Tag Archives: Manga

Cyborg 009 VS Devilman (OVA)

Type: Dawn of Trends

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Synopsis: I was rooting for Devil Man.

Pros: Cyborg 007 vs Devilman follows the classic superhero vs superhero story points. The two heroes fight one another because of a misunderstanding, it turns out there’s a bigger threat, they work together, hugs and kisses and goodnight. The plot is more Cyborg 009 heavy. After the fight with the Olympian styled cyborgs, the Cyborg 1-9 are alerted to the dangers of a “demons,” run into newer cyborgs, and then have to fight cyborg/demon hybrids. The Cyborg side of the story is more proactive, giving them more presence in the story. On the other side, we have Devilman, who sorta just reacts to the plot. His involvement doesn’t become justified until the halfway through, when his girlfriend(?) is kidnapped to get his devil genes, or something. The crux of the story relies on the fact that both sides find the others existence possible. Having fought god themed cyborgs, Demon Cyborgs aren’t too crazy, and Devilman will mostly fight anything. I actually really found myself liking the Devilman aspects of the show. In a way, it completed its mission of making me curious about one of the franchises. As crossovers go, mushing these two seemingly antithetical franchises made in the 1970’s together worked surprisingly well.

Cons: I’m going to put this out there: I am not a fan of Cyborg 009. And it is for the pettiest reasons. Back in the day, Toonami replaced Rorouni Kenshin with Cyborg 009 on their 6pm slot, moving Kenshin to Saturday Nights. This occurred before the resolution of the Kyoto Arc, meaning I had to stay up late to watch Kenshin, which was now once a week instead of every day. As you can imagine, child-me did not appreciate this. And even since, I’ve been very bitter towards Cyborg 009 (even though I know that it was probably some dumb program managers fault). So naturally I found myself rooting for Devilman in this and resenting the plot heavy Cyborg 009 elements. That being said, this mini-series is very cannon plot heavy. It seems to occur after a big arc for Cyborg 009 and an early arc for Devilman. This was clearly done for the benefit of long time fans, because new viewers will feel lost and confused. In fact, I’d hazard to say that this film is meant to be a cannon occurance instead of a stand alone adventure. Did this make me a fan of Cyborg 009? No. It’s still not for me, and I still find Cyborg 009 and 002’s power redundant (if they both and super speed, we keep both?).

Watch it?: Now I wanna read Devilman (4/5)

MVP: Devilman

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I just think he stands the test of time better

Best Episode: Ep.1 Cyborg 009 vs Devilman (hero fights!)

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First of the North Star (1986)

Type: You’re already dead

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Synopsis: You blew it up! Damn you! Damn you straight to hel…wait a minute, did that man just blow up another mans head? Huh, did that other man just cut those people in half with his fingers? Wha-is that man’s horse eminating some sort of terrible yet noble aura? Maybe this apocalypse won’t be so bad…

Pros: The First of the North Star movie is based on the Fist of the North Star manga, a very seminal and very bloody manga from the 80’s that influenced a bunch of stuff, most notably Berserk. The story is basically a Martial Arts drama set in a Mad Max world. In fact, if Mad Mas is what’s happening is Australia, then Fist of the North Star is probably happening in Japan. The star of our tale is Kenshiro, the current master of Hokuto Shinken, a pressure point fighting style. Kenshiro’s fiance is kidnapped and Ken is left for dead, only to wake up a few years later to look for her. What follows is Ken going from town to town, helping the survivors of humanity along the way. And by helping, I mean using Hokuto Shinken to make bandit heads blow up real nice. This is a very bloody movie, so much so that the animators actually had a few joke decapitations here and there. The film does capture the spirit of the source material, even if it takes some liberties with story points like Roah showing up way too early). Overall, pretty good.

Cons: It’s not that the animation is old, it’s that some of the special effects used in the movie did not age well. The English Dub could be hit of miss for some people. I found it charming, but purist may not be able to deal with it. And his is very gory. If your not a fan of that, then you won’t be a fan of this.

Watch it?: If you’ve never been exposed to Fist of the North Star, this is a good first look

MVP: Kenshiro’s Beard

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It kills you with its manliness

Best Moment: Kenshiro’s revival (what is he, a monster!?)

 

 

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The Seven Deadly Sins

Type: “A Netflix Original”

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Synopsis: Giant! Fairies! Fan service! This is a tale set in a time before the worlds of human and magic were rend asunder, when Netflix was trying to get into the anime business. Crappy for normals trying to watch anime dubs in one convenient place (cough Funimation cough), but great for corporate petiness. That is the greatest sin!

