Tag Archives: English Dubbed

Masamune-kun’s Revenge

Type: The kind you shouldn’t think too hard about

Synopsis: Because really, a show where our hero’s mission is to essentially seduce a girl for the purposes of cruelly breaking her heart is something a sociopath would do for sexual gratification.

Pros: Ok, to be fair for what is stated above, our protagonist Masamune has a reason for doing this, immature are it may be. When he was younger, Masamune was “rejected” by his childhood crush Aki “because of his weight.” I use quotation marks because we all know this is a big misunderstanding. And if you didn’t, well, sorry. Masamune dedicates himself to becoming physically attractive in order to launch his “dead of love” plan, where he’ll make Aki fall in love with him and then dump her like she did him. Two interesting story points come from this. One, Masamune’s reactions to being treated differently because he’s good looking, which the show doesn’t really play with enough. I know that this is because Masamune doesn’t really blame others for his previous appearance and unpopularity (he was a bit of a snob), but a little social commentary would have been nice. And two, Masamune’s incredible inexperience with girls makes him flustered every time he gains a step forward in his seduction plan. That were the comedy in this love comedy comes from. So while this in no way revolutionizes the genre, it’s a funny little show with a novel gimmick.

Cons: The show has pretty typical light novel slight ups, which is weird because this is based on a manga. Are we finally reaching the convergence points where light novels and manga become one!? By saying this, I mean that characters aren’t really explored all that much. For example, we don’t really get to know a lot about Aki despite technically being the main heroine. All we know is that she’s rich, eats a lot, is a mega tsundere, and hates all men because her childhood crush left her without saying goodbye (I’m sure that’s in no way related to our main story, let’s just forget I mentioned it). She’s know as the “cruel princess,” because she enjoys rejecting all would be suitors harshly, but the show also tries to make her out to be a kind girl at heart. Like, she’ll call your penis small, but she’ll also pay for your therapy bills. She’s portrayed inconsistently is what I’m saying. And at 12 episodes, the show only really covers one story arc, the Neko Fujinomiya arc, were a pretty girl comes to vie for Masamune’s affections while not being completely honest with him. Masamune’s suspension of Neko’s true intentions are suppose to mirror that of Aki’s towards him, but he doesn’t really learn anything from it. In fact, by the end he decides to double down! Which is weird, because in the dub he literally says “if this girl wasn’t such a liar, we could have had something real.”  Of course, being a girl in an anime, Neko’s motivations are more innocent than Masamune’s (she was sick, which is why she was so secretive). Still, it’s a funny light show if your in the mood for that.

Watch it?: Yeah, but never forget that this is a show were a teenage girl is being emotionally manipulated into having feelings for a boy for his own selfish satisfaction. (4/5)

MVP: Masamune

You’re a psycho, but your misadventures entertain me.

Best Episode: Ep.8 “It’s Not You” (Does Masamune go for the busty girl who totally wants to jump his bones, or stick to his plan to traumatize a chick that dumped him with he was 10? Anime is sometimes exhausting.)

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Eureka Seven: AO

Type: All you need is the original.

Synopsis: A blue haired boy joins a peace keeping organization in order to stop giant coral reef aliens from blowing up. This is in contrast to his father, who joined a pirate ship in order to hit on a pretty girl. But since the father had more episodes to play with, his comes out to be the more interesting story.

Pros: This anime is difficult to talk about because it had a lot of potential. The protagonist is the rare son of former protagonists whose following his own story instead of continuing the previous story. The setting is a slightly altered version of the real world, fought with political commentary. And the mecha are mainly piloted by pretty teenage girls. Later on in the series, the show even introduces the idea of alternate realities and time travel just to add a little bit of sci-fi spice into the story. An adult Eureka and Renton also show up in this story, so fans who saw the 2005 show as teens can now see their old heroes as grown ups like them. The show is at it’s most interesting when it explores all these factors, especially the last two. It’s just a shame that it fumbles it all so badly.

