Tag Archives: 1997

The End of Evangelion

Type: Can’t wait for the American live-action remake (You KNOW we will live to see that)!

Synopsis: But why beat on a dead horse when I can instead milk a decades old franchise thanks to nostalgia and a certain malaise that has stuck with people since adolescence. Thanks Netflix!

Pros: So I’m not ganna talk about any of the themes present in End of Eva. I’m not going to analyze the metaphors for depression, the Freudian sexuality, the commentary on Otoku culture, the depiction of misogyny, nor the numerous allusions to Christianity. Other people do that, and have been doing that since 1997. That’s all well and good, but what I think is the most fascinating aspect of End of Eva is it’s very existence. You see, during the original run of Evangelion, the production ran out of time and money towards the end of the series. This resulted in a controversial ending to the landmark series, with some fans praising it for it’s artistic merit, while others criticizing it for it’s confusing execution. The fan backlash and critic commentaries were enough for director Hideaki Anno and Studio Gainax to redo the ending of Evangelion through a movie released a year later. And in classic Eva style, the even the existence of the film can be interpreted in numerous ways.

One way to view it is as pandering to the Evangelion fanbase. The film does exactly what an Eva fan would want out of an ending. It shows NERV having one last stand against the mysterious SEELE organization. It has a kick-ass Eva fight with Asuka at the helm. It clarifies Gendo’s ultimate plan. It has amazing animation. It’s got a bunch of horrifying celestial body horror. It has Shinji crying for 90 minutes. Everything a Evangelion fan wants!

Another way to view it is as a criticism of the Evangelion fanbase. In a lot of ways, Shinji is used as a surrogate for the audience. In this film, Shinji is depicted as a weak, apathetic, immature being who literally tries to run away from reality through fantasy. Let’s not forget that during Shinji’s debate on whether or not to join humanity’s new form, we see live actions shots of audience members and actual death threats Anno and Gainax received because of the original Eva ending. Shinji actively tries to push other away out of a fear of rejection, and hurts anyone who gets close to him. He also likes to play the victim, and has a very disturbing lust/hatred towards women. The very first thing Shinji does in this movie, the very first thing we see, is Shinji masturbating over a comatose Asuka. This happens within the first 5 minutes of the movie! In fact, Asuka sums up Anno’s view of the fan base pretty well: Pathetic and Disgusting.

You can also view this movie as Anno’s through process while working on Eva. Anno famously battled depression during the production of Evangelion. So this film can act as a reflection on his feelings throughout the project. These are best represented in the scenes between Asuka and Shinji. In the first scene, Asuka is comatose and unaware of Shinji’s unhealthy obsession towards her. This represents Anno’s time actually working on the anime, unaware of exactly how invested the fan are in his work. The scene with Asuka fighting the angels while being annoyed as Shinji is basically Anno fighting either the critics, sponsors, studio executives while being annoyed at the fans.  The next scene is in Shinji’s head, with Asuka giving Shinji some hard truths about himself and his own narcissism. Through Asuka, Anno is almost angrily pleading with the fanbase to move on, recognize their faults, and grow. But Shiji’s attack on Asuka show’s their resistance. This is Anno’s emotions after the end of the original series. The last scene, with Shinji basically rejecting others and perpetuating his cycle of isolation, represents the fan’s own stubbornness. Shinji choking Asuka again is basically Anno predicting the fans criticizing the End of Evangelion, even after Asuka/Anno’s hard work and the fan’s/Shinji’s supposed love of them. Asuka touching Shinji’s face is Anno again trying to reach out to pacify the fanbase, even if the final lines of dialogue show some lingering resentment.

Finally, you can view this movie for what it says it is: the ending of Evangelion. While Anno and is assitant director, Kazuya Tsurumak, stand by the original ending, it was not what they wanted. How could it be? It was an artistic compromise at best. They ran out of money and time to make their ideal ending. But now, they get to do everything they possibly could have wanted. The characters of NERV get a proper send off. Asuka gets one last grand fight. Gendo gets his. Rei finally ascends to her true form. The angels are given their proper showcases. Lilith, the mother of humanity, is shown. And the team even gets to explore the opposite spectrum of Shinji’s character. The original ending has Shinji choose to be with others, giving up some of his individuality and vulnerability in exchange for social praise and personal growth. This alternate ending has Shinji reject others, choosing himself over people, and actively choosing to repeat his mistakes. The movie also salvaged the franchise, allowing it to become and enduring and lucrative license for years to come.

Cons: Nothing is perfect. Even Eva. This film really is suppose to be the end of the series, so you need to watch the original Evangelion anime before you can watch this. The imagery in this can get disturbing, especially in the latter half, so viewer discretion is advised. And the last I’d say 20 minutes gets downright trippy. To break it down: The first 20 minutes are an action movie, the next 30 minutes are the ending of the anime, and the last 30 minutes is a psychological exploration of depression.

