This anime does stances right. Speaking of stance, one draw back about this anime is that there are a lot of still frames where characters just stand around and talk. Or a lot of jump cuts to static action scenes. Classic cost cutting measure. Another thing, I’m aware that I made fund of Ping Pong at the start, but I actually didn’t mind it in this show. The exploration of Ping Pong was entertaining. My personal research (the internet), revealed the Ping Pong is actually pretty ping overseas, particularly East Asia, Europe, and Africa. Not being from there (USA #1!), I don’t really get it, but I liked it nonetheless. I fact, this anime made me realize something: I don’t really hate sports anime. Every sports anime I’ve watched for this site has been enjoyable. I think I only hate The Prince of Tennis. Yeah..Screw you Prince of Tennis!

Watch it: Literally the most fun you’ll have with Table Tennis (5/5)

MVP: Dragon

I’m really glad he mellowed out in the end.

Best Episode: “Yes, My Coach” (the real turning point, though honestly almost any of the episodes could be watch by themselves and be marveled at. It’s that good.)

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Yuri on Ice

Type: Yeah, I know.

Synopsis: What can I say, a man has needs. ¯\_(ツ)_/¯

Pros: This anime is actually the story about a figure skater staging a comeback back into the international competitive male figure skating scene. That’s about it. Yep. Nothing else…expect for it’s status as watershed anime that proved that same-sex male relationships can be part of a commercially popular anime. I mean, Revolutionary Girl Utena and Free!, but Utena was about lesbians, and Free didn’t really have any romance in it. Not so with Yuri on Ice! The main relationship is between Yuri, a struggling figure skater, and Victor, the current world champ who takes an interest in him. Victor plays the goofy flirt while Yuri plays the sensitive shy one. They have a fun dynamic that can turn surprisingly emotional at times. Their in a relationship in all but name (they even trade rings for crying out loud!). In fact, the relationship transitions from idolization to emotional support fairly organically. Outside of that, the show has pretty good humor. The various skaters that are introduced get defined pretty well, especially for a 12 episode series. The sport aspect means you get to see different figure skating routines every few episodes. And as a guy that’s never been interested in figure skating in his life, I found the routines fun to watch. I really liked the one’s that used non-orchestral music. (p.s. I liked the opening song. I’ve heard it before and thought it was an actual rock song)

Cons: Here’s the thing about sports shows, it needs to have sports in it. Meaning that a large chunk of the show will take place during the game/meet/fight, etc. But anyone’s who’s ever seen a sports anime know that it’s more interesting to see the characters train and interact before competing against each other. I did say that I like the routines I saw during the show, and I meant it. The animation used for them was extremely impressive and fluid, and everyone on the animation side should be proud of themselves. That being said, the show tends to repeat routines, especially for Yuri and Yurio. And the show also jumps very quickly between competitions, only giving 1-2 episodes between them, so a lot of the show takes place in a skating rink during game day. So what you have is an anime that spends the first 6 half establishing Yuri’s hometown friends and personal motivations, then rushes the last half with competition after competition that all start to blur with each other. I mean, I didn’t even know that this show technically covers a whole year until I reread that episode descriptions for this review! (p.s.s. I also wish that Yuri and Victor’s relationship wouldn’t have a hint of ambiguity to it. The show’s 99% there, and it would be hard to argue that they’re not gay, but that extra 1% of honesty would have been nice).

Watch it?: One of the IT shows of 2016 (4/5)

MVP: Victor Nikiforov

He loves his boyfriend, job, and dog. I respect that.

Best Episode: Ep.3 “I Am Eros, and Eros is Me?! Face-Off! Hot Springs on Ice” (you can actually see that transformation from cutlet bowl to world class athlete)

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Nanbaka (Season 1 and 2)

Type: Don’t let the great promotional art fool you! It’s really kinda bland.

