Tag Archives: light novel

How Not To Summon a Demon Lord

Type: Helpful PSA or Lewd Cartoon?

Synopsis: ( ͡° ͜ʖ ͡°)

Pros:  How Not To Summon a Demon Lord is about a shut-in computer nerd that gets sucked into a facsimile of his favorite video game. He was accidentally “summoned” by two cute anime girls that double as his personal slaves and grow to love him both emotionally and sexually. The narrative is all too familiar and does nothing to dispel the stigma of Isekai anime as male power fantasy. In our story, the protagonist is the strongest character in the game, he is basically invincible, and everything he says is re-translated into something intimidating/heroic. But the biggest issue is the anime’s portrayal of women.

The story both infatilizes and sexualizes each female character almost to the point of absurdity. Rem, who by all accounts should be the second most powerful character as she houses a demon lord within her, is literally an svelte cat girl who is obviously meant to invoke someone much younger. Not only does she look young, but she has no way to access her powers, and must rely on the protagonist to remove her power through tactile sexual penetration. Putting aside fiction’s general problem with women with power, Rem has no agency in this story. Her biggest decision was summoning the protagonist. The story also revels in scenes where Rem is in pain, which reveals a lot about the author’s sadomasochistic tastes. Then there’s Shera. Shera is the story’s main source of fan service. Where Rem is underdeveloped, Shera is overdeveloped. She is an adolescents, or immature man’s, ideal woman. Bubbly, large breasted, scantly clad, and abundantly amorous. Shera is the story’s biggest missed opportunity. Her entire story arc centered on her decision to break off the the shackles of her culture’s expectations of her to forge her own path. Although she struggles, oftentimes comically, her desire to become an adventurer instead of becoming a queen to bear hears was admirable. Or, at least it would be, if her actions weren’t negated by the story. Because after Shera shares her convictions with the cast and audience, she is immediately brainwashed and kidnapped by her finance, who is also her brother, who tries to break her by having a monster sexually assault her. She only escapes because the protagonist rescues her, and the story even has the gall to make Shera cry for her brother/rapist.

Is How Not to Summon a Demon Lord a sexist show? Yes. This story demonstrates a very problematic view of male and female roles and dynamics. It shows women as weak, childish, sexy, and often times all three. The ultimate example is Klem. THE most powerful being in the story. The ruler of all demons. Who is really a prepubescent girl who loves cookies, yet still wears next to nothing. Her demon form even has large breast in the design, and the protagonist could still hold her off single highhandedly! I know that here is a tendency to give anime the benefit of the doubt when it comes to the sexualization of women. But the excuses of “it’s a different culture,” or “westerners are too prudish,” were trite a decade ago, and cannot detract from what this show truly is: a power fantasy with clearly unequal social hierarchies and unrealistic and problematic sexual relationships.

Cons: [Exhale]…So yeah.

Watch it?: I mean, it was really easy to watch. It binged it in two days. And the show never pretends to be something else. You know upfront what your getting. But the more I thought about it, the creepier it got. (2/5)

MVP: The voice actors

The stuff they had to act through. God bless ’em.

Best Episode: “The Demon Lord Act” (cat ears).

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Goblin Slayer

Type: Basically anime Batman

Synopsis: Now hold your horses. I know what your thinking. Your thinking “But Genetleman Otoku, Batmans good! He’s not an edgelord that focuses on controversy!” To which I point you to: The Dark Night Strikes Again, Joker, The Killing Joke, All-Star Batman, Hush, etc. Now your thinking “Yeah, whatever, but Batman works with other heroes to protect Gotham.” To which I remind you that Goblin Slayer consistently works with a Priestess, a Ranger, a Dwarf, and a Lizard Man. Now your thinking “*%&$ you! At least Batman’s not a sh%#% harem show!” To which I also remind you of: Catwoman, Talia Al-Ghaul, Vickie Vale, Poison Ivy, Harley Quinn (sometimes), etc. Face it, if you like Batman, you also like Goblin Slayer. May god have mercy on your deviant soul.