Cons: I’ve been doing this review thing for a while, but I still lack the words needed to communicate exactly what went wrong with this series. Because on paper it has everything it needs to succeed. It ticks all the generic anime mecha boxes: a boy pilot with daddy issues, robots that can only be piloted by teen girls, not so subtle jabs at American foreign policy, and psudo bulsh$t sci-fi. It’s also a sequel to a well known (kind of) show. But it all feels…hallow. The show has no soul. It all felt too by the numbers, nothing felt earned, and it never took that extra step after a big twist or reveal. “Betrayals” are almost immediately reversed, only one important character dies, romances are only hinted at, and the alternate reality stuff is not explored nearly enough. They don’t even show Eureka raising Ao by herself to understand why Ao loves her so much and resents his father. This is going to sound weird from a guy who likes to keep things light, but the show is just not mean enough. Eureka Seven was mean. Renton was beaten repeatedly by his own side! Holland kicked his 14 year old whining behind constantly, because he was not a father, he was a pirate. Eureka didn’t fall for him immediately, she didn’t even like him that much until 25 episodes in. And the kids of the show were plagued with all these new feeling that they didn’t know how to handle because they were teenage kids, while the adults were haunted by their past actions and still didn’t know who to handle certain emotions. But in AO, everyone loves AO. All the adults are extra nice to him, all the girls eventually have crushes on him, and Ao even forgives his dad after like a 5 minute skirmish. We never get to see Ao deal with the smaller, confusing moments in life that would make the audience empathize with him. He’s never shown to be weak, or rash, or awkward, or selfish. All this actually made me dig a little, and it turns out that the show was directed by the same guy who did Eureka Seven, Tomoki Kyoda, but not written by the same guy (Dai Sato). This would explain the dissonance I got while watching it. I’ll be honest, part of the reason why this show annoyed me was because Eureka Seven was one of my shows. An early anime that caught me as a teenager that I would watch at 4:30 am-5:30am before going to Calculus morning classes. It’s a show I’m very familiar with, and its sequel just does not satisfy me at all.

Watch it?: Let me summarize my points: you don’t sympathize with the protagonist, the plot is rushed, too many ideas are crammed in, you only get excited for the parts when Eureka and Renton show up for their one respective episode, you’re still left with a bunch of questions about what happened to everyone else in the original show (like Eureka and Renton’s other adopted kids) and the show has the gall to save the interesting alternate reality stuff for an online-only episode. (3/5)

MVP: Eureka and Renton

Sorry Ao, but your parents are just more interesting

Best Episode: Ep.13 “She’s a Rainbow” (hey, it’s Eureka!)

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Tsugumomo

Type: When your mom’s friend starts to hit on you.

Synopsis: In Japan, there’s this myth that if an item is possessed by a spirit, it gains self-awareness, often with the caveat that the item has to be 100 years old. In anime, characters often use anthropomorphized items as weapons/lover, especially when their human form is a cute girl. However, this become a bit awkward when the demon items are passed own the generations, and they start to tease you with their naughty bits.

Pros: Tsugomomo is what you would call a great commercial for the manga. I say this with no malice. In 12 episodes, the anime sets up the plot, the world’s rules, and provides you with enough sizzle to want more. In the show, a young man inherits his mother’s obi, a sash, that is actually a demon possessed item (a tsukumogami). They end up fighting together against the recent increase in evil tsukumogami and spirits. Of course, the obi takes the human form of a cute girl and Kiriha, whose power level determines her body shape. So she can become a mature beauty, or loli jail bait, but either way she’s still a flirty hot head. The protagonist, Kazuya, is surrounded buy spiritually inclined women, from a chibi-God to a well-endowed servant, to a thirsty child hood friend, making this a harem show as well. And boy, they do take advantage of that. And it always, ALWAYS, caught me off guard. I mean, just don’t expect that many blowjob jokes in a anime manga series, yet here we are.

Cons: In 12 episodes, you only get an introduction to the world. In a lesser show, the “read the manga” ending would be irksome. But this show is of a quality that it can get away with that. It has the right mix of action and comedy to keep you entertained. The only this it doesn’t do well is drama. Because the show is pretty light hearted, both in tone and art style, the more dramatic moments don’t land. For example, in one episode Kazuya and Kiriha have to stop a wig tsukumogami from attacking students. The big reveal was that the tsukumogami is possessing the dead corpse of a young girl who killed herself after her friends mercilessly bullied her for liking a boy. Pretty dark stuff, but none of it has any impact because you still have Kazuya and Kiriha bickering like an old married couple. So don’t watch this for the stakes. Watch it for the fun stories and characters, serviceable action, curb ball episodes, and moments that make you say “did I just see that!?”