Pros: Now this is an adventure anime! None of that unwanted preachy message that bogs down some other anime whose name shall not be mentioned (its Magi guys, I’m complaining about Magi). In this charmingly funny anime, a princess is on the run from Holy Knights that have taken over her Kingdom. Her only hope is to find the 7 Deadly Sins. Now, this isn’t a tale of a young woman’s spiral into hedonism (sorry pervs). The title “7 Deadly Sins” refers to 7 legendary warriors who were used as scapegoats by the Knights to take over the Kingdom. We get about 6 of the 7 sins, and the show does the smart thing of not giving them a real challenge until the second half of the season, emphasizing their skills and power. It also states that they aren’t even fighting at full strength due to missing their “sacred relics,” which allows these OP characters the possibility to lose. Th second half gives the Sins more of a challenge, and you get to see the sins fight more as a unit. I loved the whole “get the band back together” vibe of the show, and the writing was good enough that you got a sense of the personal dynamics between the group. And believe it or not, but an anime based on a manga actually ties up its story at the end!

Cons: While I loved the Sins and their fighting scenes, their powers sure do fluctuate for the sake of story convenience! One minute their beating the unbeatable enemy with no sweat, the next minute their near death against some jobber. On the topic of the Sins, the anime does the anime/manga things where the Sins aren’t actually guilty of their “sins.” The only thing they’re guilty of is feeling guilty about what their friends did. But being super cool guys, they take the punishment anyway. In fact, the worst thing they’re guilty of collectively is petty theft. And the show also does that thing where 99% of the bad guys aren’t bad guys at the end, despite killing a bunch of people (and it only really pulls it off for one of them). On a spoiler note: the show also did the thing where none of the good of bad guys died. So while I’d would argue that Magi tried a little too hard to be edgy, this anime tried a little too hard to have a happy ending. (oh! I forgot: quiet a but of groping here. At least at the start).

Watch it: I’d rather watch this on Netflix than that other thing (4/5)

MVP: Diane

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The Friendly Giant

Best Episode: Ep.13 “Apostle of Destruction” (Giant Hammer!)

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Magi: The Labyrinth of Magic

Type: Arabian Nights starring Jake Gyllenhall!?

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Synopsis: In a time long ago before, there was a movie franchise of movie franchises called Aladdin, of Studio Disney. So popular was the story that it sprang forth two direct to video sequels, a cartoon show, and some pretty good video games. It’s also the reason why this wasn’t just called the “Adventures of Aladdin” or something. Copyright is a scary thing. Anyway, this stars a little magician called “Aladdin” with a non-talking Genie and “Alibaba,” a thoroughly not old woodcutter. Oh, and sometimes it also has a slave girl named Morgiana, but according to the show, she’s not super important.

Pros: I’ve said this before, but I always find anime adaptations of non-Japanese stories really fascinating. In this case, the anime borrows heavily from One Thousand and One Nights, one of the definitive bedrocks of modern fiction. Having never read the collected works (It’s on my list), I can’t really speak that much about the allusions the anime uses. What I can say is that the Magi anime itself is pretty good. It sets itself up as an adventure story, but quickly becomes a sociopolitical tale with social inequality as it’s main topic. The villains used in this are often drunk on other own power, either because of owning slaves, or holding titles, or simply being powerful. A lot are simply bullies, which irritated my a lot, meaning that they work as villains (because you’re not suppose to like the villains!). And because most of the story arcs boil down to the harshness of inequality, something that has stayed consistent throughout history, the plots often pack an emotional punch. Just look at Morgiana, a slave from early childhood with the mental scars to prove it. The use of the colorful world was a great juxtaposition with the ugly actions of some of it’s inhabitants, as well as the power source of the true antagonists being hatred and negativity. I should also mention that the openings for this anime are really good. Not artsy, as they mostly use scenes from the upcoming episodes, but they were really fun to watch.