Pros: OK, aside from the fact that I know way too much about Batman despite not really resonating with the character, the stand by my analogy. Goblin Slayer really did remind me of Batman (with some Punisher thrown in there). The protagonist is a overly driven tactician/warrior who specifically focuses on goblins due to a mixture of trauma and pragmatism. He experienced a goblin raid, lost his sister, and now has a genocidal urge to kill every single Goblin in existence. Replace goblins with criminals, sister with parents, and kill with beat-up, and you have the caped crusader. Heck, one of the main throughlines of the show is Goblin Slayer learning to open up to others despite his loner nature. Like Batman, Goblin Slayer’s single mindedness and preparedness are what make his fun to watch. Also like Batman, it’s funny to see Goblin Slayer totally ignore world ending plots, like an apparent Demon King uprising, because local issues are more important to him. His relationships with the other characters are also key in softening his image, as this story could have gotten very old, very fast, if it was literally just killing goblins.

Cons: The show’s biggest problem is in its use of rape. The rape depicted in this show cannot be ignored. Nor should it. In the story, goblins are rapists, and this plot fact is used to make killing the goblins acceptable and ever gratifying. This series got into trouble when it’s first episode depicted the rape of one of it’s characters. The show never goes that far again, so don’t expect this to be another Elfen Lied or Kite. However, rape is still an underlying theme of the show. Every time the goblins appear, the show reminds us that they are rapist, usually with still images of them ripping the clothes off terrified women. Several characters are also affected by this. Goblin Slayer developed a hatred towards goblins because his sister was raped in front of him. The Elf ranger is barely survives an attempted assault by goblins, leading her to develop similar hatred. The priestess also witnessed a goblin assault first hand. And the Shield Maiden manipulated the Goblin Slayer and his party into killing a nest of goblins due to a previous goblin attack that she survived.  The thing is, this character trait for the goblins was not necessary. Them just being murderers would have been enough. Killer goblins would have sold the world of Goblin Slayer as a dangerous one just as well. But making them rapists just makes the show harder to watch. It wasn’t a necessary plot point, and therefore a mistake to use.

Watch it?: It depends on what kind of viewer you are (3/5)

MPV: My Batman comparison

Yes sister, I shall become an edgelord.

Best Episode: Ep. 05 “Adventures and Daily Life” (No goblins slaying, just a nice time in town).

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Hensuki: Are You Willing to Fall in Love with a Pervert, as Long as She’s a Cutie?

Type:  “If she ain’t blood, be a stud” -Ancient Proverb

Synopsis: Sigh. I was with you until the ending…

Pros: Look, I’m going to need to give me at least a few sentence here. But spoiler, you probably shouldn’t watch this.

Cons: I will say this, I came to this anime with an open mind. I was like, hey, I need something stupid to watch while I exercise. This seemed like an ecchi anime I can trust. The art style and hue of the show tells you everything you need to know. It going to be about a teenage boys and a harem of cute girls that like him for being relatively nice. And that basically is the show. In fact, I would hazard to say that the best, though generic, parts of the show are when the girls say why or how they came to love the protagonist. Those were at least mildly sweet moments. But the gimmick of the show is that every female character has some sort of “perversion” or kink. These kinks run the spectrum, from mild stuff like sub/dom play and fujoshi (boy’s love artist) to some hardcore stuff like voyeurism and exhibitionism. Each of the girls get about 2-3 episodes, with the major plot thread being the mystery of “panty-rella,” a girl that left her panties in the protagonist’s locker in ep. 01. None of this is actually that bad, and the friendship between the voyeur and the protagonist is kinda nice (since she’s the only girl that likes him as a friend). No, what turned me completely off the show was last two episodes, where it turns out that “panty-rella” was really the protagonist’s sister. What follows is a last episode that spends almost it’s entire run time trying to convince the protagonist (and audience) that humping your sister is totally fine, cause love is love. And hey, she’s not blood related, so no mutant babies for you! Goddammit, did that leave a bad taste in my mouth. There’s trash, and then there’s garbage. And that was garbage.

Watch it: No. No. No. At least the dubbing was silly. NO. (2/5)

MVP: The English Dub

At least they got paid.

Best Episode: Ep. 4-7 The Koharu Arc (For a show this bad, it had a pretty good male-female friendship develop here).

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The Rising of the Shield Hero

Type: *Happy racoon noises*

Synopsis: A boy gets isekai’d into a magical fantasy land. That’s good. He gets stuck with the shield weapon, which is supposedly low tier. That’s bad. But he gets to form a party with a beautiful princess. That’s good. Then the princess falsely accuses him of rape and he gets shunned by the kingdom. That’s bad. And problematic. And inductive of a larger social issue that interprets sexual assault way too much from a male perspective.