Watch it?: I’m probably ganna read the manga later (4/5)

MVP: Kiriha

I loved that her speech patters where so formal, yet so rude

Best Episode: Ep.8 “A Certain Day in the Kagami Household/The Super Popular Fragrance” (a silent episode and and echii episode, what more could anyone ask for!)

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Dagashi Kashi

Type: A show about nothing, nothing but Penny Candy!

Synopsis: Candy shop. Check. Manic Pixie girl, check. Manic Pixie girl with big boobs. Check.

Pros: Maybe not that simple, but come on! The opening sets the tone for the entire series. How is Hotaru, the resident pixie girl introduced? First doing a backwards bow, second by hugging her breasts. That’s kinda how the show treats Hotaru, as a sexy weirdo. She’s not a bad character. In fact, she’s a super fun character. All manic pixies are. She’s an over the top candy fiend and her English voice actress plays her to perfection. I just wanted to point out what were dealing with here, because the anime is also super fun. It’s a slice of life anime that’s really light hearted and silly. Every episode explores a scenario set up by Hotaru using candy as a catalyst. I’m not sure if the penny candy is real or not, but if it is, it really reminds me of Mexican penny candy, down to the wrappers! But Hotaru’s antics only work if she has someone to play off of. Enter Kokonotsu, the male protagonist who Hotaru is trying to convince to take over his father’s dagashi shop. What I liked about Kokonotsu is that he’s very much a teenage boy. While he can play the typical “nice guy” protagonist, he’s still very well aware of Hotaru’s beauty, and would love to be more popular with girls, and goofs off with his best friends about pervy stuff from time to time. Both Kokonotsu and Hotaru make a good comedic pair, which all you need in a comedic anime.

Cons: On the surface, this show seems like a funny show with candy as a gimmick. But it’s actually a little pervy. Some of the jokes are definitely NSFW. Hotaru’s physique aside, they throw some dirty jokes at ya. Kokonotsu staring at Hotaru see through shirt I can understand. Hotaru being covered in “yogurt” is something else. A lot of verbal and visual innuendo going on here. So if your not into that type of humor, maybe look elsewhere. There are some sweet moments though, like when Kokonotsu’s dad complimented To, implying that maybe To’s dad isn’t round? Because you don’t really see alot of characters outside of the main cast. The only other thing to look out for is the fact that the anime doesn’t really “End.” It finishes. Whether or not Kokonotsu stays at the shop or leaves is not resolved, nor does he become a couple with Hotaru or childhood friend Saya. It’s a “read the manga” ending.

Watch it?: Almost as good as actual dagashi (4/5)

MVP: Hotaru

Dagashi-Kashi-04-7

How is candy so arousing?

Best Episode: Ep.4 “Fugashi, Fugashi, and… / Glico, Glico, and…” (the essesnce of Hotaru)

 

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Koro-Sensei Q

Type: From the makers of Dragon Quest (not really)

Synopsis: Did you know that Dragon Quest was originally known as “Dragon Warrior” in America? It wasn’t officially called it’s original name until Dragon Quest 8 in 2004. Speaking of that, did you also know that Nintendo released a version of DQ8 for the Nintendo 3DS? I head it has a few new features, and it’s a great way to experience the game if you didn’t get to it back in the day. Definitely one of the best entries in the series. YES, even better than Dragon Quest 5 and 7….oh right! The review. The anime is Assassination Classroom if it was a comedic RPG.

Pros: As stated before, I have a soft spot in my heart for comedic anime spin-off parodies. And this one was no different. The premise is exactly as stated before: Assassination Classroom if it was a comedic RPG. It’s Assassination Classroom without any of the drama. Aside from the setting and tone, everything else is the same. Koro-Sensei still “teaches” the misfits of Class-E under the idea that they will one day kills him. Only instead of being an alien, he’s a Demon King. Karasuma is a knight instead of a government agent, and Irina is a seductive witch instead of a seductive assassin. The show itself is fairly short, 10 minutes, with interstitial to break up the scenes.  Fans of the original series, or RPG spoofs, will get a kick out of it.