Synopsis: For real. I actually started watching this for about 6 episodes, them stopped for about month to watch other, better anime. That’s how much this show failed to keep my attention. I even caught up on regular shows I haven’t seen in years before picking this up again! (I’m talkin’ Brooklyn Nine-Nine season 3 and 4, Bob’s Burgers season 7, Victoria season 1, and Steven Universe season 5)

Pros: On paper, this anime is a comedy with an all male cast. Something in line with shows like Hetalia. It’s selling point is that you get to watch all these cute boys do silly things while deciding who’s the best husbando. It also has great advertisement art work. And in all honesty, the show excels when it focuses on the slice-of-life aspect of living in an anime prison. The comedy comes from the fact that the prisoners treat Nanba Prison like a dorm stay rather than a punishment. Instead of having to deal with the real world, they get to relax and hang out with their buddies. Sadly, this goes away rather quickly.

Cons: This show has a tone problem, and you can really see the manga aspects of this show early on. The show starts as a comedy show, but turns into an action drama at about episode 4. The thing is, the show know this. It acknowledges that this supposedly silly show has some dark elements to it. After all, all the prisoners are in prison for a reason. But it’s adherence to drama and action really takes the show down from a quirky comedy to just another generic anime. The only real dramatic stuff I like is the brief flashbacks into the character’s past. I feel that if the story really wanted to inject drama into this “comedy,” then the backstories were enough. It would make the audience sympathize with them and understand why they enjoy prison life so much. The first season mostly focuses on Jyugo, while also introducing all 1 billion extra characters. Focusing on Building 13, with 7 characters was enough, I didn’t need the rest of the prison right this minute. Jyugo’s past trauma was all well and good, but making him some sort of scissor man was the moment that this anime officially jumped the shark. I didn’t even now that anime could do that. It felt like the author got a dip in manga 4 weeks in and panicked. The second season is more focused, revolving around the revolt in Building 5, which also has a neat Chinese theme going. I kinda like the idea of alternating between different Prison blocks for story arcs, and this season came the closest to fulfilling that potential. That being said, it also ends in a cliffhanger, so f#$ it.

Watch it?: Maybe if your doing time (3/5)

MVP: Hajime

Maybe we’re all the real prisoners!?

Best Episode: Ep.2 “The Inmates Are Stupid! The Guards Are Kind of Stupid, Too!” (this is suppose to be a comedy anime!)

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Stigma of the Wind

Type: One story arc (maybe two)

Synopsis: Imagine a show that starts off with a black sheep from an elitist and prideful Japanese family coming home after being exiled for being a “disappointment.” The family happens to be in the middle of a crisis, and naturally targets the black sheep as the culprit, half because he’d likely hold a grudge and half because they’re bullies. But the black sheep isn’t going to take any more of their sh#t, and kicks their asses with his new wind powers.  Because screw Hierarchical social systems! DOWN WITH ELITISM!!–Then it turns out it’s not his fault…and everyone starts hanging out with each other, and ah, goes to the amusement park together. Huh, kinda petered out after the start there.

Pros: This show is based on a light novle. A one story light novel if I’m perfectly honest. And that’s the story of the return of Kazuma, the banished member of the Kannagi family of Fire wielders. Due to his inability to control fire, Kazuma was deemed an embarrassment and kicked out of the family. But a few years later, he comes back as a very powerful wind user. His return happens to be around the time that members of the Kannagi family are being killed by wind magic. The Kannagi’s assume it’s Kazuma, judge him guilty without a trial, and are soundly defeated by him. Worse yet, a few try to get him to turn himself in out of family loyalty, despite being exiled from the family. Jerks! This whole story arc, and the subsequent one involving someone trying to get revenge on Kazuma for something he didn’t do, are really compelling. It introduced a lot of the characters really well, it sets up the conflict as both a fight between family and between tradition, and it explores the idea of how resentment grows from inequality. Episodes 1-7 are watchable. Too bad I can’t say the same for the rest…