Pros: He also gets a cute racoon girl to fight for him. That’s good. But she’s a slave….that’s bad. Anyway, The Rising of the Shield Hero is a 25 episode anime about Naofumi Iwatani, a early 20-something that gets stuck in another world. What sets this anime apart, at least briefly, from other isekai stories is that Naofumi is treated very badly throughout the series, forcing him to face more adversity than other protagonists. When Naofumi is shunned by the kingdom, he and the story develop a cynical personality, allowing the darker side of this fantasy world to be explored. The show deals with the imperfection of this world through the plight of the demi-humans, human/animal hybrids that are marginalized and even enslaved by the humans. Naofumi himself even participates, buying the young female demi-human Raphtalia so he can mold her into his personal weapon. Of course, this being anime, Naofumi is never cruel to his ward, and she soon develops a strong devotion/affection for him. Raphtalia actually provides Naofumi with his first genuine relationship, possibly ever, which teaches him to trust people again. Their scenes together during the duel with the Spear Hero is possibly the best scene in the entire series. Ironically, Naofumi’s exile actually benefits his reputation and that of the Shield Hero’s. Freed from royal edicts, Naofumi and his party are allowed to roam the country side, learning different skills out of necessity, building connections, and helping others. Throughout his journey, Naofumi questions his own bonds with others, but it is precisely these bonds that allow his legend to grow. He becomes what he was always meant to be, a shield to protect others.

Cons: The series has a very decisive first episode. It’s length and subject matter are you main barrier for entry. In the west, the show’s main controversies are in its use of a false rape accusation, and the use of slavery. In a world were claims of sexual assault are severely undermined in every culture, having a female characters use rape as a means to discredit a man does not help. At all. Some of the hate Myne got from the fandom was a bit telling is you look at it from a distance. The show also contradicts itself in it’s use of slavery. The character Raphtalia was sold into slavery and tortured, and the show even dedicates an episode to her horrible experience as a slave. But Raphtalia never speaks out against the system of slavery. She doesn’t seem to have an issue with the slave trader character, nor does anyone in the kingdom. If the Queen knows about it, she lets it slide, as do the other Cardinal Heroes. Aside from this, the show has your basic iseakai issues. Even though Naofumi is shunned in the series, he is always portrayed as being right. He knows exactly what to do in every situation, and if only people listened to him, everything would go right. This portrayal makes some scenes read like a passive aggressive passage from some teenager’s journal. Being an iseaki protagonists, Naofumi is also a natural chick magnet, forming a party of cute young girls. Like really young. Except for Raphtalia, who may have the mind of a 10 year old. but has the body of a woman. Big difference. It was also a bit disjointing that after the main story arc’s natural conclusion in episode 21, the story continues for 4 more episode. It almost felt like the studio was simply ordered to make 25 episodes.

Watch it?: It can be generic, but also enthralling (4/5)

MVP: Naofumi the Shield Hero

Yeah, he’s an avatar for wish fulfillment. But you gatta love that coat.

Best Episode: “The Raphtalia Arc” Ep. 1-4 (if you don’t want to watch all of it, these episodes are the best showcase for the entire show).

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That Time I Got Reincarnated As a Slime

Type: It was awful I tell’s ya!

Synopsis: Unlike this anime, which is actually delightful. Its kinda like an RPG where your goal is to create alliances with different factions. There’s goblins and orcs and ogres and all sorts of magical creatures. This is the point were I’d make a “joke” about fan service, power fantasy, or a reference to a 1970’s tv show. But to be honest, it’s a really nice show.

Pros: Watching this show made me realize that I really like Isekai that focuses on factions and town management. The other anime that I like in this subgenre are  Overlord and Log Horizon. Overlord, however, is more like a faction RPG with the player taking a “renegade” or “evil” route, while Log Horizon focus a lot more on town management. That Time I Got Reincarnated As a Slime is a happy compromise between the two. It takes Overlords premise, but deals with it through Log Horizon’s outlook. In the anime, the protagonist Rimuru helps each faction out of a sense of general politeness. He’s basically neutral good bordering on lawful good: he helps when he can, but isn’t out to save the world (as opposed to overlord, who is neutral evil bordering on lawful evil). The best part of the show is seeing how Rimuru and his growing cast of allies interact with new factions, and how their initial conflicts transform into beneficial partnerships. It’s a great show.

