Tag Archives: Isekai

How Not To Summon a Demon Lord

Type: Helpful PSA or Lewd Cartoon?

Synopsis: ( ͡° ͜ʖ ͡°)

Pros:  How Not To Summon a Demon Lord is about a shut-in computer nerd that gets sucked into a facsimile of his favorite video game. He was accidentally “summoned” by two cute anime girls that double as his personal slaves and grow to love him both emotionally and sexually. The narrative is all too familiar and does nothing to dispel the stigma of Isekai anime as male power fantasy. In our story, the protagonist is the strongest character in the game, he is basically invincible, and everything he says is re-translated into something intimidating/heroic. But the biggest issue is the anime’s portrayal of women.

The story both infatilizes and sexualizes each female character almost to the point of absurdity. Rem, who by all accounts should be the second most powerful character as she houses a demon lord within her, is literally an svelte cat girl who is obviously meant to invoke someone much younger. Not only does she look young, but she has no way to access her powers, and must rely on the protagonist to remove her power through tactile sexual penetration. Putting aside fiction’s general problem with women with power, Rem has no agency in this story. Her biggest decision was summoning the protagonist. The story also revels in scenes where Rem is in pain, which reveals a lot about the author’s sadomasochistic tastes. Then there’s Shera. Shera is the story’s main source of fan service. Where Rem is underdeveloped, Shera is overdeveloped. She is an adolescents, or immature man’s, ideal woman. Bubbly, large breasted, scantly clad, and abundantly amorous. Shera is the story’s biggest missed opportunity. Her entire story arc centered on her decision to break off the the shackles of her culture’s expectations of her to forge her own path. Although she struggles, oftentimes comically, her desire to become an adventurer instead of becoming a queen to bear hears was admirable. Or, at least it would be, if her actions weren’t negated by the story. Because after Shera shares her convictions with the cast and audience, she is immediately brainwashed and kidnapped by her finance, who is also her brother, who tries to break her by having a monster sexually assault her. She only escapes because the protagonist rescues her, and the story even has the gall to make Shera cry for her brother/rapist.

Is How Not to Summon a Demon Lord a sexist show? Yes. This story demonstrates a very problematic view of male and female roles and dynamics. It shows women as weak, childish, sexy, and often times all three. The ultimate example is Klem. THE most powerful being in the story. The ruler of all demons. Who is really a prepubescent girl who loves cookies, yet still wears next to nothing. Her demon form even has large breast in the design, and the protagonist could still hold her off single highhandedly! I know that here is a tendency to give anime the benefit of the doubt when it comes to the sexualization of women. But the excuses of “it’s a different culture,” or “westerners are too prudish,” were trite a decade ago, and cannot detract from what this show truly is: a power fantasy with clearly unequal social hierarchies and unrealistic and problematic sexual relationships.

Cons: [Exhale]…So yeah.

Watch it?: I mean, it was really easy to watch. It binged it in two days. And the show never pretends to be something else. You know upfront what your getting. But the more I thought about it, the creepier it got. (2/5)

MVP: The voice actors

The stuff they had to act through. God bless ’em.

Best Episode: “The Demon Lord Act” (cat ears).

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Kemono Michi: Rise Up

Type: A wrestler in an Isekai anime? Stop! I can only get so erect!

Synopsis: Is what I would say, but honestly this anime was left me disappointingly flaccid. From the ads and word of mouth, I was expecting a story about a Brock Lesnar type suplexing his way across an isekai world. That’s all I wanted!! Instead, the anime is about a retired wrestler who opens a pet shop and uses wrestling moves to capture/grope wild monsters. I came for the sport of kings, but I left for the furry bait.

Pros: This show is a very basic anime. As such, it’s characters are one dimensional and so are their jokes. The protagonist, Genzo, is a animal lover, maybe in the biblical sense. His gimmick is getting angry when someone tries to kill monsters, or using his wrestling skills to erotically grapple animals into submission. He has no interest in saving the world, as this comes from the “[job type] gets sent into another world” and “Hero who wants to live a normal live in another world” generation of Isekai stories. His gal friday, Shigure, has my favorite gimmick, where she steals items from the people Genzo beats up and calls it “discovered treasure” (gatta love a greedy girl). Hanako is a half-dragon that likes to eat, and Camilla is her servant who is also a mess of a person. Some of the good running gags are: Genzo continually destroying the adventurer’s guild, Genzo hitting on a housewife/wolf-woman, and Camilla’s pathetic obsession with her master Hanako. That’s about it.