Cons: This show his based on a light novel that clearly had 2 thought out story lines, and nothing else. This means that either the author ran out of ideas very quickly, or that the anime writers went off script. Either way, after ep7 the show goes from an exploration of complex family interactions to a light hearted love comedy. Let’s just forget that our entire family was slaughtered and go to the amusement park! I’m sure that will convince the man we gave serious inferiority issues to marry his 18 year old cousin! I mean, now that he’s so strong, we can invite him back to the family no problem! Everything becomes very troupe havey after episode 7. Ayano goes from the headstrong heir of the Kannagi household to a love sick puppy. Kazuma goes from an anti-hero to kinda a brooding trickster? And Ren, well Ren actually become more tolerable. I though for sure he was going to be like a shota-type man child, but he was pretty normal. In any case, the show stagnates after it’s opening, and not amount of useless and unnecessary backstory about a dead chick is going to fix it.

Watch it: “Promise you’ll always protect me,” who says that!? (3/5)

MVP: Kazuma

Prime Kazuma. Not Tsui Ling Kazuma.

Best Episode: Ep1-4 Return of Kazuma Arc (interesting beginning)

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My Hero Academia (Season 3)

Type: UNITED STATES SMASH

Synopsis: It starts with U.A. High going on a school trip to the woods that ends with several children being injured and one kidnapping. It continues with several U.A. students attempting to interfere with a complicated and sensitive rescue operation. It finally ends with U.A. giving an exam that give minors licenses to get into fights with maniacs. Hogwarts don’t look so bad now, does it?

Pros: My Hero Academia season 3 kinda fixes every problem I had with season 2. Real talk, given all the hype around season 2, I was a little underwhelmed with the second season. I wasn’t really a big fan of Stain, and the tournament arc was just a tournament arc to me. But this season, man, this season was all that, and a bag of chips. This season had a lot of the hallmarks of the superhero genre that I love. Finally getting out of the school setting, this season explored the world more, and gave more context of what it means to be a hero in this world. We finally get to see Deku actually save a person from a super villain using his superpowers. We see the “death” of an important hero at then hands of a truly evil being. We see how the world reacts to this. However, the most important things this season does is explore the concept of how heroes inspire heroism in others. Over and over again, we see how the heroic actions of certain characters influence other characters to act the same. This, I think, is the true purpose of a hero. To inspire others to be heroes. To show others that they can be a better version of themselves. To show us that even in the darkest, most dire hour, there’s still someone who can save you with a smile on their face, even if that someone has to be yourself.

Cons: The season has a weird non-ending. Like, it doesn’t really have a cliffhanger per say, but a “until next season” sort of ending. Not a fan of that. I like bookends. The show also ends of another school related battle royal. Not a fan of that either, but it does set up a killer final battle for the season. This season also got me to catch up on that manga, which I had been meaning to do for a while now. So it’s actually a pretty good season overall.

Watch it: Honestly, I think it’s the best season yet (4/5)

MVP: The animation directors

Dude, the fights were sick this season!

Best Episode: Ep. 10 “One For All” (I mean, how could I not!)

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Hand Shakers

Type: This doesn’t taste like Monkey Butt!

Synopsis: A long time ago, or at least by anime release standards, this show made a very specific impression. It had a…unique animation style, and it’s first episode ended with a busty goth girl wrapped in chains heaving in sexy pain. This turned a lot of people off. That’s the thing about first impressions, you only get one.

Pros: Unless your me! I’ll give anything multiple first impressions. It took me 4 tries to get into The Office. 2 for Parks and Recreations. About 8 for the Dark Souls series. So I was like, what the hell?. I’ll watch Hand Shakers. How bad could it be? And honestly? It’s not that bad. It’s not good. But it’s not trash. It’s more, bargain basement than anything. A lot of the fun of the show come from being introduced to different Hand Shaker teams. The whole show is a Partner battle royale, with the winners getting a wish from “God.” So what you get is a lot of different pairing working together to achieve their goal. The fact that the fights are sudden death means that, no matter what, someone is losing their wish. It gives each team an understandable reason to fight. It’s really the exploration of each team’s origins and motivations that make this show interesting. And I’ll admit, the show’s fights and comedy moments grabbed my attention more than once. This show had competent directors by the feel of it.

