Tag Archives: 2014

Persona 3 The Movie: No.2 Midsummer Knights Dream

Type: Oh, I get it, it’s like wordplay

Synopsis: Because “midsummer” refers to the movies setting, and “Knight” refers to the cover girl Aigis, whose is like a robot knight. I see what you did there Persona 3 The Movie: No.2. 

Pros: Like the title implies, this movie covers the second act of Persona 3 the video game. We’ve established our core characters, so now we have to introduced our auxiliary characters and out main antagonists. Just to keep score, and not counting minor characters, that jumps our cast number from 5 to 12. And while that is a lot of people to keep track of, the film mainly focuses on 2 subplots, namely Aigis’s introduction and Ken/Shinjiro’s relationship. I actually feel that the Ken/Shinjiro story is better off in this condensed version than in the game, which stretched it out between long gameplay segments. You get a better sense of Ken’s youthful admiration of Shinji, of Shinji’s past with the group, and the overall impact that the resolution of the his subplot has on everyone. Plot aside, this is also the movie with the beach scene, festival scene, and love hotel scene, reminding you that Persona is the most anime RPG out there.

Cons: By watching the second movie, I’m starting to notice a few of the most consistent flaw in the Persona 3 movie series. Namely, the disparity in animation quality in dialogue scenes vs. action scenes. This movie was released a year after Person 3: Spring of Birth, and Person 3: Falling Down was released within a year after this one. This quick turn around means that the films were most likely made simultaneously and on a tight schedule, so some shortcuts had to be used. For example, the film used a still image montage for the opening beach segment. And if you noticed, most dialogue scenes involved close ups and little movement. The only parts that seemed to be afforded time and attention were the fight scenes. A lot of the cast is also shunted or minimized in this part of the story, which is fine unless your a fan of them.

Watch it?: Better than the first, but unless you’ve played the game you can skip it.

MVP: Shinjiro

He’s suppose to be 17, but I always thought he was 34.

Best Moment: The opening love hotel scene (it’s funny and I’m basic)

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The Irregular at Magic High School

Type: slooooooooooooow

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Synopsis: Tell me if you heard this one before. A high school full of super powered teenagers, mostly female, accepts a male student who is placed in the lower ranks due to a technicality. But the boy’s actually a secret bad ass that never does anything wrong, causing the female students to all quiver in unison. At least no one has pink hair in this one.

Pros: The Irregular at Magic High School has all the trappings of a generic light novel anime based on a magical battle school. Except for the main protagonist, Tatsuya. While Tatsuya does have all the circumstantial trappings of a magical battle school light novel hero, such as a harem of girls who love him, the uncanny ability to succeed in any situation, and secret powers, his main character trait is being stoic. That’s not be calling him bland. He literally does not feel emotions, having repressed them early in life. While more light novel action heroes are usually a little bumbling to give off an image of geniality, Tatsuya does not. He never laughs, rarely smiles, and most of his expressions are reserved for dry humor or affection for his sister. This calm demeanor almost justifies his level of skill and mary-sue like ability to solve any problem. Plus, his quiet but handsome attitude is kinda hot, so you can see why most of the girls naturally flock to him. Story wise, first arc is the strongest, since it sets up this whole social conflict between people with magic, people with weak magic, and people with not magic. These themes of inequality and discrimination make the anime seem like it’s going somewhere, even if it ultimately doesn’t.