Cons: Holy crap is this a bland anime. Which is weird because it does have elements of a personality. Genzo has a Ant servant for no reason! But after you get past the surface level gimmicks, all you’re left with is a show with some flash, but not substance. Since Genzo doesn’t want to be a hero, the show becomes a slice of life story. Which would be fine, but everyone is so boring! Genzo’s bestiality jokes gets really old really quick. And outside of Shigure and the princess, no other characters really have any reason to hang out with Genzo. They’re just there because the author wanted more interesting characters to play with. It feels like the author thought that making Genzo immediately retire to open a pet show was a clever swerve that would subvert expectations, but quickly realized he limited the scope of his story. There are not stakes in this anime, and Genzo achieves his goal by episode 2. And since Genzo is established as the strongest characters in the show, his goal is never in danger of being taken away from him. The whole thing just feels unimportant, and the characters just aren’t interesting enough to carry everyday plots. That, I think, is this story’s biggest sin. It take a very unique premise manages to make it as milktoast as possible.

Watch it: I’m working myself into shoot here (by which I mean I’m getting angrier the most I think about this) (2/5)

MVP: Shigure

I like that she gradually got more and more disappointed with Genzo as the series went on.

Best Episode: Ep. 1 “Wrestler × Summoning” (He suplexes a Princess and molests a wolf-man)

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Isekai Quartet

Type: The most ambitious crossover since…

Synopsis:…ya know, Endgame and Marvel did not invent the crossover. These things happen in media all the time. Comics had them since the 40’s. Movies had the Wolfman hanging out with Frankenstein and Abbot/Constello since before we landed on the moon. Hell, all of Smash Brothers is built on crossovers. I understand people want to have fun, but let’s not give more credit to the multibillion dollar company that it’s owed, yeah?

Pros: So Isekai Quartet is a show where the cast of 4 Isekai series crossover. Hence the title. This one has the folks from Konosuba, Overlord, Rezero, and Tanya the Evil. They all get transported into another world, again, only this time the setting is a Japanese style high school. Unsurprisingly, the best parts are having different characters from different shows interact with one another. I personally liked Albetto and Rem’s relationship, along with Ainz and Tanya. Because of course the two most evil characters in the show would get along. The show’s pretty short, and each episode is only about 15 minutes. So it was a pretty good refresher on certain shows, and a pretty good introduction to others. I personally have never seen Rezero, but the cast seem fun to watch. And at the end of the day, it’s that what it’s all about.

Cons: Since the show doesn’t have all the character I want, it’s a piece of ##$%. Ha! Got ya. Don’t get me wrong, I wish the the people from Reincarnated as a Slime and Log Horizon where here. I’m sure everyone has their favorites. That’s the problem with crossovers: everyone has a stake in the game. The only real issue is that because the show has such a big cast, a lot of characters get shortchanged. So if you have a favorite supporting character, they may not get the same spotlight the would get in their own show.

Watch it?: Yes. It’s short, funny, and full of reference. (4/5)

MVP: Tanya

I’m surprised, but Tanya has some of the best interactions with characters.

Best Episode: Ep. 2 “Tension! Introductions” (The Useless Goddess vs. the Lord of Nazaric!)

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The Rising of the Shield Hero

Type: *Happy racoon noises*

Synopsis: A boy gets isekai’d into a magical fantasy land. That’s good. He gets stuck with the shield weapon, which is supposedly low tier. That’s bad. But he gets to form a party with a beautiful princess. That’s good. Then the princess falsely accuses him of rape and he gets shunned by the kingdom. That’s bad. And problematic. And inductive of a larger social issue that interprets sexual assault way too much from a male perspective.