Cons: A story set in the Middle-East, and you couldn’t give one character a tan? For reals!? Hollywood gets a lot of flack for white washing its films (deservedly so), but anime ain’t exactly innocent of this either. Like, why is Morgiana of the “Dark Continent” (cough Old 1800’s Racist English Name for  the continent Africa cough) a pale girl with red hair? Why does Alibaba have Blonde Hair and Blue Eyes? This is almost as bad a Gods of Egypt, which I’m sure will stay a topical reference…Anyway, there are other problems. For a story whose opening sells itself as an adventure series, Aladdin and crew don’t really do a lot of traveling together. And despite all this talk of Dungeons, you only get 2 in the show. A lot of the story arcs just have them hanging out in one city at a time. You never see them hit the road as a group, which would have been fun. Speaking of groups, I feel that Morgiana gets short changed, probably because she’s “the girl.” The anime is more of the Aladdin and Alibaba story. Spefically, Alibaba’s hero’s journey with Aladdin as his wizard advisor. Morgiana’s just there for the ride. Story wise, this is a meaty anime. Some arcs drag, like the Balbadd story. Ultimately, my biggest problem with this anime is that I feel that it sells itself as a fun adventure story, but the levity never arrives outside of a few boob jokes. It’s really more like a disingenuous Fullmetal Alchemist.

Watch it?: Yeeeeah, but do realize it does feel long. (4/5)

MVP: Morgiana

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Always has the best fights

Best Episode: Ep6 “Warrior Tribe Fanalis” (showcase of the anime’s story structure)

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Space Pirate Captain Harlock

Type: Should I count a 3d movie?

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Synopsis: So a bunch of jerks fly around in space being jerks while a bunch of losers rule humanity by being losers. In this movie, the losers send a baby loser to infiltrate the jerks, then the jerks go back home and start fighting with the losers, then the baby loser gives everyone a flower so they’ll stop fighting.

Pros: The 3d animation is gorgeous. I can’t say that modern gaming consoles aren’t catching up, or already there, but the movie is still very pretty. The backgrounds and space ships are the real winners here. The faces, well, let’s keep this positive. Speaking of needing to keep things positive, here’s the thing about the plot: it’s told backwards. By that I mean that the key motivations for the characters are reveled around the middle of the film in flashback. This kind of narrative structure usually works really well in tv and comics, but its a bit trickier in film. Due to the time limitations, keeping information like this hidden seems more forced than in other mediums. In the film, you meet Harlock and Yama before you know their backstories. As such, Harlock comes off as a brooding-egotist, and Yama comes off as whiny. Then you learn their about their past and you like them more because their motivations make sense. But until this information is reveled, it’s hard to like the characters in this film. For example, this review is based on my second attempt at viewing this movie. A few years ago iIn my first attempt, I quit halfway, right before backstory dump, because I could not stand any of the characters. But those backstories are worth it, and I kinda wish they had been the focus of the film. They’re that interesting, particularly Harlock’s. The whole political story involving Earth, Harlock, and the powers that be would have made an awesome origin film.

Cons: I’ve mentioned my problems with the structure of the film. Animations wise, the only real issue is with the faces. One of the reasons why a lot of movies with 3D animations tend to lean more towards the cartoony side is because they can play around with the faces more. But in cases such as Harlock, movies try to mimic humans expressions more realistically, and fail. The faces here are stiff. Not bad, but stiff. I should so mention that for die hard Harlock fans, this is a whole new backstory and set up. Now plot wise, theirs only one big thing I have a problem with. Spoliers ahead. In the film, the big turning point is when Yama discovers a flower on a barren Earth, which cases Harlock to change his plans and fight again. But how did Yama get to Earth? He was on a ship with his brother on board, so he couldn’t have just walked off. He may have stolen a ship, but why go to Earth? What possible motivation did he have? To die? Maybe. But we get no indication. No inner thoughts. In the end, the big deus ex machina revolves around the seemingly random actions of some kid. Like a lot of things with the story, this was really sloopy. (P.s. Does the ending imply that Yama is the Harlock of the old anime? Does that even make sense?)

Watch it?: Pfff….nah.

MVP: Isola

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His motivations were clear from beginning to end.

Best Moment: The final scene between Nami and Isola. (the most emotional moment)

 

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Ghost Hunt

Type: Ghost Facers!

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Synopsis: Based on a Light Novel that ran for 2 years, which inspired a manga that ran for 12 years, is this anime that ran for 25 episodes. Its about, you guessed it, a group of Ghost Hunters. You get a little bit of everything. You get a Paranormal Researcher, a Monk, a Shrine Maiden, a Priest, an Onmyoji, and even a teenage girl for good measure.