Cons: It’s just so boring. The anime has three arcs: The School arc, the School-Tournament arc, and the War arc. The first arc is the most interesting and the most promising. It introduces a world were magic is real, and magicians are trained as soldiers from an early age. In the most elite of elite magic school, the student body has developed their own social cast system: Blooms and Weeds, based on test scores. This echoes the larger world issues between Magicians and Non-Magicians. Tatsuya, being a “weed” with great skills, throws a wrench into this system. That’s cool and all, and lasts about 7 episodes. The next arc is the tournament arc, which Tatsuya’s high school wins, even though the first anime opening had the audacity of framing one of the competitors as Tatsuya’s rival (false advertisement!). The last arc is a war arc against some terrorists or something, but honestly, I was checked out by then. The only real interesting thing about the last arc was the reveal that Tatsuya is secretly a soldier, but the show kinda reveals this in the firs episode. So story wise, I don’t recommend this anime. What about character wise? Nope on that either. There is no character development here. Like none at all. The only person who actually changes and evolves is a character in the first arc who joined a terrorist cell and later regrets it. But that’s it. And I don’t even want to mention that explicit incest between Tatsuya and his sister! I don’t want to be that guy, but their relationship is an abomination and will cursed them to the fiery depths of hell. (P.s. There’s also this weird hue over the show that makes it seem that everything is slightly glowing.

Watch it?: Maybe the first 7 episodes. (3/5)

MVP: Tatsuya Shiba

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I found his cold demeanor refreshing

Best Episode: Enrollment I-VII (the first arc)

 

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Chaika- The Coffin Princess

Type: Gothic Lolita confirmed

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Synopsis: A not as cool as you think with the name COFFIN PRINCESS girl is on the search for the remains of her evil Wizard Emperor Dad so she can bury them. I mean, it’s not like an evil Wizard Emperor would ever do something messed up to his own body parts….She ends up hiring two saboteurs to help her along the way. Now, why  the people hiding the body parts didn’t just give the Coffin Princess and her friends decoy body parts is another story. I guess they don’t want anything to compromise their bragging rights of owning the shin of the last great Wizard Emperor.

Pros: As anime based on light novels that don’t really have a definitive ending goes, this was pretty fun. The action’s good, the animation’s good, and the characters are good. Well, some of them are good. Mainly the three leads, Chaika, Toru, and Akira. Chaika speaks in broken Yoda speak, which made her a little more of a unique moe character. Toru break away from the typical whiny or mary sue mold for male leads by having actual motivations and opinions. For example, the initial reason he joined Chaika is because she promised him more battles, which really appealed to him as a sabateour (basically a ninja) in peace time. And Akira was a great comedic stoic, even if her love for her unmotivated “brother” is well worn material. The trio’s journey to find the missing body parts of the dead emperor is a great frame for world building, and we get to meet a lot of interesting characters. Not to mention that the fights in this are pretty well made, Toru and friends usually end up out thinking their opponents rather than trying to overpower them. Hell, one of the last fights ends with a subtle stabbing. (p.s. This anime also has one of the grossest moments I’ve ever seen. It’s in the last episode. Only in anime!)

Cons: The plot for this anime is fairly predictable. Once the second “Chaika” is introduced, you pretty much know what’s going to happen. Hell, the anime even opens with “Chaika” being given an ominous warning. To save you the 2 seconds it would take to figure it out: Chaika is one of several clones created by the late Emperor to collect his remains in the even of his death. This is most likely so he can resurrect himself and get revenge or whatever. The different versions of Chaika are cool, as they each amass a different type of entourage. What’s actually holding the anime back more are the “Gillett Corps,” the shows main “antagonists” who are following Chaika and friends. They’re made up of 2 other lolitas and other boring people. I actually skipped the scenes where they showed up, and lost almost zero events that were plot relevant. It’s almost like Chaika and friends were so charismatic, that the author has to throw in dead weight to balance it out. Speaking of Chaika and friends, I’ve stated above that I really like Toru. He’s a more introspective and tactial lead than I’m use to. But his status is hurt by the story giving him the stereotypical origin of having a sweet girl die in his past, thus motivating his training and skills, and his secret crush on Chaika. Come on Coffin Princess, you can do better than that.

Watch it?: Very fun (4/5)

MVP: Toru

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Turns out having a lead who actually thinks before he acts is a good thing.