Pros: He also gets a cute racoon girl to fight for him. That’s good. But she’s a slave….that’s bad. Anyway, The Rising of the Shield Hero is a 25 episode anime about Naofumi Iwatani, a early 20-something that gets stuck in another world. What sets this anime apart, at least briefly, from other isekai stories is that Naofumi is treated very badly throughout the series, forcing him to face more adversity than other protagonists. When Naofumi is shunned by the kingdom, he and the story develop a cynical personality, allowing the darker side of this fantasy world to be explored. The show deals with the imperfection of this world through the plight of the demi-humans, human/animal hybrids that are marginalized and even enslaved by the humans. Naofumi himself even participates, buying the young female demi-human Raphtalia so he can mold her into his personal weapon. Of course, this being anime, Naofumi is never cruel to his ward, and she soon develops a strong devotion/affection for him. Raphtalia actually provides Naofumi with his first genuine relationship, possibly ever, which teaches him to trust people again. Their scenes together during the duel with the Spear Hero is possibly the best scene in the entire series. Ironically, Naofumi’s exile actually benefits his reputation and that of the Shield Hero’s. Freed from royal edicts, Naofumi and his party are allowed to roam the country side, learning different skills out of necessity, building connections, and helping others. Throughout his journey, Naofumi questions his own bonds with others, but it is precisely these bonds that allow his legend to grow. He becomes what he was always meant to be, a shield to protect others.

Cons: The series has a very decisive first episode. It’s length and subject matter are you main barrier for entry. In the west, the show’s main controversies are in its use of a false rape accusation, and the use of slavery. In a world were claims of sexual assault are severely undermined in every culture, having a female characters use rape as a means to discredit a man does not help. At all. Some of the hate Myne got from the fandom was a bit telling is you look at it from a distance. The show also contradicts itself in it’s use of slavery. The character Raphtalia was sold into slavery and tortured, and the show even dedicates an episode to her horrible experience as a slave. But Raphtalia never speaks out against the system of slavery. She doesn’t seem to have an issue with the slave trader character, nor does anyone in the kingdom. If the Queen knows about it, she lets it slide, as do the other Cardinal Heroes. Aside from this, the show has your basic iseakai issues. Even though Naofumi is shunned in the series, he is always portrayed as being right. He knows exactly what to do in every situation, and if only people listened to him, everything would go right. This portrayal makes some scenes read like a passive aggressive passage from some teenager’s journal. Being an iseaki protagonists, Naofumi is also a natural chick magnet, forming a party of cute young girls. Like really young. Except for Raphtalia, who may have the mind of a 10 year old. but has the body of a woman. Big difference. It was also a bit disjointing that after the main story arc’s natural conclusion in episode 21, the story continues for 4 more episode. It almost felt like the studio was simply ordered to make 25 episodes.

Watch it?: It can be generic, but also enthralling (4/5)

MVP: Naofumi the Shield Hero

Yeah, he’s an avatar for wish fulfillment. But you gatta love that coat.

Best Episode: “The Raphtalia Arc” Ep. 1-4 (if you don’t want to watch all of it, these episodes are the best showcase for the entire show).

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That Time I Got Reincarnated As a Slime

Type: It was awful I tell’s ya!

Synopsis: Unlike this anime, which is actually delightful. Its kinda like an RPG where your goal is to create alliances with different factions. There’s goblins and orcs and ogres and all sorts of magical creatures. This is the point were I’d make a “joke” about fan service, power fantasy, or a reference to a 1970’s tv show. But to be honest, it’s a really nice show.

Pros: Watching this show made me realize that I really like Isekai that focuses on factions and town management. The other anime that I like in this subgenre are  Overlord and Log Horizon. Overlord, however, is more like a faction RPG with the player taking a “renegade” or “evil” route, while Log Horizon focus a lot more on town management. That Time I Got Reincarnated As a Slime is a happy compromise between the two. It takes Overlords premise, but deals with it through Log Horizon’s outlook. In the anime, the protagonist Rimuru helps each faction out of a sense of general politeness. He’s basically neutral good bordering on lawful good: he helps when he can, but isn’t out to save the world (as opposed to overlord, who is neutral evil bordering on lawful evil). The best part of the show is seeing how Rimuru and his growing cast of allies interact with new factions, and how their initial conflicts transform into beneficial partnerships. It’s a great show.

