Attack on Titan (Season 2)

Type: Second verse, not as good as the first.

Synopsis: Remember the mystery of the titan in the wall? The fate of Annie? The key to Eren’s basement? Our three main protagonists comprised of a warrior, a tactician, and an avenger? Well shut your mouths because none of that is important! Do you love such popular characters as Reiner!? Bertald!? YMIR!? You f#$%ing better! (P.S. Serious spoilers ahead)

Pros: Attack on Titan season 2 is a sequel to the popular Attack on Titan season 1. Made 4 years later, after 4 manga sequels, an anime spin-off, and 2 crap movies where the main heroine was feed apple slices by some creepy dude. And breath….ok, this season of Attack on Titan takes place immediately after the last season’s stinger. But the mystery of the titan in the wall is more or less sidelined in favor of the struggle of Reiner, Bertald, and Ymir. Because guess what, they’re all Titan Shifters! Reiner and Bertald are the damn Armor and Colossus Titans, the guys that cause this big mess in the first place. So if season 1 was all about the protagonist’s call to action, season 2 is all about the antagonist’s guilt. And a big selling point is the emotional and psychological toll that Reiner and Bertald as portrayed as being under. You don’t understand why they’re doing this, but you see that they are not happy about it. They’re antagonists, not villains (except for all the people they killed, but you get the idea). Ymir is only loosely connected to them, but the exploration of her backstory hints at larger story points and start painting a clearer picture of the world at large. You get two story arcs: The Castle Arc and the Eren Retrieval Arc, which both fall under the manga’s “Clash of the Titans” Arc. Oh, and the end credits are amazing. My official favorite end credits.

Cons: After Attack on Titan season 1, a family member of mine got really, really, really into the series, so I’ve more or less kept up with the series through osmosis. I’m caught up with the manga, I know the lore (because I’m a Lore nerd), so it’s hard for me to judge if someone who just watched the first anime would like the second season. I imagine that any casual fans who get into the first season have most likely moved on. But for those fans who stuck around, this season has HUGE revelations. Not only those stated above, but it foreshadows the larger conflicts of the world. It even reveals what the titans actually are (and maybe even when they come from)! But here’s the thing: I had a more or less apathetic reaction to this season. Maybe cause I read the manga, maybe cause I wasn’t that big a fan to begin with, or maybe because this premiered 4 YEARS after the first season, but I just wasn’t that into it. Don’t get me wrong, the show didn’t really dip in quality. Objectively, it still has over the top acting, it still has unexpectedly funny moments (e.g. The Reiner reveal), and the gore seems to have been ramped up, because it hurt to see people get eating way more this time. The action is a mixed bag. You don’t get amazing Omni-Gear maneuvering, but you do finally get the Attack vs. Armor titan fight. The inclusion of the new Beast Titan doesn’t really add much, except another question. And the show’s stop and start story progression is still very present. And really, that’s the basic summary of this season. It’s good, it’s still Attack on Titan, but it’s not the new hot thing anymore, so it’s hard to say exiting things about it. (P.S. The only glaringly bad thing was the 3D Colossus Titan. That was just a bad decision).

Watch it?: This probably would have been amazing, had it premiered in 2014, not 2017. (4/5)

MVP: The End Credits

I never skipped these (and I always skip end credits!)

Best Episode: Ep.7 “Close Combat” (Brawler vs. Mui Thay)

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Interviews with Monster Girls


Type: Surprisingly realistic

Synopsis: High School is rough. Well, I assume. I was near 6 ft tall at 13 and pretty smart, so I had a pretty chill time. Then again, all I did was play video games and watch TV.  Too poor and shy to date. Never did get to go to prom either….ah, but were veering of course again. This anime is about three monster girls (demi-humans) who befriend their biology teacher. Wanting to help the girls out with their respective situations, the bio teacher becomes they’re unofficial school counselor. He helps create a parent network, allows them to use his office as a safe space, and even tries to use his scientific knowledge to help them out with any physical issues they might have. Sure, he is kind of using them as for xenological/sociological research, but what’s a few research papers among friends?