Best Episode: “The Valley of No Return” (too silly not to like)

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Terra Formars

Type: Get your A@# to Mars!

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Synopsis: Man has always dream of the red planet. Man has also always stepped on cockroaches. So what happens when peanut butter meets chocolate? Well, a whole lot of gore for one thing.

Pros: Terra Formars is about a manned mission to Mars going horribly wrong. About 3 times. This anime is about the third time. In a nutshell, humans tried to terraform Mars by sending roaches to spread algae. This backfired, as the roaches somehow mutated and evolved into super soldiers in the span of 500 years. Humanity, in its infinite wisdom, decides to go back to Mars to get some samples, and kill everything they don’t understand, because humans LOL. Initially, the anime gave off a real Gantz vibe, being ultra violent and leaning towards more “realism” in it’s animation (though really, this just means they did more with shadows). But it has a good sense of levity, and lacks the nihilism of other survival anime. The characters each had cool animal based powers. But what I really found fascinating were the Terraformers. Because you start off thinking their mindless monsters, but when you see one up close, they have, wait for it: clothing. Both functional and ornamental. The bugs have developed culture, and use rudimentary but effective tactics that compliment their superior physical abilities. They always felt like a threat, not just cannon fodder, which was impressive given that they all literally look alike.

Cons: How do I put this…this anime is good, but you can watch it with the sound off in the background of your room and still get the gist of it. It doesn’t require nor grab your attention. It’s not a “deep” anime. It’s animal people fighting roach people. The reason why the plot doesn’t hook you is because the plot hasn’t actually started. This anime only covers the “introduction” arc of a manga, even if seemingly important characters died in it. It’s interesting, but I feel that the really juicy story stuff hasn’t happened yet. It felt like I was watching a really long OVA. But the story even feels thin for 13 episodes. The anime crammed in way too many flashbacks at the expense of the overall story. Works better in chapter by chapter manga, but not in anime. To put it in prospective: the entire anime, from ep3-13, is about 1 day. They stretch this one day of fighting bugs with what felt like filler back story. Stories that weren’t that interesting. The only one that really intrigued me was Adolf’s, because his story actually ties into the effects the Terraformers have had on planet Earth. That aspect was really interesting: how would nations reach to knowing theirs a potentially hostile species on another planet. The rest of the backstories were just about the dudes losing their girlfriends. Seriously. It’s the motivation for 3 flashbacks. Most of the other astronauts are there for money. In all honesty, the interactions between characters told me more than any of the flashback could hope to tell me. The anime should have just focused on the mission. The anime did get me interested in the manga, I admit, but as an anime in general? It’s kinda an easy pass.

Watch it?: The bugs are cool, but the people aren’t (3/5)

MVP: Adolf Reinhardt

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Unfortunate name, but great character.

Best Episodes: ep8-10 The Reinhardt Arc (you poor bastard!)

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Sebagebu

Type: Survival Game Club

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Synopsis: In a world not unlike our own, young women must fight for their lives in the cruel world they were born into. Momoka Sonokawa has little to rely on, other than her shooting skills and sharp instincts, in an school club where she must weigh survival against love. The love of not doing anything, money, and her general self interest.

Pros: The gimmick of this comedy is that the characters each have guns. This leads to every scenario and skit to eventually devolve into a shoot out. It can be something as official as a shooting competition, or something as trivial as who get to sit in the new fancy chair. Why do these high schoolers have guns? Because the premise of the show revolves around a “Survival Game Club,” in which members pretend to kill each other with airguns. The show, however, depicts these battles as bloody because it’s all in their “imaginations.” The show’s great. It’s hilarious. It’s full of references (flippin’ Predator shows up), and has what TV Troupes defines as “comedic sociopathy.” Meaning that the jokes often end with one extra nasty or mean action. For example, a character could jump out for hug and get hit instead. Classic joke. But in shows like Sebagebu!, the character then lands on the edge of a chair and gets their head cracked open, bleeding out on the floor while the other characters continue the conversation. It’s an extra but of spice that sets this show apart. Of course, the medium for best jokes comes from the main character, Momoka, who skirts the protagonist curse of blandness by basically being a selfish sociopath. She’s shot every member of the club in the back at least once. She’s hilarious.