Cons: Maybe sometimes if you don’t have something nice to say, don’t say anything at all, but I did start with some positive praise, so….OK, LOOK, I don’t hate this show. But it really is a good bad show. The story is predictable and clunky. I mean, a battle royale where if the protagonist loses, she dies? Really? The protagonists are boring at worst, saccharine at best. Yes, your a male protagonist who will mamuru his lady love. Yes, your a female protagonist whose secretly the strongest hand shaker but needs to learn how to “love” from the first boy she meets. All we need is a tragic back story and evil twin sister…Oops. What else can I say that no one else has? Awkward dialogue. Rush story. Visibly low budget. Some problematic issues (incest, the first episode, come one guys!). And of course, you can’t really ignore the 2D/3D animation style they went for. Not a personal fan, especially because Tazuna’s head look weird. Like his head model and body model weren’t meant for one another. But I think the most egregious issue is the real-life stills that they use as the backgrounds for the show. Now that is just sad. But still. Had the show been an exploration of the teams instead of the Tazuna/Koyori show, and had the used animated backgrounds, and maybe not gone with pairs fueled by incest and BDSM, then I think it would have been a better show for it.

Watch it: Shoudn’t this be called “Hand Holders?” (2/5)

MVP: Team Shadow

I wish they had been used more as mentors

Best Episode: Ep. 3/4 “Blade and Dagger” and “Live Lab” (A fun pair to watch)

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Tenchi in Tokyo

Type: Not, ah, my favorite entry.

Synopsis: I was going to try to make a long point about people moving new places, dating new people, and how this sometimes means losing track of your old friends and family. But that was taking so long, so screw it. What this show is really about is Tenchi trying to escape his crazy life filled with alien girls by moving far away and shacking up with the most IRRITATING girl you could think of…only for her to be a psychic projection of another alien girl.

Pros: For all it’s faults, Tenchi in Tokyo does a good job at staying true to the characters of the Tenchi Muyo Series. There’s no real point that in the show that the characters act in a way that isn’t believable to them. The essential plot is that the bad guy tries and succeeds in separating Tenchi and crew, and each react to this in a way I can buy into. Mihoshi and Kiyone leave after getting a reassignment from the Galaxy Police. Ryoko goes on a violent rampage in space after having her heart broken, and goes through the best story arc she’s ever had in the franchise. Plus, it was cool to see Ryoko as a proper space pirate for an extended period of time. And Ayeka tries her best to keep it all together since, as a lonely princess, she most likely never had many friends. What’s also interesting is that this iteration of Tenchi may be the most unlikable he’s ever been, but arguably the most realistic. The catalyst for the show’s plot is when Tenchi decides to leave for Tokyo to further his studies. While there, he meets a seemingly normal human girl and starts to date her, leading to the group slowly drifting apart. What made Tenchi unlikable was his efforts to keep the girls away from him and his life in Tokyo. At first, it starts as him comedically trying to stop Ryoko and Ayeka from interrupting him from starting a new life. But as the show goes on, Tenchi starts to outright ignore his former friends. Almost as if he’s willing to abandon his friends if it means living a stereotypical normal life. The plot even revolves around this, as it’s Tenchi’s bond with the girls that the antagonist is trying to severe. What’s especially interesting is that Tenchi wasn’t tricked into doing this. Not really. All he did was move and meet someone. But that was enough to make him move one from his hometown life.

