Type: Oh man, get ready for the emotions!
Synopsis: Love means never having to say your sorry. Wait! Wrong thing. Also, a very bad saying. If your in love, then you should never be afraid to say your sorry. Like, “sorry I got home late without calling,” or “sorry I ate the last pizza slice,” or “sorry that your life dedicated to music has brought you nothing but pain and misery, but hey, at least the blonde one likes you.” Feeling safe enough in your relationship to apologize sincerely is the sign of good communication and a healthy couple.
Pros: In complete honesty, I have been avoiding Your Lie in April for a while. Because its a anime famous for making its audience cry, and I don’t like crying. My eyes get red, I start losing precious liquids, certain existential questions start popping up, its a whole thing. But I finally decided to bite the bullet and give it a try. Surprisingly, the anime has a lot more humor than I though it would, and never veers into drab and dreary territory. It’s more of a happy tragedy. Sad stuff happens, but the message is ultimately about moving forward. I didn’t actually end up crying, but most probably will. The story is about a former pianist named Kosei Arima, and how his life changes upon meeting a free spirited violinist named Kaori. A lot of the plot involves getting Kosei to play the piano again by getting him to overcome the psychological trauma he endured by the life and death of his mother. While most shows would deal with this in two-three episodes, this anime makes it the central story for half the series, which I appreciated. There are actually four subplots in the series. Kosei’s grief is one of them. The other is Tsubaki’s crush on Kosei. And while there is a love triangle between Kosei, Kaori, and Tsubaki, it’s never overdone. Tsubaki never jealously confront Kaori, and in fact goes out with someone else for a while. Imagine that, anime characters trying not obsessing over one person and actually dating around. Huh. The next subplot involves Kosei’s rivals, but they really only reinforce Kosei’s story than anything else. And the final subplot, and main story for the latter half of the series, involves Kaori. Every story in every episode had a weight, like it meant something. Oh, and the music is obviously fantastic. I’m no classical music expert, but I do love the piano and violin, and I loved what I heard.
Cons: This thing is very predictable. By the first episode, you know exactly what’s going to happen. You can tell just by the character troupes. Kosei is the sullen protagonist, Tsubaki is the energetic childhood friend, and Kaori is the manic pixie girl sent to fix all of Kosei’s with her wacky personality. The only character that subverts expectations is Watari, as the surprisingly wise best friend, and he gets the least screen time than anyone. Which is why I don’t really consider the Kosei-Kaori-Watari love triangle a thing. It was mostly in Kosei’s head. The love triangles in this are very courteous. I would say that the character are even a little too considerate of each other’s feelings for one another. Kosei doesn’t want to interfere with Kaori-Watari, Kaori doesn’t want to interfere with Tsunaki-Kosei, and Wateri doesn’t want to interfere with Kaori-Kosei. Which works very well in this story, but don’t go looking for dramatic love confessions. Except for Tsunaki, whose whole story arc is dealing with her love for Kosei. Notably, Tsubaki is also the only non-musician with narration (which doesn’t always translate well). And Kosei’s inner monologues about Kaori do straddle the line between poetic and silly from time to time (“your existence means freedom,” what!?). Speaking of Kosei, man, his mom was a pretty shit mom. I know she was dying or whatever, but damn, I can’t help but feel happy that Saki’s dead. In fact, if I could change one thing about this story, I would dial back on the portrayal of Saki’s abuse of Kosei. At least, the physical abuse. I feel that having her be a emotionally strict mother was enough to get the point across, but having her beat Kosei regularly makes it impossible to sympathize with her. On that note, Saki’s motivation for giving Kosei years of therapy bills was to make sure that Kosei was able to look after himself, but Kosei does have a father. A father that’s never home and allows his wife to beat their child, but a father none the less. Its not like he was going to be orphaned or living on the street. I guess her life was pretty pointless. Oh well! Aside from that, I would actually keep all my criticisms as is. Which is a weird thing to say, but I feel that the anime is almost perfectly balanced, and changing anything else would ruin it.
Watch it: A bit troupy here and there, but damn, it’s good (5/5)
Why do the childhood friends always have to do the heavy lifting?
Best Episode: Ep.13 Love Sorrows (I don’t feel sorry for Saki, but it was important that Kosei forgave her)