Cons: Being an Isekai with a light-hearted tone, you know that the stakes aren’t going to be very high. Despite being a slime, Rimuru is set-up to be an ultra powerful character from episode one. Thus, he won’t really face a challenge he can’t handle. You never really see him worry or stress unless its for comedic effect. His supporting cast might have a hard time, but Rimuru is always there to save the day at the end. Therefore, if you like stories with cliffhanger endings that leave you at the edge of your seat, maybe go watch something else. However, I personally liked this show because if the fact that its stakes were so low. Sometimes you just need a story where the good guy always wins, ya know? Plus, a lot of the emotional highs come from character interactions, not battle resolutions. Speaking of personal tastes, one last little nitpick I have concerns the series’ poster girl, Shizue, or “Shizu.” In the story, Shizu is basically Rimuru’s Uncle Ben or Gwen Stacy. She’s an incredibly influential character whose legacy influences a lot of the story arcs. She also dies very early on. I liked Shizu, but I didn’t like that she was plastered in the show’s OP, ED, and most promotional material. It get the feeling that this was only done because marketing really wanted a Japanese woman as the cover girl (even though the show doesn’t really get started until after she dies! (for obvious reasons)). P.s. I didn’t like that the show was split up into two segments mid season for no real reason.

Watch it?: It’s not a bad slime show! (4/5)

MVP: Shion

I really like her in the manga as Rimuru’s girl friday.

Best Episode: Ep. 09-14 The Orc Lord Saga (I’m actually thinking about reading the rest of the light novels to get caught up. I like the story that much.)

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Overlord III

Type: “The Isekai where the protagonist is playing as a renegade” –Digibro

Synopsis: I wish I could come up with original material, but it’s 2019.

Pros: But really folks, this quote manages to perfectly summarize why Overlord is different from other Isekai anime. It’s an anime where the main character is playing as the bad guy. Is Ainz’s a bad buy himself? Kinda. Neutral Evil to be honest. This season does an excellent job at demonstrating exactly what kind of campaign Ainz is playing. For example, we return to Carne Village, the first village Ainz visited and defended when he entered the New Word. We get to see how these villagers view Ainz as a benevolent master. On the other hand, we also get a story where Ainz brutally dispatches a group of adventurers after we get a whole episode getting to know. Not to mention his political manipulation of an entire empire to further his own ends. It was in this season that I finally realized that Ainz still sees his current reality as a game, which explains his coldness towards some characters, but warmth towards others. That’s why he’s Neutral Evil. He will destroy anyone to further his own ends (just like a player will kill a character to advance the story), but he still holds some respect and admiration for others.

Cons: If I was going to say anything about this season, its that it goes by very quickly. But I’m not sure that’s really a negative. Season 3 fixes Season 2’s problem by having a coherent narrative all the way through. It’s doesn’t break up the story flow, and each mini-arc goes into the other very well. This season is maybe a little light on action, but I really liked the stuff in Carne Village and the scenes in the Empire. The one real downside, and I do mean downside, is that this season cannot work for you unless you’ve watched Season 1 and 2. It simply has too many characters and storylines that you need to be familiar with to fully enjoy it.

Watch it: A great end to Act 1 of Overlord. (4/5)

MVP: Enri

Hail General Enri!

Best Episode: Ep. 6-8 The Worker Arc (I enjoyed every arc, but this one reminds you what characters we’re really dealing with)

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Overlord II

Type: Lizard men and Bandit killing

Synopsis: We have two main campaigns here. First is the Lizard Men campaign, where our noble heroes have to defeat a united lizard army. Can our heroes’ vast armies and infinite strength stand up to a bunch of reptiles with pointy sticks? You’ll just have to watch to find out! Second is the 8 Fingers campaign, a side-quest for a butler, a damsel in distress, a couple of bumbling swordsman, and one shade throwing maid. Can they ever get along? You’ll just have to watch to find out!

Pros: Overlord season 2 is a protagonist-less story arc. Think the Shikamaru arc in Naruto, or the Doctor-lite episodes in Doctor Who. This means that our mmorpg nerd/underad lord main character, Ainz Ooal Gown, doesn’t really show up this season. He’s more of a supporting character in these stories. The first half of the season involved a group of Lizard Men who have to deal with Ainz’s forces invading their lands. I liked this arc because it was very reminiscent of older fantasy stories involving alliances between warrior tribes, magic swords, and outcasts heroes. The second arc revolved around Sebas, Ainz’s head butler, as he makes gets caught up in fighting an underground crime syndicate after saving a slave from death. This story was way more of a modern fantasy story: you have a young knight, a weary swoardsman, a sly princess, political games, and a gentleman hero who I may or may not have developed a crush on. Overall, a solid season.