Cons: While the character work in this entry in the show was fascinating, and probably the best exploration of each member of the cast, or at least Ryoko and Tenchi, this show is a mess. The tone of the show is also all over the place. This show contains both the sillies jokes that Tenchi Muyo has ever broadcast, as well as it’s most dramatic moments.  It’s starts off way to slow. The first six episodes are basically an unfunny farce that do nothing to keep the audience’s attention. If I wasn’t for my commitment to the series, I probably would have stopped watching. Well, that’s a lie, I watch no matter how bad, cause I’m RIDE OR DIE. But I probably wouldn’t have payed as much attention. The real meat of the show doesn’t come until 7, when the show reveals how this version of Tenchi and the girl’s first met. From there we get Ryoko’s Date, Ayeka trying to hitch hike to Tokyo, Tenchi starting to date Sakuya–the real story basically. Then there’s Sakuya…OK, I don’t want to be that fanboy, but I’m gonna be that fanboy. Sakuya is a horrible character who forced me to skip every scene that she was in (which included the majority of Tenchi scenes). She’s a homewreaker. Literally. She was created to distract Tenchi and keep him away from the other girls. The other more interesting girls, like the bad-ass space pirate, or the alien princess, or the two space cops. The show tries really had to make the audience like her, but I don’t think she really added anything to the existing cast. Tenchi, like most harems, is build on troupes. Ryoko is the rude girl. Ayeka is the princess. Sasami is the cute one. Mihoshi is the ditz. Mihoshi is the exacerbated career woman. But no, Tenchi’s first kiss in the franchise had to come from Sakuya, another in a long line of cheerful school girls who makes boxed lunches every day and dreams of nothing more than being a beautiful bride, because Anime. Goddam it Anime. I think this whole thing would have worked better as a movie. It would have at least tightened the plot and reduced Sakuya’s screen time. That being said, I guess I can’t call this show terrible if it caused me to feel this strongly about it.

Watch it?: Man, for a average show, I sure had a lot to say about it. Heck I have more, like how Ryoko was the only one who trusted Tenchi with Sakura, but her trust was broken. Anime men are dogs! (3/5)

MVP: Ryoko

It was great to see Ryoko cut loose

Best Episode: Ep17-19 The Separation Arc (it’s like when your favorite band breaks up!)

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Rage of Bahamut: Genesis

Type: Not to be confused with the Super Nintendo version

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Synopsis: To put in bluntly, the show’s about a demon who forces a con man into traveling with her while not knowing that she’s the key to reviving a world threatening Dragon. If you want it not so bluntly, you tease, the show’s about an afro-man who tries to get into a lady’s pants by telling her he knows the way to a mythical city. This backfires when the lady turns out to be a super powerful demon who stormed heaven to steal a magic key that can revive the world ending Bahamut. Along the way, they’re joined by a noble but unlucky knight and a zombie loli.

Pros: There’s not two ways about it. Rage of Bahamut is very pretty. If you want proof, look up the opening scene between Favaro and Kaisar. It’s practically movie quality. In fact, there quiet a bit of good animations scenes throughout the show. Like the Favaro and Amira dance in ep. 02, the giant crab battle in ep. 04, most of the fight and action scenes, and everything in ep11-12, etc. But the strongest aspect of the show are the characters of Favaro and Kaisar. Favaro is, in no uncertain terms, a scoundrel. He lies, cheats, steals, manipulates, and is basically motivated by his own well being. You even see it in his fighting style, which is dominated by misdirection and slight of hand. In all honesty, Favaro is the most entertaining thing about the show. He’s just so scummy, it’s great! Then you have Kaisar, whose much more noble than Favaro, but also has way more tunnel vision, often to the detriment of the situation at hand. He’s a buffoonish hero with a sad backstory that explains his love/hate relationship with Favaro.

Cons: While watching this show, I had a few consistent thoughts in my mind episode through episode. These were:  “this show is very pretty,” “Favaro sure is fun,” and “something’s missing…” It’s this last thought that troubled me the most. Because, by all accounts, this show should be great. It clearly had a high budget, strong directors, and a good main cast. But then I started to look at the show as a whole. And as a whole, the show’s kind of a mess. As you pull back from the central premise of a demon and a rouge traveling together, you get a big plot involving multiple angels, multiple demons, Joan of Arc for some reason, and a soon to be revived Dragon. These elements over complicate things, especially as they become more prominent as the show goes on.  The travel between Favaro and Amira was fun enough, especially with Favaro having to come up with new reasons for the long trip and Kaisar continually hounding them. Speaking of Amira, can I ask what the hell happened between episode 1 and 2? Because for some reason Amira goes from a quiet bad ass demon to a rather childish ditz in no time flat. Amira actually got increasingly on my nerves as the show went on, especially when a lot of her achievements are gradually revealed to be partially because of outside force. Overall, the show is pretty to look at, has fun moments, but I can see why it’s not talked about more. (p.s. It’s also got a horrid opening. Just awful).