Watch it?: Even for a non-Eva fan like me, it was a good watch

MVP: Asuka

If you see her as Anno, you get a whole new perspective on things.

Best Moment: The Eva 02 fight. (I was also ganna say Shinji jerking it, but that would be crass and silly, which of course has no place for such a serious anime).

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King of the Hill (April Fools Day Special!)

Type: Slice-of-Life Americana

Synopsis: The anime focuses on a father trying to deal with the asinine world that surrounds him. His son is a well-meaning otoku in training. His niece is a ditzy neet who can’t go home because her “trailer flipped over.” His best friends are a gun nut, a foodie, and a hentai. And his neighbor considers him his rival for some reason. At least he has his wife…who sometimes goes yandere at the prospect of anyone being better than her. It’s a taihen life, I tell ya h’wat.

Pros: The main difference between Japanese anime and American anime is the audience. Anime, in general, tries to appeal to a younger demographic overall, and a younger male demographic specifically. So even anime meant to appeal to “adults” really appeal to 14-35 year olds who share the same mentalities. That’s why most anime characters are under 30 years old. American anime is a lot of stratified. An anime is either for children or adults, no middle ground. So you get shows like Spongebob or Gumball, which are meant for kids ages 5-11, or shows like The Simpsons or Bob’s Burgers, which is meant for people 24-50. That’s why a show like King of the Hill mainly stars adults in their mid-40’s, and deal with mainly adults subjects. No fake adult like stuff like sleeping around or spreading gossip, but real stuff, like infidelity, financial issues, self-identify, raising a family, and propane and propane accessories. King of the Hill’s strength is it’s realist take on absurdity. A situation where one of the characters feels depressed about letting himself go after high school can escalate into the main characters dodging tank missiles during a war game. A feeling of unease in a marriage can wind up with a character falling to her certain death off a plane. You can, and several people probably can, analyze almost every episode of King of the Hill and find multiple topics of substance. Every King of the Hill story could be filmed in live-action, but it reaches its full potential thanks to animation. It’s a satire of American society during the 2000’s, without ever losing respect for the people that had to live through it.

Cons: That’s not to say that King of the Hill is perfect, or that American anime is superior. For one thing, American anime can’t escape the yoke of comedy. Unlike Japanese anime, which explores almost every genre, American anime only deals in humor. Even bleaker shows like Rick and Morty or Moral Orel still are categorized as dark comedies. King of the Hill probably came the closest at dealing with serious issues in a non-condescending way. That being said, it did so because it was never all that wacky or laugh out loud funny. It was expertly written, don’t get me wrong, but it never really penetrated the zeitgeist like other shows. Some characters also verged on annoying, to the point of polarizing the audience. Peggy Hill’s arrogance was funny at first, but then it became obnoxious. Same with Dale’s paranoia and selfishness. Even Hank’s stubbornness became an issue. I remember one late episode where Hank effectively blackmailed his minister to guarantee reserved seating for his family during sermons. What the hell was that!? I would also like to contradict myself a little by pointing out that despite adhering to realism, the show never aged any of the characters and ended up showing at least 4 Christmas episodes and 3 Thanksgiving episodes. I wish we could have seen Bobby transition from middle school to high school, but the show didn’t want to lose Bobby’s voice actress by aging up his voice. The show also tended to forget certain characters in the later season, namely Connie and Luanne, who got less and less screen time in the last 2-3 seasons. However, despite it flaws, it was still one of the few American tv shows, period, that showed a realistic portrayal of a working class family at the time. And whether you noticed it or not, King of the Hill was always there, and a lot of us wished it always would be.

Watch it: Yep. (5/5)

MVP: Hank Hill

“I hope I never make it to L.A.!” (real talk though, he’s probably one of the best example of how positive and negative masculinity can interact in a person).

Best Season: Season 4 (Miss Liz, Connie’s first period, Peggy and Cotton’s therapy, Randy Travis, just a good combination of all time great episodes) (p.s. Hank! There’s a little state between Hollywood and San Francisco called California, come visit! It promise it’s not all Hippies and Buzzfeed!)

 

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Tenchi the Movie 2: The Daughter of Darkness [Tenchi Universe Trilogy]

Type: My daughter has the hots for me!?

Synopsis: Wait, that wasn’t my idea!