Cons: The opening does not fit the tone of the show. When I first saw it, I thought I was going to have to lug my way through some NRA nut’s wet dream. Then there’s the “transformation sequences” for lack of a better term, then the girl’s each take out their guns. This doesn’t really work for the absurdist tone of the show and always felt our of place when it occurred. I got the feeling that these sequences where added when the show was running low on time. I should also point out the first half of episode 9 is a real snooze fest. Any scene without either the entire group or guns doesn’t work. Momoka’s solo adventures with her Otoku fan boy Lemon (the only consistent male presence, as the club is in an all girl’s school) works because she often resorts to shooting him. But luckily, ep9 was an isolated incident. The rest was gold.

Watch it: I hate guns, but I do love this (4/5)

MVP: Momoka

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There are multiples times when she tries to commit fraud to get rich!

Best Episode: Ep5. “Ascension!? Silent Survival / The Unkillable Twin Tail / Crusade – Raganarok of Angels and Demons” (I also recommend the Yakuza riff in ep6)

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Expelled from Paradise

Type: Almost there

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Synopsis: 98% of people live in the matrix. 2% of people live in the real world. I’m not sure why, they never really explain it. But then someone hacks the matrix, and the only anime solution is to send a pretty girl to fix it.

Pros: Expelled from Paradise is almost, almost a great film. It has all the elements. It has a glossy digital world. It has a determined female protagonist. It has a bare bones real world. It has a robot. An intelligent robot! The plot is straight forward. A security officer, Angela Balzac, is sent to stop a hacker in the real world, while learning about life along the way. She’s funny in that modern 2010’s anime kind a way. Haughty but likable. I really liked the A.I. character, Frontier Setter (was “Settler” too obvious?), and still feel his story had the most potential. That’s what I ultimately feel about the film. It was one good rewrite away from fufilling its potential.

Cons: The film employs 3D animation style with 2D-like designs. Visually, this actually works really well, as the styles blend nicely. Then the characters start moving. Movement, especially from Angela, looks too stiff and puppet like. But kudos for trying. Story wise, I think the film would have worked better if they cut one element from the story. Any element. Even the lazy biblical allusion could have been cut out (Is Frotier supposed to be Adam? Abel? That guy with the salty wife?) The thing is, the story is just a little too crowded, and would have benefited from a more concentrated, intimate plot. Ideally, something involving Frontier Setter. It’s status as a sentient A.I. with an appreciation for human culture and innate kindness is narrative gold. The story could have focused on his relationship with Angela, a digital citizen. Or his relationship with Dingo, a salt of the earth drifter. Or just his life as an artificial intelligence in a world where all the humans have chosen to live in a digital world. But instead, the film chooses the generic route and focuses on Angela’s mission with Dingo, and exploits her ignorance of the real world for wacky results. It even has the standard scene where Angela is accosted by creeps, beat them up for a while to show that she can “take care of herself,” but then gets rescued by Dingo and undermining her capabilities, because anime. In fact, the film could have benefited from not having Dingo. I like him well enough, but he doesn’t really add that crucial that couldn’t be written around. Going back to the story as a whole, it’s tone shifts from comedy to existential to action in a way that doesn’t mesh well. Although, I did laugh my ass off while watching the ending of the English dubb, because when Cowboy Dingo finally gets to sing a song on his guitar, his voice goes full Japanese. I always find it hilarious when the English writers don’t bother to translate a song.

Watch it: Honestly? Just skip to when Frontier Setter shows up

MVP: Frontier Setter

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I can’t believe they let him go by himself. He must be so lonely.