Cons: Being an Isekai with a light-hearted tone, you know that the stakes aren’t going to be very high. Despite being a slime, Rimuru is set-up to be an ultra powerful character from episode one. Thus, he won’t really face a challenge he can’t handle. You never really see him worry or stress unless its for comedic effect. His supporting cast might have a hard time, but Rimuru is always there to save the day at the end. Therefore, if you like stories with cliffhanger endings that leave you at the edge of your seat, maybe go watch something else. However, I personally liked this show because if the fact that its stakes were so low. Sometimes you just need a story where the good guy always wins, ya know? Plus, a lot of the emotional highs come from character interactions, not battle resolutions. Speaking of personal tastes, one last little nitpick I have concerns the series’ poster girl, Shizue, or “Shizu.” In the story, Shizu is basically Rimuru’s Uncle Ben or Gwen Stacy. She’s an incredibly influential character whose legacy influences a lot of the story arcs. She also dies very early on. I liked Shizu, but I didn’t like that she was plastered in the show’s OP, ED, and most promotional material. It get the feeling that this was only done because marketing really wanted a Japanese woman as the cover girl (even though the show doesn’t really get started until after she dies! (for obvious reasons)). P.s. I didn’t like that the show was split up into two segments mid season for no real reason.

Watch it?: It’s not a bad slime show! (4/5)

MVP: Shion

I really like her in the manga as Rimuru’s girl friday.

Best Episode: Ep. 09-14 The Orc Lord Saga (I’m actually thinking about reading the rest of the light novels to get caught up. I like the story that much.)

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Overlord III

Type: “The Isekai where the protagonist is playing as a renegade” –Digibro

Synopsis: I wish I could come up with original material, but it’s 2019.

Pros: But really folks, this quote manages to perfectly summarize why Overlord is different from other Isekai anime. It’s an anime where the main character is playing as the bad guy. Is Ainz’s a bad buy himself? Kinda. Neutral Evil to be honest. This season does an excellent job at demonstrating exactly what kind of campaign Ainz is playing. For example, we return to Carne Village, the first village Ainz visited and defended when he entered the New Word. We get to see how these villagers view Ainz as a benevolent master. On the other hand, we also get a story where Ainz brutally dispatches a group of adventurers after we get a whole episode getting to know. Not to mention his political manipulation of an entire empire to further his own ends. It was in this season that I finally realized that Ainz still sees his current reality as a game, which explains his coldness towards some characters, but warmth towards others. That’s why he’s Neutral Evil. He will destroy anyone to further his own ends (just like a player will kill a character to advance the story), but he still holds some respect and admiration for others.

Cons: If I was going to say anything about this season, its that it goes by very quickly. But I’m not sure that’s really a negative. Season 3 fixes Season 2’s problem by having a coherent narrative all the way through. It’s doesn’t break up the story flow, and each mini-arc goes into the other very well. This season is maybe a little light on action, but I really liked the stuff in Carne Village and the scenes in the Empire. The one real downside, and I do mean downside, is that this season cannot work for you unless you’ve watched Season 1 and 2. It simply has too many characters and storylines that you need to be familiar with to fully enjoy it.

Watch it: A great end to Act 1 of Overlord. (4/5)

MVP: Enri

Hail General Enri!

Best Episode: Ep. 6-8 The Worker Arc (I enjoyed every arc, but this one reminds you what characters we’re really dealing with)

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Overlord II

Type: Lizard men and Bandit killing

Synopsis: We have two main campaigns here. First is the Lizard Men campaign, where our noble heroes have to defeat a united lizard army. Can our heroes’ vast armies and infinite strength stand up to a bunch of reptiles with pointy sticks? You’ll just have to watch to find out! Second is the 8 Fingers campaign, a side-quest for a butler, a damsel in distress, a couple of bumbling swordsman, and one shade throwing maid. Can they ever get along? You’ll just have to watch to find out!

Pros: Overlord season 2 is a protagonist-less story arc. Think the Shikamaru arc in Naruto, or the Doctor-lite episodes in Doctor Who. This means that our mmorpg nerd/underad lord main character, Ainz Ooal Gown, doesn’t really show up this season. He’s more of a supporting character in these stories. The first half of the season involved a group of Lizard Men who have to deal with Ainz’s forces invading their lands. I liked this arc because it was very reminiscent of older fantasy stories involving alliances between warrior tribes, magic swords, and outcasts heroes. The second arc revolved around Sebas, Ainz’s head butler, as he makes gets caught up in fighting an underground crime syndicate after saving a slave from death. This story was way more of a modern fantasy story: you have a young knight, a weary swoardsman, a sly princess, political games, and a gentleman hero who I may or may not have developed a crush on. Overall, a solid season.