Watch it?: Based on an online card game! (4/5)

MVP: Favaro

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Keep rockin’ the fro’

Best Episode: Ep.1 “Encounter Wytearp” (amazing scenes. very exciting)

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Dai-Shogun: Great Revolution

Type: Bad Animation

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Synopsis: You call this a “Great Revolution,” despite the fact that it’s not great and there is no revolution depicted at all.

Pros: The anime is basically a feudal Japan story with the occasional giant robot. It’s about trying to convince the illegitimate son of a shogun to take the title, all while dodging assassination attempts. That’s where the action comes in. The twist is that the main character has access to a giant robot called “Susanoo”, but only as long as he’s a virgin. That’s where the comedy comes in. And ironically enough, the person sent to protect his virginity is a busty ninja girl with curves for days in a loin-cloth kimono outfit. No wonder the shogunate died off.

Cons: The animation is horrendous. The anime uses this weird flash-hybrid style of animation that just does not work. It makes movement look awkward and fake. FAKE in an animated show about giant robots. I don’t really have a high standard for animation quality, but damn does this look bad. It took me about 3 episodes to notice, and once I did, the illusion was shattered. Story wise, the plot is fairly innocuous. The only real interesting bits are Keiichiro comically tries to lose his virginity, only for ninja girl Kiriko to stop him.  The lead is a typical hot blooded, prideful character. With the exception of the flat-chested fox demon, all the women have giant breasts. The main male villain is stereotypical evil. The only real character of interest is Hōkōin, and even she’s just a evil demon lady. All the other auxiliary characters, like the “cool” pirate, the female Shinsengumi, and the swordswoman that follows Keiichiro around, are not that interesting. That’s really the long and short of Dai-Shogun: it’s just not that interesting.

Watch it?: You can live without it (2/5)

MVP: Hōkōin

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I’m a FAN of her. Get it? DO YOU GET IT?

Best Episode: Ep.3 “The sex witch Hōkōin strikes!” (sex witch!? What’s that!?)

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To Be Hero

Type: A Superhero Tale

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Synopsis: In a world of Men of Steel and Supersoldiers there stands a lone figure in the night, protecting us from all that may cause us harm. He is Ossan, the sh$tty father!

Pros: To Be Hero is a short, 11 minute an episode, series about a father who is transformed into a fat and ugly superhero. Since he can’t turn back, and all the words out of his mouth tend to sound perverted, he cannot stay with his teenage daughter. He tries his best to stay close to her, despite the occasional weird alien trying to kill him. The show mainly uses absurdist and toilet humor to get the comedy across. But the real hook of the show is the relationship between Ossan and his daughter Min, as Ossan’s transformation forces him to reflect on some of his selfish actions as a father and husband. The show never forgets to remind you of it’s central conflict, and thus retains your attention.

Cons: As said above, the show’s humor comes from absurd situation and toilet jokes. Hell, Ossan is actually a toilet salesman. That’s his job. So don’t be surprised if the show’s humor turns you off early on. Even I needed to take breaks from it, and the series is only 120 minutes long! The show can be crass at times, and a lot of the skits are more silly than funny. The show is kinda sloppy. However, it does have a strong ending, and those not wanting to watch the whole thing could simple just watch episodes 1,2 and 13.

Watch it?: It sticks the landing (3/5)

MVP: Min

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She’s kinda the lynchpin of the show.

Best Episode: Ep.12 “Stay with me Daddy!” (I want to be a superhero…)

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