Best Moment: Dingo’s song (The Japaneses sticks out soo badly!)

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The Circumstances in My Home’s Bathtub

Type: or “Orechi no Furo Jiro”

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Synopsis: A young man invites a merman to live in his bathtub, and hilarity ensues.

Pros: This anime is very short. It’s one of those 3-minute episode deals. The appeal is having very cute boys be cute to one another in comedic fashion. Wakasa, the merman, is the source of comedy, being the child like blonde one in the show. His ignorance of the surface world will lead to things like using too much hot water, or learning not to eat too much expensive food, etc. He also has a myriad of equally cute male friends who are also various aquatic life forms that come over from time to time. Though, I also find it funny that Tatsumi, the human, is vaguely designed like a cat and brought a bunch of fish home. It has the save vibe as shows like Hetalia, only located entirely in a washroom.

Cons: There’s a little sister character that is in romatic love with her brother. Not a fan. The intro does not match the tone of the show at all, suffering from the same thing the Free intro did. Apart from that, its a great little anime.

Watch it?: It’s so short, why not? (4/5)

MVP: Wakasa

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Ariel eat your heart out

Best Episode: Short anime rule (so all of them)

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Your Lie In April

Type: Oh man, get ready for the emotions!

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Synopsis: Love means never having to say your sorry. Wait! Wrong thing. Also, a very bad saying. If your in love, then you should never be afraid to say your sorry. Like, “sorry I got home late without calling,” or “sorry I ate the last pizza slice,” or “sorry that your life dedicated to music has brought you nothing but pain and misery, but hey, at least the blonde one likes you.” Feeling safe enough in your relationship to apologize sincerely is the sign of good communication and a healthy couple.

Pros: In complete honesty, I have been avoiding Your Lie in April for a while. Because its a anime famous for making its audience cry, and I don’t like crying. My eyes get red, I start losing precious liquids, certain existential questions start popping up, its a whole thing. But I finally decided to bite the bullet and give it a try. Surprisingly, the anime has a lot more humor than I though it would, and never veers into drab and dreary territory. It’s more of a happy tragedy. Sad stuff happens, but the message is ultimately about moving forward. I didn’t actually end up crying, but most probably will. The story is about a former pianist named Kosei Arima, and how his life changes upon meeting a free spirited violinist named Kaori. A lot of the plot involves getting Kosei to play the piano again by getting him to overcome the psychological trauma he endured by the life and death of his mother. While most shows would deal with this in two-three episodes, this anime makes it the central story for half the series, which I appreciated. There are actually four subplots in the series. Kosei’s grief is one of them. The other is Tsubaki’s crush on Kosei. And while there is a love triangle between Kosei, Kaori, and Tsubaki, it’s never overdone. Tsubaki never jealously confront Kaori, and in fact goes out with someone else for a while. Imagine that, anime characters trying not obsessing over one person and actually dating around. Huh. The next subplot involves Kosei’s rivals, but they really only reinforce Kosei’s story than anything else. And the final subplot, and main story for the latter half of the series, involves Kaori. Every story in every episode had a weight, like it meant something. Oh, and the music is obviously fantastic. I’m no classical music expert, but I do love the piano and violin, and I loved what I heard.