Pros: Ghost Hunt is an anime comprised of several different “cases,” each involving some sort of paranormal activity. Some involve Ghost, while others involve Psychics, or Demons, or etc. One thing I really liked was the use of different specialities when dealing with the paranormal. A lot of different cultures and faiths are represented, from Buddhism, Christianity, Shintoism, to  modern technology. It’s a nice representation of the quirky fact that people all over the world have developed different ways to ward off evil spirits. The characters of the show end up using “real world” methods for fighting ghosts. So if your interested in paranormal activity, this is a quick primer. Some of the cases do get good, though they quality fluctuates. I loved the character of Mai, as her often overemotional delivery brought much needed energy into the show.

Cons: Honestly, its a little long. The show covers 8 different cases, and with 25 episodes, that’s about 3-4 episodes per case. And outside of Mai, none of the characters are well executed enough to warrant such attention. The problem is that the support cast are all outside contractors. The main characters are Mai and Naru, the latter running a paranormal research agency. Naru brings in the support characters to help out on cases. Every case in fact. Makes you wonder why he doesn’t just put them on staff. As such, there’s always this distance between the audience and the supporting characters. You pieces of personal history here and there, not that’s not much. Then there’s Naru, whose a really unlikable. He’s the stereotypical “cool” character, whose quite, prideful, and keeps things to himself. To quote Naru himself, he uses “strategic secrets.” Narratively, this is used to create situations that make Naru look evil, only to reveal after the fact that he’s actually super nice you guys! See, he wasn’t going to curse 600 students, that’s crazy talk. He was just going to make it look like he was and not tell anyone his plan, even though he had no reason not to tell the truth. Isn’t he the best and cutest?! Sadly, the brunt of this plot structure comes at the expense of Mai, who is often used to call Naru on his bullshit, only to be proven wrong at the end. Story wise, it has a monster of the week vibe, kinda boring at times, the animation doesn’t hold up, and the Opening, OH MY GOD, that was the laziest thing I’ve ever seen.

Watch it?: Overall, kind of bland. (3/5)

MVP: Mai Taniyama

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The Liveliest Hunter

Best Episodes: Ep18-21 “File 7: The Bloodstained Labyrinth Part 4” (scary, and the first anime I’ve encountered to mention Japan and China’s harsh history)

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Wanna Be the Strongest in the World

Type: Idol’s becoming wrestlers exposes the business!

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Synopsis: The angle is that An idol decides to become a wrestlers after one of the veterans insults a fellow idol. Classic babyface run, and the idol’s celebrity helps draw a pretty huge crowd. The only real drawback is that the idol is green as grass, but she’s given a mega-push because she’s semi-well known. BECAUSE ONCE AGAIN THE COMPANY DECIDES TO BACK SOMEONE THEY WANT OVER WRESTLERS WITH ACTUAL SKILL AND TALENT THAT THE FANS CHEER. #IF HAGIWARA WINS, WE RIOT.

Pros: This got me excited, because I am a HUGE wrestling fan. The anime follows the struggle of Sakura Hagiwara, a Japanese Idol who turns into a Pro Wrestler mostly out of pride. Believe it or not, the depiction of wrestling in this show is fairly accurate. Wrestlers are very defensive about their sport, which makes the set up of the anime feasible. And wrestling training is fairly intense, with many a pro-atheletes naming wrestling work outs one of the most grueling in the industry. And there is a lot of pride in wrestling locker rooms, which makes what Hagiwara goes through, from the 100 man throws to having to earn her first win, pretty indicative of the actual wrestling industry. In fact, I wouldn’t at all be surprised if the 100 man throws test is an actual thing in Japanese wrestling. The story is surprisingly engrossing, as Hawigawa is given a “babyface,” or good guy story of the never-say-die fighter. She loses quiet a bit, which makes sense considering that she starts off as a singer, not a wrestler. The whole thing is played straight, and is a standard sports drama. And the actual action is made to look pretty good, though Hawigawa’s inner monologue does get repetitive. I liked it.

Cons: This is a boob anime. Which is fine in and of itself. But the show does its best to give you those crotch close-ups. And of course, a lot of the holds have the female wrestlers make a weirdly suggestive expression, blushing very much included. Perviness aside, the show has a lot of wrestlers that are sadly not fleshed out due to the short length of the series. So this anime become yet another fighting girl show with one-dimensional characters. The story follows 4 arcs: Sakura’s road to victory, a fight with the world champ, the introduction of Moe Fukuoka, and the battle with the mysterious Blue Panther. The Moe arc was the only one I wasn’t crazy about. Moe’s another rookie who want to become a wrestler, and is given the same treatment that Hawigawa was given, making it a bit repetitive. Not to mention that’s she’s more of a natural than Hawigawa, being a Karater champ, so there’s not real motivation to cheer for her growth. That’s another thing. Unlike in real life, the wrestling in this show is a shoot, meaning that the punches and grapples are very much meant knock out the opponent. This is kinda a shame, because I would have loved to see a show that talks about angles, and working ‘heel,” and putting guys over. But I that kind of show really would expose the business.