Cons: I forgot to mention, but whoever did the English dialogue deserves a raise, because I loved the proper manner that all the character’s spoke in. It really helped convey a lot of their status and upbringing, as well as they’re regard to certain other characters. That being said, the action, while there, isn’t really something to write home about. It’s pretty generic fantasy fighting. A few swords slashes, a magic spell here and there, but nothing amazing. I can also imagine that some people won’t be syked that Ainz takes a back seat this season. I think it works really well, but people do watch this show to see the Overlord, not a bunch of lizards of their butler. In addition, the story doesn’t to a great job transitioning between story arcs. One episodes ends one arc, another begins the next. It’s a little jarring. However, this show does an incredible job of juggling new characters and giving them each a personality you can care about.

Watch it?: It’s would be an afront to the great Ainz Ooal Gown not to! (4/5)

MVP: Sebas

Daddy. (D-Did I do it right?)

Best Episode: Ep. 5 “The Freezing God” & Ep. 8 “A Boy’s Feeling” (one has the best joke’s I’ve seen in a while, and the other makes me want a spin-off)

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Overlord

Type: A horrible nightmare for some, an opportunity for others.

Synopsis: A complete nerd that spent 12 YEARS on an online MMORPG has to sadly say good-bye to his friends as the servers are being shut down. As he closes his eyes to feel the sweet relief of digital death, he discovers the he is now stuck in the game. The game where’s he’s an over-leveled sorcerer, and commands other over-leveled characters, some of whom are hot babes that want to literally jump his bones (he’s a skeleton). Man, if I wasn’t such a huge nerd in other areas, I’d give MMORPG’s a try. According to anime, there’s no downside!

Pros: So this is an Isekai series…sit down DAMMIT! Or I’ll never give you the launch codes! Anyway, this one’s gimmick is that the character is stuck in a non-human body and is in charge of a crew of boss tier NPCs. Since the main character, Momonga, is the only player character still in the original game, the story takes him to another country. Kinda like an expansion pack map (or DLC for you kids out there). The two main plots are Momonga slowly gaining influence in the new country, while also trying to discover if any of his friends are also in the game. What I liked about this Isekai show is that Momonga is stuck in his player avatar, which is a huge skeleton, and how he basically starts to become his character, like become more indifferent towards other humans, and how something or someone is preventing him from losing his temper. And since he’s a character that’s been leveled up over 12 years, it makes sense that he’s so overpowered. Plus, Momonga’s tendency to reminisce about his past friends gives his characters an extra layer of sympathy.

Cons: Momonga’s general’s aren’t anything to write home about. They’re basically a mix of different troupes that, in fairness, seem like a group made by a bunch of MMO junkies. Even Albedo, the poster girl, isn’t that deep. Just your basic devoted demon. The best part of the anime are the first 1-4, which serve as an introduction to the series and help flesh out Momonga’s character. Episode 5-13 sadly move away from Momonga’s palace and deal with a local adventurer’s guild and church baddies. It ends with a battle against one of his generals (who’ve been brainwashed). Not bad, but nothing to write home about. Literally. And obviously, any fight involving Momonga has no stakes because you know that he’ll win, but sometimes having a show like isn’t a bad thing.

Watch it?: Depends on your tastes. (3/5)

MVP: Momonga

All hail the overlord!

Best Episode: Ep. 4 “Ruler of Death” (battle!)

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KonoSuba (Season 2)

Type: “It hurts so good!” – Dustiness Ford Lalatina

Synopsis: We’ve all been in this situation. You have a great job, are surrounded by beautiful people, and are generally successful at what you do. Only to have the job basically kill you. Have all the beautiful people have terrible personalities. And have all your success lead to an arrest warrant, major debt, and religious arguments. At least you house wasn’t taken away (just the furniture).

Pros: KonoSuba season 2 follows almost immediately after the first season. Kazuma and the gang are put on probation for suspicion of working with the Demon King, and have to pay off all the damages they caused while saving the city at the end of the first season. That’s the first half of the season. The second half revolves around a trip to a hot springs city that worships Aqua, and the predictable trouble that causes. The benefit of watching KonoSuba this time around was that I got a better appreciation for the characters and their stories, mainly because I got to interact with them more. The first season went by so fast and had to much hype surrounding it, that it fell a little flat for me. Not so with season two. The first half gives you a nice, weekly adventure that doubles as spotlight episodes for the characters, thus allowing yourself to re-familiarize yourself. The second half gives you a more traditional arc. Overall, this second season has the advantage of having all the characters already established, thus allowing it to do more with them. It left me wanting more in a good way, so I hope it gets another season, or else I’m going to have to seriously consider breaking with my own habits and start reading the light novel.