Cons: I forgot to mention, but whoever did the English dialogue deserves a raise, because I loved the proper manner that all the character’s spoke in. It really helped convey a lot of their status and upbringing, as well as they’re regard to certain other characters. That being said, the action, while there, isn’t really something to write home about. It’s pretty generic fantasy fighting. A few swords slashes, a magic spell here and there, but nothing amazing. I can also imagine that some people won’t be syked that Ainz takes a back seat this season. I think it works really well, but people do watch this show to see the Overlord, not a bunch of lizards of their butler. In addition, the story doesn’t to a great job transitioning between story arcs. One episodes ends one arc, another begins the next. It’s a little jarring. However, this show does an incredible job of juggling new characters and giving them each a personality you can care about.

Watch it?: It’s would be an afront to the great Ainz Ooal Gown not to! (4/5)

MVP: Sebas

Daddy. (D-Did I do it right?)

Best Episode: Ep. 5 “The Freezing God” & Ep. 8 “A Boy’s Feeling” (one has the best joke’s I’ve seen in a while, and the other makes me want a spin-off)

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Overlord

Type: A horrible nightmare for some, an opportunity for others.

Synopsis: A complete nerd that spent 12 YEARS on an online MMORPG has to sadly say good-bye to his friends as the servers are being shut down. As he closes his eyes to feel the sweet relief of digital death, he discovers the he is now stuck in the game. The game where’s he’s an over-leveled sorcerer, and commands other over-leveled characters, some of whom are hot babes that want to literally jump his bones (he’s a skeleton). Man, if I wasn’t such a huge nerd in other areas, I’d give MMORPG’s a try. According to anime, there’s no downside!

Pros: So this is an Isekai series…sit down DAMMIT! Or I’ll never give you the launch codes! Anyway, this one’s gimmick is that the character is stuck in a non-human body and is in charge of a crew of boss tier NPCs. Since the main character, Momonga, is the only player character still in the original game, the story takes him to another country. Kinda like an expansion pack map (or DLC for you kids out there). The two main plots are Momonga slowly gaining influence in the new country, while also trying to discover if any of his friends are also in the game. What I liked about this Isekai show is that Momonga is stuck in his player avatar, which is a huge skeleton, and how he basically starts to become his character, like become more indifferent towards other humans, and how something or someone is preventing him from losing his temper. And since he’s a character that’s been leveled up over 12 years, it makes sense that he’s so overpowered. Plus, Momonga’s tendency to reminisce about his past friends gives his characters an extra layer of sympathy.

Cons: Momonga’s general’s aren’t anything to write home about. They’re basically a mix of different troupes that, in fairness, seem like a group made by a bunch of MMO junkies. Even Albedo, the poster girl, isn’t that deep. Just your basic devoted demon. The best part of the anime are the first 1-4, which serve as an introduction to the series and help flesh out Momonga’s character. Episode 5-13 sadly move away from Momonga’s palace and deal with a local adventurer’s guild and church baddies. It ends with a battle against one of his generals (who’ve been brainwashed). Not bad, but nothing to write home about. Literally. And obviously, any fight involving Momonga has no stakes because you know that he’ll win, but sometimes having a show like isn’t a bad thing.

Watch it?: Depends on your tastes. (3/5)

MVP: Momonga

All hail the overlord!

Best Episode: Ep. 4 “Ruler of Death” (battle!)

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KonoSuba (Season 2)

Type: “It hurts so good!” – Dustiness Ford Lalatina

Synopsis: We’ve all been in this situation. You have a great job, are surrounded by beautiful people, and are generally successful at what you do. Only to have the job basically kill you. Have all the beautiful people have terrible personalities. And have all your success lead to an arrest warrant, major debt, and religious arguments. At least you house wasn’t taken away (just the furniture).