Watch it?: Even if I stifle my own bias, it’s still a solid show (3/5)

MVP: Sakura Hawigawa

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Sakuramania is running wild!

Best Episode: Ep.3 “Give-up” (I marked out for this one)

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Golgo 13

Type: The Man with the Constipated Face

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Synopsis: The series follows the mysterious assassin Golgo 13…who has a passport, introduces himself as Duke Togo, only kills with a sniper rifle, and is clearly identifiable with his unique broad frame and Japanese features. His only companions are gunpowder and death…and a personal gunsmith, a network of contacts, a few children here and there, and a number of one night stands. Huh, in retrospect, he’s not a very good assassin, is he?

Pros: Golgo 13 is one of the oldest franchises still going. It’s based on a manga that first published in 1968. Which you can tell by protagonist, a silent hulk of a man with big sideburns. He’s the stereotypical masculine archetype of the 60’s and 70’s. He’s non-emotional, highly skilled, quiet, and seemingly irresistible to women. However, since his not much of a talker, and has the personality of a block of wood, the anime revolves around a random assortment of characters involved with Golgo’s latest case. The whole show is a story of the week. Sometimes, Golgo doesn’t show up until the very end. And his stories can very from gritty crime stories to Golgo having to shoot a violin string. It’s a great episodic show modeled after a western drama. High tension, subtle action. In fact, except for all the sex, you could easily make this into a live action TV show here in the states.

Cons: Golgo literally could not emote if his life depended on it. I know that in the old days, men weren’t suppose to show emotion, but damn dude. The only time you ever see Golgo lose his composure is when someone tries to walk behind him, and when someone reaches into their breast pocket. But that’s it. He could be facing a hundred men, or in bed with a beautiful woman, and he’ll always have that same stony look. On that note, there quiet a few sex scenes in this. They’re not bad, and the female characters always the ones to initiate. But most of the scenes are still images of women in the throws of ecstasy as Golgo just stares blankly. But they happen often enough that they get repetitive. In fact, if a woman is the main character, there’s a good chance they’re going to sleep with Golgo. The size of the show, 50 episodes, is a positive and a negative. It’s good, don’t get me wrong, but some of the episodes start to blend together. I only remember a handful myself. And because all the episodes are stand alone, you aren’t really given an incentive to watch all the episodes. And this is more of a personal nitpick, but is Golgo really that good of an assassin if he has to A) Meet his client in person, B) Only has one way to kill, and C) is so well known by the underground and authorities that they both try to kill him at one point?

Watch it?: Good to watch in a long stretch of time, but don’t marathon it. (4/5)

MVP: Golgo 13

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The textbook definition of an “ice-cold” killer.

Best Episode: Ep 4. “Pretty Woman” (a typical Golgo story)

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JoJo’s Bizarre Adventure: Diamond Is Unbreakable

Type: Let’s party like it’s 1999!

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Synopsis: Once again, a perfectly normal show is being called “bizarre” just because it revolved around people who have psychic battle that sometimes result in someone turning into a rock, or collecting pocket change, or fusing a cat and a flower together that can shoot air bubbles. The show even tries to make itself presentable by using the setting of a peaceful suburban town…where you can eat at a restaurant the cleans your pores and go to a beauty shop that rearranges your face. Just what is so “bizarre” about that!