Pros: So this one is about a girl that says she’s the daughter of Tenchi and crashes the Masaki household around Christmas time. So this is really just a Christmas special. The self proclaimed daughter, Mayuka, isn’t all that interesting and can be irritating with her child like antics. What was most interesting what everyone’s reaction to her, especially Ryoko. Ryoko’s often the most reactive to romantic rivals (that was her entire arc in Tenchi in Love) so she’s allowed to act out more by the writers. This eventually culminates in a shocking moment that even had me go “whoa.” And I’ll admit, more a moment I did think that Mayuka really was Tenchi’s daughter from the future or something, and all her scenes with the other girls had me playing “guess the baby mama.”

Cons: Mayuka is annoying. Mayuka is very annoying. She’s got a woman’s body but a child’s mind. I’m not talking about a 17 year old mind. I’m talking about like 5 year old’s mind. Her childish demeanor was meant to be a hint to her real origins, but it didn’t make all the fan service any less creepy. By the way, this is NOT a movie. It’s a Christmas OVA. It’s one hour and doesn’t really reveal or change much. I know that the story implies that Mayuka is reborn as an actual child, but the events of the next film contradict this.

Watch it?: I’d say no, but that Ryoko moment has to be seen

MVP: Ryoko

If you haven’t realized, I really like Ryoko

Best moment: The Ryoko-Mayuka living room scene (Damn!)

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Night Warriors: Darkstalkers’ Revenge

Type: A lot less popular than it should be

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Synopsis: We  were in the arcade late one night when our eyes beheld an eerie sight, for some dudes began to rise and suddenly to our surprise they played Nightstalkers. It was a graveyard smash!

Pros: Poor references to 1960’s parody songs aside, this anime OVA series is based on the Nighstalkers’ video game franchise. That’s right, it’s another anime based on a fighting game review! I’m starting to think I should add a tag for this. Anyway, the anime has 4 episodes, 40 minutes each, with some slight plot elements. The anime follows three pairs: Morrigan and Demitri, Donovan and Anita, and H-Sein Ko and Mei-Ling. The story takes place in a world where the “Dark” has encroached on the Human World, meaning monsters and humans are living together. “Darkstalkers” refer to creatures of the dark. For once, the fighting in this anime based on a fighting game is pretty good, and some of the story elements are interesting. Anita’s story is predictably the most compelling. The anime did it’s job by getting me interested in the series, and making me wonder why this wasn’t more popular. Seriously, its a game were movie monsters fight each other. How was it not all over the 90s!?

Cons: Even at 40 minutes a piece, the story is all over the place. I think they made a mistake trying to build an overarching story across the 4 episodes. The anime worked best when it had spotlight segments, like the one with Bishimon, the haunted samurai armor ghost, or the one with Felicia, the cat girl. Putting so much emphasis on Donovan was a mistake, because he has as much personality as a block of wood. The world itself is interesting enough. You have humans who fight the dark. You have Darkstalkers who are presecuted by humans. And you have characters who a trying to take over the world. But as it stands, you’d be better off picking and choosing what to watch, or skipping it.

Watch it?: Like the game, it has potential, but can’t quite fulfill it (3/5)

MVP: Anita

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She’s eerie, but interesting

Best Episode: Ep1 “Return of the Darkstalkers” (has a zombie in it)

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Tekken: The Motion Picture [Fighting Game Week]

Type: So. Not. Cannon.

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Synopsis: Kazuya Mashima has a blood feud against his father, Heihachi Mashima, for throwing him off a cliff when he was a little kid. This is the plot for Tekken 1. This plot, ah, this plot does not stay consistent in our little “motion picture,” which throws in Cyborgs, Kangaroos, Hong Kong PD, and killer dinosaurs, who aren’t suppose to show up until Tekken 2! (Tekken is kinda a weird series).

Pros: Full disclosure-I am a huge Tekken fan. It’s my main fighting game series. I’ve played every entry, (though I played Tekken 6 on the psp). I still remember getting Tekken 3 and discovering that you have to block in a fighting game. So personally, it was a hoot noting all the glaring plot errors in this. Everyone else though…..

Cons: From a strict anime/film stand point, this thing is a mess: They try to mash Tekken 1 and 2 together, making Jun Kazama and Kazuya Mishima childhood friends. Setting the entire Iron First Tournament in a Battle Royal like island. A Sloppy story with truly cheap animation. The dialogue is laughable at best. Who approved this? Who saw this and said, “yeah, that’s a good idea. Let’s sale that.” This was released at the end of 1997, with Tekken 3 having been released a few months before in arcades, with a home release the following year. So maybe this was released to catch everyone up on the Tekken story? (Which makes no sense now that I think about it, because Tekken 3 is largely a soft-reboot of the series). I just cannot fathom why this was made so poorly. Because Tekken has a reputation as one of the most cinematic fighting game series in the industry. That’s part of why I fell in love with it. But this, this was embarrassing.

Watch it: Just go on Youtube and watch the victory cinematics.

MVP: No

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No.

Best Moment: No. (No)

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