Cons: This thing is very predictable. By the first episode, you know exactly what’s going to happen. You can tell just by the character troupes. Kosei is the sullen protagonist, Tsubaki is the energetic childhood friend, and Kaori is the manic pixie girl sent to fix all of Kosei’s with her wacky personality. The only character that subverts expectations is Watari, as the surprisingly wise best friend, and he gets the least screen time than anyone. Which is why I don’t really consider the Kosei-Kaori-Watari love triangle a thing. It was mostly in Kosei’s head. The love triangles in this are very courteous. I would say that the character are even a little too considerate of each other’s feelings for one another. Kosei doesn’t want to interfere with Kaori-Watari, Kaori doesn’t want to interfere with Tsunaki-Kosei, and Wateri doesn’t want to interfere with Kaori-Kosei. Which works very well in this story, but don’t go looking for dramatic love confessions. Except for Tsunaki, whose whole story arc is dealing with her love for Kosei. Notably, Tsubaki is also the only non-musician with narration (which doesn’t always translate well). And Kosei’s inner monologues about Kaori do straddle the line between poetic and silly from time to time (“your existence means freedom,” what!?). Speaking of Kosei, man, his mom was a pretty shit mom. I know she was dying or whatever, but damn, I can’t help but feel happy that Saki’s dead. In fact, if I could change one thing about this story, I would dial back on the portrayal of Saki’s abuse of Kosei. At least, the physical abuse. I feel that having her be a emotionally strict mother was enough to get the point across, but having her beat Kosei regularly makes it impossible to sympathize with her. On that note, Saki’s motivation for giving Kosei years of therapy bills was to make sure that Kosei was able to look after himself, but Kosei does have a father. A father that’s never home and allows his wife to beat their child, but a father none the less. Its not like he was going to be orphaned or living on the street. I guess her life was pretty pointless. Oh well! Aside from that, I would actually keep all my criticisms as is. Which is a weird thing to say, but I feel that the anime is almost perfectly balanced, and changing anything else would ruin it.

Watch it: A bit troupy here and there, but damn, it’s good (5/5)

MVP: Tsubaki

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Why do the childhood friends always have to do the heavy lifting?

Best Episode: Ep.13 Love Sorrows (I don’t feel sorry for Saki, but it was important that Kosei forgave her)

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Yuki Yuna is a Hero

Type: Medoka Magica’s more upbeat little sister

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Synopsis: In the future, the Japanese government asks young girls, around the age of 12-15, to fight monsters from a different dimension in order to protect the magic tree that is protecting humanity. They mainly recruit these girls using phone apps, because kids and their phones these days. The app says you can be a hero, and it even gives you cute fairies as sidekicks for free! Of course, once you get nice and addicted, it ramps up the difficulty of the monsters and that’s when you finally notice the in-app store purchases and start thinking….man, I could really use that power upgrade, and the use of my legs isn’t that big of a price.

Pros: Yuki Yuna is a magical girl anime. Specifically, the subgenre of dark-magical girl anime. This means that the big reveal is the price the characters have to pay for being magical girls. Without spoiling it too much, I’ll just say that I liked the “price” being paid, because it was drastic enough to be meaningful, but not too big to be forgotten. The girls don’t have to give up their lives or anything, and the in some ways, the price is optional. It gave the characters a lot for agency in their decision to use their powers and ultimately made them seem like the “heroes” they aspired to be. This differs from Medoka Magica, the current dark-magical girl measuring stick, because there the price was pretty much an ultimatum done for selfish reasons. Yuki Yuna differs from Medoka in that it’s pretty positive. Yuki Yuna stays pretty light until Ep.8, with everything up till then being pretty typical female slice-of-life stories with good humor, like the new girl becoming friends with everyone, the young girl learning to be more confident, gossiping about love only to discover that none of them have any juicy stories because their in middle school. This is mixed with stellar actions scenes, so you never get bored. Compare this to Medoka, which gets dark at Ep.2. After Yuki Yuna’s Ep.8, things start to spiral, as the truth of the girl’s powers are revealed. What I liked about the reveal is that is was dark, but it didn’t overdo it. It didn’t come off as malicious, and there’s no “evil” organization controlling everything. The girl’s sacrifices are honored and rewarded. If anything, it’s a system whose tragedy lies in it’s necessity.