Pros: Is it me, or are “monster girls” becoming anime short hand for minorities? It’s like with mutants with comics. It’s not a terribly bad thing, as most social messages in fiction work better through metaphor (prevents your story from sounding too preachy), but it’s something I thought I’d bring up. But while were on the subject, the show’s strongest aspect is the very believable way that the monsters girls and the humans around them interact. Basically, three demi-human girls end up going to school together. Thanks in part to their teacher, the form a friendship, though they probably would have naturally gravitated towards each other eventually. It’s not that they don’t have any friends, it’s just that sometimes it’s easier to talk to someone going through what your going through. Their teacher, Mr. Takahashi, proves himself to be a very adept educator who takes a special interest in making sure that these students with, I don’t wanna say disabilities, maybe unique physical conditions?, have an easier time in school. What surprised me about the show it that it didn’t go for the easy plot point of having the girls be openly discriminated against. No one is yelling “blood-suckers!” or anything. What the girls have to face is more of a subtle awkwardness and feeling of discomfort. They get stared at a lot, sometimes their friends try to be nice by ignoring their physical condition, and people ask them a lot of questions about what they are. And the girls, in a realistic fashion, simply give a polite smile and laugh and basically soldier on. This is especially well handled in Ms. Sato, the only adult demi-human and new math teacher. Ms. Sato is given two episodes from her point of view, allowing her to narrate what it’s like to have to be overly conscious about your image and actions in almost all aspects of life. I guess what I’m saying is that I really liked the characterization and themes that were explored, and am really happy that I got to experience this story.

Cons: Even though what Mr. Takahashi did for a group students who needed extra help and guidance was sweet and his actions are a great example for any individual that wants to work with young people, this is still anime. So of course, most of the monster girls have a crush on him. To be fair, he is packing major GUNS underneath his lab coat. And it’s not uncommon for a student to develop a crush on a teacher, but can we not? Having each of the girls ask for hugs and stuff just weirds me out. Luckily, Takahashi explicitly states that he would never reciprocate their feeling on ethical and moral grounds, so he’s not a perv. Just the author. I KID, I kid. Kinda. The only romance I really invested in was between Takahashi and Sato because A) Their both adults and B) They seem to share a level of intellectual comradery. Outside of characters stuff, the show is a slice of life, so it doesn’t really have a deep narrative and sorta just ends after a bikini episode. (P.s. I also found Sato’s status as a succubus with zero romantic skills very cute).

Watch it: I’m glad this exists (4/5)

MVP: Sakie Satō

Yes, she’s obviously designed to be Best Girl. And your point is?

Best Episode: Ep.3 “Succubus-san is a Real Adult” (I’m guessing succubuses aren’t the only type of women who have to worry about how they look and dress around their male co-workers.)

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5 Things I learned because of Anime [Anniversary Bonus]

It’s funny. You’d think that after watching anime for five years, I’d learn more things. Yet, here I am. (I’m just kidding. I’ve learned a lot, but want to keep the 5 theme going). Continue reading

Comical Psychosomatic Medicine

Type: If you’re reading this article, please visit the Mental Clinic


Synopsis: A 5 minute anime takes the time to summarize various mental afflictions in bite size and easy to understand explanation.

Pros: Like most 5 minute anime, the show’s biggest strength is that you can view the entire thing in less than an hour. I think this one took about 45 minutes. The show’s gimmick is that is teaches about metal illnesses and conditions in a comical manner. It’s all mostly Psych 101 stuff, like basic anxiety, stalking, sleep disorders, and erectile dysfunction. Oh, that’s the other thing. The show main punch line is innuendo. So a lot of the topics have a sexual bent, like fetishism and exhibitionism. The show also manages to give seemingly mild disorders a sexual bent. Freud would be proud.

Cons: The shows are only about 5 minutes and the gimmick is largely one note. Someone comes in with a disorder, the doctor tries to explain, the nurse or nurses make a sex joke, and scene. The show does give a straightforward explanation for most of the condition it discusses, but don’t expect this be a substitute for good ol’ fashion flashcards.

Watch it?: A fun look at the human mind (4/5)

MVP: Himeru Kangoshi


Maybe I have complex

Best Episode: 5 minutes each (just pick the condition that most applies to you)

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Welcome to the Space Show

Type: A movie to surpass Star Wars!...maybe not, but it’s still good.

MANG3081 Inlay

Synopsis: A good rule of thumb for kids is to never talk to strangers. Especially if that stranger is a talking dog alien from space. Because next thing you know, you’ll end up on the moon and have to travel halfway around the galaxy to get back home because somebody reported Earth as dangerous. Personally, this is why I’m more of a space cat person.

Pros: This movie is stunning. It’s got a stylized version of space that sorta reminded me of Space Dandy of all things. But Dandy this is not. This is an all ages movie. In the same vain as a Summer Wars or Miyazaki picture. Is this movie as good? Kinda. It definitely apes the tone and feel of those movie. At least the first half. Basically, this film is about a group of small town kids who went camping in the local school house during Summer Break (because you can apparently do that), and get accidentally stuck in space. The group is made up of the responsible one, the nerd, the energetic one, the girly one, and the little girl. They have good interactions and feel like real kids. The first half off the film is them simply trying to get back home by taking up odd jobs around the space port. This is were the great visual designs come in, as the show uses the Space Cosmopolitan approach. Everything is shiny and futuristic, with cool looking aliens all around. This is one of those rare anime movies that everyone in the family can watch.