Cons: Like most parodies, viewers will need a passing familiarity with the original source materials to get the full experience. The jokes are mostly funny, although I do feel the rely more and more on boob jokes as the series goes on. Two characters get more of a spotlight this time around: Okajima and Ristu. Okajima’s lewdness is played more for laughs, and Ritsu is allowed to be more comedic this time around instead of cutesy. And, yeah, that’s about it.

Watch it?: It’s pretty solid overall. Funny and quick. (4/5)

MVP: Ritsu

If you ever have a question about continuity, a wizard did it.

Best Episode: Too short to really pick (but ep8 was a freaky friday riff!)

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Appleseed: Ex Machina (2007)

Type: At least the title is honest

Synopsis: Get ready for some implied cuckolding! After escaping a hellish warzone in favor of a futuristic utopia, our heroes Deunan and Briarieos must face an even greater challenge: a cute boy! Enter Tereus, a cloned copy of Briarieos before he was turned into a cyborg, genitals and all. Can Briarieos possibly live with the fact that Deunan will probably instantly fall in love with Tereus because her feelings only run skin deep. That despite all their time together in the battlefield, all the trust they’ve built, and the love they share, that she’ll still run off with someone who has his old hair cut. Welp, ignoring the fact that Deunan repeatedly says she’ll only partner with Briarieos as he’s her one and only, let’s trade her off to Tereus. That’s what she obviously wants.

Pros: For a sequel, Appleseed: Ex Machina does a better job at setting up the world right off the bat. It opens with a quick summary of the world, which did a lot better job at explaining the lore than the entire first film. Post Apocalyptic. Utopian city. Cyborgs, clones, and humans. Done. While there is some plot involving collective consciousness or whatever, the real draw is the love triangle the film establishes between Deunan, Briareos, and Tereus. Well, to be honest, the actual high point is the relationship between Briareos and the other two. This is every much a Briareos movie. It defines his feelings towards himself and Deunan very well. This film does a much better job at showing that Deunan and Briareos are in a romantic relationship, which the first film only really implied it. It’s only pretty organic. A quick peck here. A quip there. When Tereus is introduced, we see Briareos insecurities pop up, not only concerning his relationship with Deunan (the whole, “would she love me more if I were still “normal?””) but with himself. This type of thing happens in most relationships, where it’s because someone loses use of a limb, or gains weight, or ages, or just feels that way one day. And like Deunan, a partner could try to reassure them that they love ’em anyway, but like in the film, it’s may not be enough to be convincing. So what happens? The person with insecurities pushes their partner away, the partner finds someone else, and the whole things becomes a self-fulling prophecy. In my opinion, this relationship based story was way better than a conspiracy about computer or whatever.

Cons: I kinda don’t like the fact that Deunan is basically ignored or disregarded when it comes to her relationship with Briareos. Like, no one takes her at her word that she’d rather have Briareos than Tereus. I get that this film is set from Briareos’s perspective, and that his insecurities makes him distance himself from her, but you can’t just give her away, man. She’s not pokemon card. The film does propose that their is some romantic tension between Deunan and Tereus, which is fine. She’s human and he looks exactly like her boyfriend whose being a jerk at the moment. And I do like the fact that she admits that Tereus confuses her, because it demonstrates some ownership of female sexuality. Besides this, the actual plot involving a computer overlord is largely unimportant, and rather trite.

Watch it?: Better than the first!

MVP: Breareos

Why do you have my face!?

Best Moment: Deunan kissing Breareos (the casual pecks do a lot of establish a relationship)

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Tenchi in Tokyo

Type: Not, ah, my favorite entry.

Synopsis: I was going to try to make a long point about people moving new places, dating new people, and how this sometimes means losing track of your old friends and family. But that was taking so long, so screw it. What this show is really about is Tenchi trying to escape his crazy life filled with alien girls by moving far away and shacking up with the most IRRITATING girl you could think of…only for her to be a psychic projection of another alien girl.