Cons: There are a few little things I don’t think land. The characters of Yunyun and Vanir aren’t especially funny. Yunyun’s kinda meh. And Vanir feels derivative. I also think the Darkness jokes are kinda lazy. Not the sadism ones. Those are always gold. But her spotlight episode, Ep.4 “A Betrothed for this Noble Daughter” focused too much on fan service and came off as lazy. We get it, she’s the blond with big boobs, can we move on now? I also feel that maybe the whole season ended a little anticlimactically. The battle with another demon general was awesome, don’t get me wrong, but everyone just going home to have some tea without a punch line was maybe to the ideal way to end it. Just my opinion.

Watch it?: A solid sophomore effort. I burned through it rather quickly. (4/5)

MVP: Kazuma

Yes, he’s Kazuma.

Best Episode: Ep. 1 “Give Me Deliverance from this Judicial Injustice!” (I mean, he did steal those panties…)

 

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The Vision of Escaflowne

Type: That time Isaac Newton was thwarted by a Japanese teenager

Synopsis: And he would have gotten away with it too, if it wasn’t for those meddling defiers of fate, and their dumb dragon mecha!

Pros: First off, much better than the movie. In fact, the movie is super bad in comparison. This anime is all about a girl that is wisked away into a new land full of knights, and beastmen, and giant robots. One of the strongest things I can say about it is that it’s all very romantic. I don’t mean “romantic” as in a love story, through that is here, but as in the classical definition. There are chivalrous and handsome knights, byron-esque antagonists, evil Empires, dragons (in a sense), and various kings. It made the anime feel like I was watching a classic adventure story. And since this was made in 1996, it kinda is. The show’s premise is that the protagonists are on the run from the evil Zaibach Empire while going Kingdom to Kingdom trying to convince anyone to help them fight back. Along the way, we explore various aspects of the main and supporting cast, from their past to their presents and futures. The show has strong character exploration and character growth. The anime is a shojo  adventure story. This doesn’t take away from the action. Every episode or two has a fight scene with Escaflowne, the DRAGON MECHA. But it also explore the emotional turmoil each of the characters face from obvious things like losing an entire country, to smaller things, like your crush flirting with other people. What you get as a result is an anime is great action and great character work that I would argue belongs is the pantheon of great 90’s anime, right along side Cowboy Bebop, DBZ, and Evangelion.

Cons: I actually knew nothing about Escaflowne before watching this. I watched the movie too long ago to remember it, and it has very little to do with the actual anime anyway. After a few episodes, I realized that this obviously a shojo story. For instance, Hitomi is a pretty, but not too pretty, high school runner who was working on getting her first kiss before being sent to a magical land by a abrasive, but ultimately caring, prince. Along the way, she also meets a handsome older knight, forming a love triangle. She also develops a friend group where she’s the moderate, not as pretty or naive as Princess Millerna, but also not as cutesy or bratty as Merle. They get into fight over the boys of the series, with Hitomi obviously being the object of jealousy for her friends. And, of course, Hitomi solve’s all her friends problems just by caring, because she’s that good of a friend. It’s all very shojo (or at least very anime, because a male protagonist would get the same deal). But that’s what kept me going. You get to see what every character is feeling after important events, and each main character experiences a character arc, where they aren’t the same person as their first introduction. Well, except maybe Merle…no, even she learns to let Vann go. Because without all the interpersonal drama, this anime would be convoluted and generic. I still have no idea what the hell was going one with the Emperor’s fate alteration machine, or the whole Mystic Moon (Earth) vs. Gaea origins thing. Like, who came first? Was it us or them? The show kinda loses itself in the whole divination angle, but that’s only one aspect of an otherwise amazing show. It’s the kind of show where you could explore every episode by itself. There’s actually a lot more I’d love to delve into (like Allen and Faulken’s story arcs), but I’d rather you watch this show. It’s that good.

Watch it?: One of the few anime I would recommend taking your time on. Don’t binge. Enjoy the ride. It’s worth it. (5/5)

MVP: Allen Schezar

Handsome. Chivalrous. Brave. Skilled. Give him a Doctor’s License and I can bring him to meet my mother.

Best Episode: Ep. 10-13 The Fried Arc (a little bit of everything that makes the show great)

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