Cons: For as show called Yuki Yuna is a Hero, the title character is not really present all that much. There is a character named Yuki Yuna, but she isn’t really the protagonist, and she doesn’t act as a audience surrogate. Her only role is being the most “optimal” hero. In fact, Fu Inibozaki is a more likely candidate for main character. But the show really is more of an ensemble story. Speaking of the story, while watching it, I kept waiting for the shoe to drop. Ya know? I knew that this was a dark-magical girl show, so every episode I asked myself, “is this the one where it all goes to hell?” But since this happened so late in the show, fans of this kind of dark twist may be annoyed at the time it takes to get there. Don’t watch this show looking for a tragedy like Medoka, because you won’t find any. This anime strictly adheres to the happy ending troupe. No one dies, no one’s feelings are hurt, and the girl’s sacrifices are even mitigated by the end of the show. I’ll admit, that last part was regrettable as it lessened the impact of the girl’s decisions. I do wonder, however, how people who watch it blind may react to the show. Now let’s talk spoilers: In the show, the girl’s have to sacrifice something to unleash their full power. The people in charge of recruiting don’t tell the girls this because ignorance is bliss or whatever. But, as the show suggest, this leaves tremendous psychological scars on the chosen girls. Worse yet, because the sacrifice is required for an optional second transformation, a power boost if you will, there really is no reason not to tell the girls. A little “hey, you have this secret weapon, but only use it as a last resort because it will cost you something precious. ;)” text would have been sufficient.

Watch it: More upbeat than Medoka (4/5)

MVP: Fu Inubozaki

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Girl Power!

Best Episode: Ep9. “Those Who Know Grief” (that breakdown really got to me)

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The Seven Deadly Sins

Type: “A Netflix Original”

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Synopsis: Giant! Fairies! Fan service! This is a tale set in a time before the worlds of human and magic were rend asunder, when Netflix was trying to get into the anime business. Crappy for normals trying to watch anime dubs in one convenient place (cough Funimation cough), but great for corporate petiness. That is the greatest sin!

Pros: Now this is an adventure anime! None of that unwanted preachy message that bogs down some other anime whose name shall not be mentioned (its Magi guys, I’m complaining about Magi). In this charmingly funny anime, a princess is on the run from Holy Knights that have taken over her Kingdom. Her only hope is to find the 7 Deadly Sins. Now, this isn’t a tale of a young woman’s spiral into hedonism (sorry pervs). The title “7 Deadly Sins” refers to 7 legendary warriors who were used as scapegoats by the Knights to take over the Kingdom. We get about 6 of the 7 sins, and the show does the smart thing of not giving them a real challenge until the second half of the season, emphasizing their skills and power. It also states that they aren’t even fighting at full strength due to missing their “sacred relics,” which allows these OP characters the possibility to lose. Th second half gives the Sins more of a challenge, and you get to see the sins fight more as a unit. I loved the whole “get the band back together” vibe of the show, and the writing was good enough that you got a sense of the personal dynamics between the group. And believe it or not, but an anime based on a manga actually ties up its story at the end!

Cons: While I loved the Sins and their fighting scenes, their powers sure do fluctuate for the sake of story convenience! One minute their beating the unbeatable enemy with no sweat, the next minute their near death against some jobber. On the topic of the Sins, the anime does the anime/manga things where the Sins aren’t actually guilty of their “sins.” The only thing they’re guilty of is feeling guilty about what their friends did. But being super cool guys, they take the punishment anyway. In fact, the worst thing they’re guilty of collectively is petty theft. And the show also does that thing where 99% of the bad guys aren’t bad guys at the end, despite killing a bunch of people (and it only really pulls it off for one of them). On a spoiler note: the show also did the thing where none of the good of bad guys died. So while I’d would argue that Magi tried a little too hard to be edgy, this anime tried a little too hard to have a happy ending. (oh! I forgot: quiet a but of groping here. At least at the start).

Watch it: I’d rather watch this on Netflix than that other thing (4/5)

MVP: Diane

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The Friendly Giant

Best Episode: Ep.13 “Apostle of Destruction” (Giant Hammer!)

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