Pros: For all it’s faults, Tenchi in Tokyo does a good job at staying true to the characters of the Tenchi Muyo Series. There’s no real point that in the show that the characters act in a way that isn’t believable to them. The essential plot is that the bad guy tries and succeeds in separating Tenchi and crew, and each react to this in a way I can buy into. Mihoshi and Kiyone leave after getting a reassignment from the Galaxy Police. Ryoko goes on a violent rampage in space after having her heart broken, and goes through the best story arc she’s ever had in the franchise. Plus, it was cool to see Ryoko as a proper space pirate for an extended period of time. And Ayeka tries her best to keep it all together since, as a lonely princess, she most likely never had many friends. What’s also interesting is that this iteration of Tenchi may be the most unlikable he’s ever been, but arguably the most realistic. The catalyst for the show’s plot is when Tenchi decides to leave for Tokyo to further his studies. While there, he meets a seemingly normal human girl and starts to date her, leading to the group slowly drifting apart. What made Tenchi unlikable was his efforts to keep the girls away from him and his life in Tokyo. At first, it starts as him comedically trying to stop Ryoko and Ayeka from interrupting him from starting a new life. But as the show goes on, Tenchi starts to outright ignore his former friends. Almost as if he’s willing to abandon his friends if it means living a stereotypical normal life. The plot even revolves around this, as it’s Tenchi’s bond with the girls that the antagonist is trying to severe. What’s especially interesting is that Tenchi wasn’t tricked into doing this. Not really. All he did was move and meet someone. But that was enough to make him move one from his hometown life.

Cons: While the character work in this entry in the show was fascinating, and probably the best exploration of each member of the cast, or at least Ryoko and Tenchi, this show is a mess. The tone of the show is also all over the place. This show contains both the sillies jokes that Tenchi Muyo has ever broadcast, as well as it’s most dramatic moments.  It’s starts off way to slow. The first six episodes are basically an unfunny farce that do nothing to keep the audience’s attention. If I wasn’t for my commitment to the series, I probably would have stopped watching. Well, that’s a lie, I watch no matter how bad, cause I’m RIDE OR DIE. But I probably wouldn’t have payed as much attention. The real meat of the show doesn’t come until 7, when the show reveals how this version of Tenchi and the girl’s first met. From there we get Ryoko’s Date, Ayeka trying to hitch hike to Tokyo, Tenchi starting to date Sakuya–the real story basically. Then there’s Sakuya…OK, I don’t want to be that fanboy, but I’m gonna be that fanboy. Sakuya is a horrible character who forced me to skip every scene that she was in (which included the majority of Tenchi scenes). She’s a homewreaker. Literally. She was created to distract Tenchi and keep him away from the other girls. The other more interesting girls, like the bad-ass space pirate, or the alien princess, or the two space cops. The show tries really had to make the audience like her, but I don’t think she really added anything to the existing cast. Tenchi, like most harems, is build on troupes. Ryoko is the rude girl. Ayeka is the princess. Sasami is the cute one. Mihoshi is the ditz. Mihoshi is the exacerbated career woman. But no, Tenchi’s first kiss in the franchise had to come from Sakuya, another in a long line of cheerful school girls who makes boxed lunches every day and dreams of nothing more than being a beautiful bride, because Anime. Goddam it Anime. I think this whole thing would have worked better as a movie. It would have at least tightened the plot and reduced Sakuya’s screen time. That being said, I guess I can’t call this show terrible if it caused me to feel this strongly about it.

Watch it?: Man, for a average show, I sure had a lot to say about it. Heck I have more, like how Ryoko was the only one who trusted Tenchi with Sakura, but her trust was broken. Anime men are dogs! (3/5)

MVP: Ryoko

It was great to see Ryoko cut loose

Best Episode: Ep17-19 The Separation Arc (it’s like when your favorite band breaks up!)

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SHIMONETA: A Boring World Where the Concept of Dirty Jokes Doesn’t Exist

Type: NSFW

Synopsis: In a world, where smut has been outlawed. Where phrases like “putting your yogurt tosser into the butter boat” is blaspheme. A world of prudes. A world of abstinence. Only one person will be able to bring back the raunchy. Follow our heroes on their trip towards an uncertain end. THIS SPRING, STAY TUNED FOR HIGH SCHOOL KIDS DISTRIBUTING DIRTY PICTURES AROUND SCHOOL CAMPUS AS A FORM OF PEACEFUL PROTEST.