Cons: The first half is fun, but the second half doesn’t quite stick the landing. This is mostly because the movie starts to shift from the kids to the dog, Pochi. You see, throughout the movie, aliens have been trying to steal the kid’s wasabi, which is a rare commodity in the universe. Pochi thinks for something big, and the last half of the movie just becomes Pochi fighting against his old friends while the kids save one of their own. The story didn’t really need a climactic fight between Pochi and is best friend over the ethics of gene engineering. A simple confrontation to save the kidnapped girl would have sufficed. Speaking of story, while each of the humans have their one little character arcs, Noriko does not. She just sorta hangs around and doesn’t really do much. Natsuki has to learn humility and empathy, Kiyoshi has to learn to be more decisive, Koji has a love interest, and Amane is mad at Natsuki. But Noriko doesn’t have anything to learn. She feel more superflous than anything.

Watch it?: Yes. It has Pochi, a talking dog.

MVP: Natsuki


A hero of justice!

Best Moment: Amane passing the Space Exam (so cute, but so wise)

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Inugami-san to Nekoyama-san

Type: Gaaaaaaaaaaaaay!! Horaay!


Synopsis: A cat person who acts like a dog and a dog person who acts like a cat meet, fall in love, and I assume rent a small, but affordable, loft together after graduation.

Pros: The anime is obviously based on a short gag manga. The comedy mainly comes from Inugami’s high energy and Nekoyama’s bashful nature. The most common set up is Inugami saying or doing something to imply her love for Nekoyama, and Nekoyama being embarrassed about it. There is another character, Aki, who usually plays the straight man between Nekoyama and Inugami when called upon. The comedy usually lands, and I liked the interplay between the characters.

Cons: As usual with 5 minutes series, it goes by fast. There is no real story to speak of beside the relationship between Inugami and Nekoyama. Some other characters are introduced, but Inugami, Nekoyama, and Aki are the only real interesting ones. Aside form Nekoyama’s bashfulness, a lot of the jokes are innuedo. The only time I would argue that the show goes a bit too far is when Nekoyama gets drunk and starts to fufill some of Inugami’s masochistic dreams. But overall, a fun little watch.

Watch it?: As usually, I recommend this short series (4/5)

MVP: Nekoyama-san


I’m a cat person.

Best Episode: All of them? (again, short series are only 30-40 minutes tops).

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Please Tell Me! Galko-Chan

Type: Girl Talk


Synopsis: A nice girl who happens to dress a certain way and another nice girl who happens to dress a certain way are best friends, because screw you society!!

Pros: Galko-Chan is a typical 8-minute anime series about high school girls talking about nothing for 12 episodes. The gimmick here is that the group of girls is comprised of a “Lady” character, a female “Otoku,” and “Gyaru,” which is roughly just a girl who likes make up and fashion (a flashy girl). The interesting thing about the show is that Galko, the titular character, is often judged due to her physical and cosmetic appearance. She has a big breasts and likes to dress nice, so everyone thinks she’s promiscuous, or at least hopes she is. The entire anime’s moral is “just because someones dresses a certain way, doesn’t mean they are a certain way.” Because, in truth, Galko is super nice and gets flustered easily. She’s more like that really good looking person you knew in high school that was nice to everyone, but you were always too intimated to talk to [and you can’t think of anyone, guess who you were ;)]. Most of the show’s comedy comes from the talks between Galko and her friends, particularly Otako, who likes to tease Galko with inappropriate topics, like nipple size and the like. Now, not having been privy to much girl talk in my time (I’m just not a “girl’s” girl, ya know?), I don’t know how much this appeals to women, but the show does feel like it’s more centered for a female audience than male (Galko’s design aside).

Cons: Like most anime with short episodes, the jokes can get very one-note and repetitive. There are only so many times you make make fun of Galko’s presumably big nipples. There are boys characters in this anime, but they’re mostly around to fantasize about Galko. Like most things in life, this could have used less males around. And from a personal stand point, I found Galko’s design ludicrous. I get that it’s the joke/moral, but come on! I’ve seen—I mean, I’ve heard of hentai with mose subtle designs. And I also think the “lady” character, Ojou, isn’t that important, despite being a “main character.”

Watch it?: As always, short anime are always recommended (4/5)

MVP: Otako


Teasing friends is always fun

Best Episode: As always, too short to chose (all 8 minutes)

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Persona 3 The Movie: No.4 Winter of Rebirth

Type: Yaaaaaaaaawn

Synopsis: Huh? Wha? Ja? What was I going again? Reviewing…something. Oh [yawn], oh yeah, the Persona 3 movies. Man, they are not that interesting. Anyways, the hero dies at the end. That’s how Persona 3 ends.