Pros: KonoSuba season 2 follows almost immediately after the first season. Kazuma and the gang are put on probation for suspicion of working with the Demon King, and have to pay off all the damages they caused while saving the city at the end of the first season. That’s the first half of the season. The second half revolves around a trip to a hot springs city that worships Aqua, and the predictable trouble that causes. The benefit of watching KonoSuba this time around was that I got a better appreciation for the characters and their stories, mainly because I got to interact with them more. The first season went by so fast and had to much hype surrounding it, that it fell a little flat for me. Not so with season two. The first half gives you a nice, weekly adventure that doubles as spotlight episodes for the characters, thus allowing yourself to re-familiarize yourself. The second half gives you a more traditional arc. Overall, this second season has the advantage of having all the characters already established, thus allowing it to do more with them. It left me wanting more in a good way, so I hope it gets another season, or else I’m going to have to seriously consider breaking with my own habits and start reading the light novel.

Cons: There are a few little things I don’t think land. The characters of Yunyun and Vanir aren’t especially funny. Yunyun’s kinda meh. And Vanir feels derivative. I also think the Darkness jokes are kinda lazy. Not the sadism ones. Those are always gold. But her spotlight episode, Ep.4 “A Betrothed for this Noble Daughter” focused too much on fan service and came off as lazy. We get it, she’s the blond with big boobs, can we move on now? I also feel that maybe the whole season ended a little anticlimactically. The battle with another demon general was awesome, don’t get me wrong, but everyone just going home to have some tea without a punch line was maybe to the ideal way to end it. Just my opinion.

Watch it?: A solid sophomore effort. I burned through it rather quickly. (4/5)

MVP: Kazuma

Yes, he’s Kazuma.

Best Episode: Ep. 1 “Give Me Deliverance from this Judicial Injustice!” (I mean, he did steal those panties…)

 

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Stigma of the Wind

Type: One story arc (maybe two)

Synopsis: Imagine a show that starts off with a black sheep from an elitist and prideful Japanese family coming home after being exiled for being a “disappointment.” The family happens to be in the middle of a crisis, and naturally targets the black sheep as the culprit, half because he’d likely hold a grudge and half because they’re bullies. But the black sheep isn’t going to take any more of their sh#t, and kicks their asses with his new wind powers.  Because screw Hierarchical social systems! DOWN WITH ELITISM!!–Then it turns out it’s not his fault…and everyone starts hanging out with each other, and ah, goes to the amusement park together. Huh, kinda petered out after the start there.

Pros: This show is based on a light novle. A one story light novel if I’m perfectly honest. And that’s the story of the return of Kazuma, the banished member of the Kannagi family of Fire wielders. Due to his inability to control fire, Kazuma was deemed an embarrassment and kicked out of the family. But a few years later, he comes back as a very powerful wind user. His return happens to be around the time that members of the Kannagi family are being killed by wind magic. The Kannagi’s assume it’s Kazuma, judge him guilty without a trial, and are soundly defeated by him. Worse yet, a few try to get him to turn himself in out of family loyalty, despite being exiled from the family. Jerks! This whole story arc, and the subsequent one involving someone trying to get revenge on Kazuma for something he didn’t do, are really compelling. It introduced a lot of the characters really well, it sets up the conflict as both a fight between family and between tradition, and it explores the idea of how resentment grows from inequality. Episodes 1-7 are watchable. Too bad I can’t say the same for the rest…

Cons: This show his based on a light novel that clearly had 2 thought out story lines, and nothing else. This means that either the author ran out of ideas very quickly, or that the anime writers went off script. Either way, after ep7 the show goes from an exploration of complex family interactions to a light hearted love comedy. Let’s just forget that our entire family was slaughtered and go to the amusement park! I’m sure that will convince the man we gave serious inferiority issues to marry his 18 year old cousin! I mean, now that he’s so strong, we can invite him back to the family no problem! Everything becomes very troupe havey after episode 7. Ayano goes from the headstrong heir of the Kannagi household to a love sick puppy. Kazuma goes from an anti-hero to kinda a brooding trickster? And Ren, well Ren actually become more tolerable. I though for sure he was going to be like a shota-type man child, but he was pretty normal. In any case, the show stagnates after it’s opening, and not amount of useless and unnecessary backstory about a dead chick is going to fix it.

Watch it: “Promise you’ll always protect me,” who says that!? (3/5)

MVP: Kazuma

Prime Kazuma. Not Tsui Ling Kazuma.

Best Episode: Ep1-4 Return of Kazuma Arc (interesting beginning)

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