Pros: Where has this been all my life. Why was I not informed of this anime sooner! What am I…what am I even doing here!? Shimoneta is half brilliant, half stupid, and all parts entertaining. The basic premise is that Japan has outlawed lewdness in all forms, forcing our protagonists to rebel through pervy behavior and inappropriate language. And I mean INAPPROPRIATE. I watched the English Dubb, because sometimes this world is a beautiful place. The words that came out of Ayeme Kajou might be THE filthiest collection of saying that I have ever hear. I did not know that the English language was capable of making that many euphemisms for sex, penises, or vaginas. Aside from the admittedly sophomoric charm of the show’s content (sex, masturbation, etc), the program does have a good message. Kajou’s group, SOX, fights in the name of personal freedom and sexual education. They don’t necessarily want to bring the government down, they just want to be explore the subject of sex without punished. Which is a good thing to say. Sexual education is important. And while issuing every teenager a box of sex toys and a porn subscription isn’t necessarily a good option, neither is pretending that lust doesn’t exist. The show argues as much. You have characters like Fuwa who are so ignorant about sex that they need to study the reproductive habits of bugs to better understand it. Or you get extreme cases like Anna, who becomes a sexual deviant after her first taste of physical romance because she has no background knowledge to help moderate her new urges. And as a side note, I liked the organic relationship that developed between Tanuchiki and Ayeme, especially since it’s based on comradery  and not idealization.

Cons: I mean, this is basically smut. Well, that’s too harsh. I’ll downgrade to softcore porn, not unlike American Pie or Not Another Teen Movie. You know, the classics. Aside from Ayeme’s amazingly dirty dialogue, a lot of the jokes come from Anna. After episode 3, Anna becomes a sex maniac who constantly tries to share her “love nectar” with Tanichiki after an accidental kiss. This girl is so turned on whenever she even sees Tanichiki that she immediately undergoes vasocongestion, causing her to secrete a combination of carbohydrates, amino acids, proteins, and other acids produced by the normal lactobacillus bacteria. Clean up in aisle 3, am I right! Normally I would say this goes overboard, but given the context of the show, it actually fits right in. I do kind of think that it’s messed up that Tanuchiki losses interest in Anna after her “pure image” is shattered, but the exaggerated nature of her character change makes it work. Story wise, I feel that the last arc involving Gathered Fabric is not very strong, and I didn’t really like them as antagonists. I would have been perfectly happy if the show had followed a scheme-by-scheme narrative.

Watch it?: Does a footlong taste better with mustard on it? (5/5)

MVP: Anna Nishikinomiya

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L-O-V-E  N-E-C-T-O-R.

Best Episode: EP. 1 “Whom Public Order and Morality Serve?” (I have my own favorite [ep4], but I feel that this one tells you everything you need to know about the show)

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My Hero Academia (Season 2)

Type: Also known as That 2017’s Show

Synopsis: You get it, because the television program That 70’s Show was a thing in the 2000’s, and My Hero Academia was really popular in 2017? Yeah? Well…I-I thought I was being clever and, ah, let’s just move on. This is My Hero Academia, also know as HeroAca, Boku No Hero, HeroAcademia, season 2. It’s still pretty good.

Pros: It’s still pretty good. With the season bumped up to 24 episodes, My Hero Academia covers about 3 story arcs. The Sport’s Festival Arc, the Hero Killer Arc, and the Final Exam Arc. While the first season focused on exploring the setting from our protagonist Deku/Midoriya’s point of view, this season focuses on fleshing out the extended cast. Instead of talking about my favorite characters (Froppy is best girl, and Tokoyami is surprising top tier) I’d like to point something out. What this season did very well was establishing a clear and shared goal for each of the supporting characters. Each character want’s to be a “hero,” for their own reasons. While their motivations may differ, they each have the same goal that audience can understand. Who didn’t cry when we learned that Ochako wanted to be a hero to help her family out? Or Todoroki’s whole deal? Hell, I even sympathized with Hitoshi, the guy that wanted to be a hero even though he looks creepy. Normally, a lot of shonen stories reserved having a “dream” to the main characters. And while, realistically, not everyone would want to be King of the Pirates or Hokage, it’s nice to see such a distinct class of characters all striving for the same goal. It makes the comradery between the characters seem more natural. A lot of episodes were about pairing characters together, or contrasting characters against one another. This even happens with the antagonists, as the show introduces fan favorite, Stain, a “hero killer” who’s more of an anti-hero, which is why he clashes with the show’s main villain group. The show also explain more about the power One-For-All, and some implied multi-generational lore, but that’s going to have to wait until season 3.