Pros: If you’ve stuck around this long, you already know. Good action animation. (p.s. Bless you).

Cons: Why are these movies so BORING!? This movie spends it’s first flippin’ hour with the cast moping around. The characters are told by an annoying character that no one cares about that the world is going to end. They can either-wait, before I continue, can I just say that I have never liked the late addition of Ryoji into the Person 3 story. The game tries to make us like him because he’s a happy go lucky scamp who comedically hits on every girl he sees. But he really just comes off as a third wheel that the game tells us to care about. Had he been a playable character, maybe, yet here we are. I gladly killed him at the end. Anyways, the cast is bummed because they can either erase their memories and live in ignorance of the End, or fight against the inevitability of death. They win, but not without the protagonist dying to save his friends by becoming Jesus or whatever. There. Play the game instead.

Watch it?: These movies were not a good idea. What a disappointment.

MVP: Shin Megami Tensei: Persona 3 (2006)

Having a game in the middle makes the story waaaaay better.

Best Moment: The End (as in the end of all this time wasting)

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Persona 3 The Movie: No.3 Falling Down

Type: Also known as Flying

Synopsis: Did you know that I just went on my first ever airplane flight! Crazy man. Everything looks like grids and curves in between mountains. It reminded me just how big the world is, ya know?…anyways, this is the third Persona 3 movie.

Pros: Persona 3 The Movie, No.3. Yes sir. The third movie. The big 3. El tercero movie-o. What can I say about Persona 3 The Movie, No.3. Anyone? Anyone at all? Um, it starts off after the events of Persona 3 The Movie, No.2. It has the same cast. Same focus on action quality over everything else. Ah, for the game fans we get cameos from more social link NPCs. That’s neat. The subplots for this movie are Makoto becoming nihilistic and Junpei getting into a romantic relationship with a girl that cuts herself. And a new supporting character is introduced: Ryoji. Yep, that is what happened in this movie.

Cons: Its boring. Well….no, yeah, its boring. This movie covers the least interesting part of the original game story. The problem is that the Shinjiro story in the second movie is such an emotional climax for the characters that this movie has to deal with the aftermath and therefore feels more passive than the other two in the series. Stuff happens in this movie, but you don’t end up caring as much because your still recovering from before. It’s a shame too, because this movie finishes Junpei’s character arc, finally making him more than a comedic duffus. It also sets that stage for the last stretch of the story. But at the end of the day, it’s not that interesting and actually made me question if the Persona games do have good stories or if it’s just reputation talking.

Watch it?: No. Why do I like this series so much again?

MVP: Junpei

I actually started using him after these events

Best Moment: The bathhouse scene (My favorite moment in Persona 3!!)

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Persona 3 The Movie: No.2 Midsummer Knights Dream

Type: Oh, I get it, it’s like wordplay

Synopsis: Because “midsummer” refers to the movies setting, and “Knight” refers to the cover girl Aigis, whose is like a robot knight. I see what you did there Persona 3 The Movie: No.2. 

Pros: Like the title implies, this movie covers the second act of Persona 3 the video game. We’ve established our core characters, so now we have to introduced our auxiliary characters and out main antagonists. Just to keep score, and not counting minor characters, that jumps our cast number from 5 to 12. And while that is a lot of people to keep track of, the film mainly focuses on 2 subplots, namely Aigis’s introduction and Ken/Shinjiro’s relationship. I actually feel that the Ken/Shinjiro story is better off in this condensed version than in the game, which stretched it out between long gameplay segments. You get a better sense of Ken’s youthful admiration of Shinji, of Shinji’s past with the group, and the overall impact that the resolution of the his subplot has on everyone. Plot aside, this is also the movie with the beach scene, festival scene, and love hotel scene, reminding you that Persona is the most anime RPG out there.

Cons: By watching the second movie, I’m starting to notice a few of the most consistent flaw in the Persona 3 movie series. Namely, the disparity in animation quality in dialogue scenes vs. action scenes. This movie was released a year after Person 3: Spring of Birth, and Person 3: Falling Down was released within a year after this one. This quick turn around means that the films were most likely made simultaneously and on a tight schedule, so some shortcuts had to be used. For example, the film used a still image montage for the opening beach segment. And if you noticed, most dialogue scenes involved close ups and little movement. The only parts that seemed to be afforded time and attention were the fight scenes. A lot of the cast is also shunted or minimized in this part of the story, which is fine unless your a fan of them.

Watch it?: Better than the first, but unless you’ve played the game you can skip it.

MVP: Shinjiro

He’s suppose to be 17, but I always thought he was 34.

Best Moment: The opening love hotel scene (it’s funny and I’m basic)

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