Cons: The only real not great thing about season 2 was a 10 minutes segments detailing Froggy’s internship in episode 19. It felt filler-y to me. But outside of that, nothing particularly wrong with this season. The intro’s were good. The comedy was on point. The action was well handled. The character moments were incredible. As one of the “it shows” of 2017, don’t expect an artistic masterpiece, or a watershed series or anything. But My Hero Academia continues to be a stellar shonen series.

Watch it?: Yes. Yes you should. (4/5)

MVP: Ochako Uraraka

She really is a good kid.

MVP: Ep.13-18 The Hero Killer Arc (Internships, Team Work, Anti-Hero, it has it all! Plus, I didn’t really talk about it in the review)

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Rage of Bahamut: Genesis

Type: Not to be confused with the Super Nintendo version

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Synopsis: To put in bluntly, the show’s about a demon who forces a con man into traveling with her while not knowing that she’s the key to reviving a world threatening Dragon. If you want it not so bluntly, you tease, the show’s about an afro-man who tries to get into a lady’s pants by telling her he knows the way to a mythical city. This backfires when the lady turns out to be a super powerful demon who stormed heaven to steal a magic key that can revive the world ending Bahamut. Along the way, they’re joined by a noble but unlucky knight and a zombie loli.

Pros: There’s not two ways about it. Rage of Bahamut is very pretty. If you want proof, look up the opening scene between Favaro and Kaisar. It’s practically movie quality. In fact, there quiet a bit of good animations scenes throughout the show. Like the Favaro and Amira dance in ep. 02, the giant crab battle in ep. 04, most of the fight and action scenes, and everything in ep11-12, etc. But the strongest aspect of the show are the characters of Favaro and Kaisar. Favaro is, in no uncertain terms, a scoundrel. He lies, cheats, steals, manipulates, and is basically motivated by his own well being. You even see it in his fighting style, which is dominated by misdirection and slight of hand. In all honesty, Favaro is the most entertaining thing about the show. He’s just so scummy, it’s great! Then you have Kaisar, whose much more noble than Favaro, but also has way more tunnel vision, often to the detriment of the situation at hand. He’s a buffoonish hero with a sad backstory that explains his love/hate relationship with Favaro.

Cons: While watching this show, I had a few consistent thoughts in my mind episode through episode. These were:  “this show is very pretty,” “Favaro sure is fun,” and “something’s missing…” It’s this last thought that troubled me the most. Because, by all accounts, this show should be great. It clearly had a high budget, strong directors, and a good main cast. But then I started to look at the show as a whole. And as a whole, the show’s kind of a mess. As you pull back from the central premise of a demon and a rouge traveling together, you get a big plot involving multiple angels, multiple demons, Joan of Arc for some reason, and a soon to be revived Dragon. These elements over complicate things, especially as they become more prominent as the show goes on.  The travel between Favaro and Amira was fun enough, especially with Favaro having to come up with new reasons for the long trip and Kaisar continually hounding them. Speaking of Amira, can I ask what the hell happened between episode 1 and 2? Because for some reason Amira goes from a quiet bad ass demon to a rather childish ditz in no time flat. Amira actually got increasingly on my nerves as the show went on, especially when a lot of her achievements are gradually revealed to be partially because of outside force. Overall, the show is pretty to look at, has fun moments, but I can see why it’s not talked about more. (p.s. It’s also got a horrid opening. Just awful).

Watch it?: Based on an online card game! (4/5)

MVP: Favaro

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Keep rockin’ the fro’

Best Episode: Ep.1 “Encounter Wytearp” (amazing scenes. very exciting)

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