Pros: Ok, real talk, Diamond is Unbreakable is one of my favorites Jojo arcs. I flip flop between Diamond is Unbreakable and Phantom Blood. And, in all honesty, Diamond is Unbreakable is much more consistent, being Part 4 in the Jojo series. By this point the author is a seasons pro, stands have been introduced, and the stories are becoming more varies. Part 1 was a gothic shoen series. Part 2 was a martial arts shoen series. Part 3 was an adventure shoen series. But Part 4 is more of a slice-of-life suspense series. Basically Anime meets Twin Peaks. The story is mainly about this seemingly unassuming town named Morioh, which is actually home to a gaggle of strange, arguably bizarre, residents that each have weird powers called “Stands.” These powers can as straight forwards as turning invisible, or as specific a stand that turns pieces of paper into pocket dimensions. Like Twin Peaks, a lot of the best episodes are stand alone incidents involving Morioh’s abnormal residents. The show introduces some of my all time favorite Jojo characters, from the hard working Koichi, the love lorn Yukako, the mangaka Rohan, the stingy Shigekiyo, and the surprisingly compelling grade schooler Hayato. Episodes can range from deadly serious cat and mouse duels, to figuring out if the lunch your eating is actually a stand. I would actually argue that Diamond is Unbreakable is the easiest entry point for those curious about the series, but aren’t into the whole “fight-fight” shoen scenes. You can watch a random episode and not feel lost. You can follow it week by week. You can even marathon it. It has all the benefits of a slice of life show with a pinch of strange thrown in. The characters are great, as the main cast (and even some auxiliary characters) get their own episodes to shine. The show has 3 main arcs: The hunt for the Arrow, some downtime, and the search for Kira. Kira really takes over the show about a third of the way in, and his weird but deadly demeanor has made him a fan favorite antagonist, rivaling even Dio! (p.s. I also loved the color palette the show used, nice choice!)

Cons: Even though Diamond is Unbreakable is my favorite arc, it’s not without it’s flaws. As said above, a lot of the episodes are stand alone stories, with some feeling less important that others. So some points of the series may feel like the drag on too long (cough Highway Star cough). It feels like the author meanders between stories, probably returning to the main plot when his editor told him to. But your mileage may vary depending on your tastes in stories. I should also point out that because this is Part 4 of the Jojo saga, less attention is paid to the main protagonist. While Josuke Higashikata, illegitimate son of Part 2’s Joseph Joestar, if a good character and probably the most genial Jojo in the series, he can go long stretches of time without even appearing. The story often switches focus, sometimes going to Koichi, or Rohan, or even Kira! This is actually a trend that started in Part 3, and has arguably made subsequent Jojo’s feel less impactful. It doesn’t really hurt this story, but it seems like we get to know Josuke less than Jonathan or Joseph Joestar. Now, on to more subjective remarks: what the hell happened to the animation quality this season? I noticed so many animation errors and model mistakes! Either this was rushed or less people were working on it, because brah, we got some messed up picture up in here. There was also a lot more still shots, though this could be a result of simply having more episodes. Also, no women. Well, that’s not fair. There’s like 5 female characters: Two are moms, one’s killed off, one’s a love interest for a supporting character, and one’s a ghost. And, sadly, the Jojo franchise has still not gotten over giving explanatory commentary during it’s fights. This ain’t wresting! When a cat plant throws an air bubble at a serial killer, we get what’s going on!b (P.s.s. It was recently made aware of a big plothole in the show: Why didn’t anyone ask Joseph to find Kira using his stand, despite being brought in to find Red Hot Chilli Peper for the same reason!).

Watch it?: If you ever wanted to watch Jojo, start with this one (5/5)

MVP: Koichi

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A personal favorite, I admit

Best Episode: Ep.21-22 “Yoshikage Kira Just Wants to Live Quietly, Part 1 & 2 (this season was very hard to choose from, with funny and exciting choices, but one is Kira at his most menacing)

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My Hero Academia

Type: Do Good to Others, and Every Man can be an All Might

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Synopsis: World of Superheroes. Quirkless Boy. Mighty Hero. Plus Ultra.

Pros: My Hero Academia is about a boy named Izuku Midoriya who lives in a world where 80% of the population has super powers, and an established Superhero community. Midoriya’s dream is to become a hero like his idol All Might, but he doesn’t have any powers, or “Quirks.” It seems like he’s hoping against hope until he selflessly risks his life for a friend/bully, impressing All Might enough to bestow upon him his own superpowers. And this is just the first two episodes. The rest of the series is Miyoriya’s life in U.A. High School, a school for gifted youngsters (sister school to the Xavier Institute, I’m sure). The anime does have the name “Academia” in the title. While the school stuff is fun, and an easy way to introduce new characters, the real draw of the show is Midoriya. He has the heart of a hero, despite his twitchy demeanor and tendency for water works. He wins you over almost immediately with his fan boy love of heroes, and keeps your rooting for his through his determination to fulfill his dream, a dream no one believe in because of his handicap. It breaks your heart when he’s told its impossible, and you root for him when he overcomes a new obstacle. And In a simple but effective gimmick, Midoriya’s new quirk is a glass cannon. He can become just as powerful as All Might, but because his body isn’t use to the power output, he becomes incredibly damaged after a single use. So instead of powering through his obstacles, Midoriya has to think his way out of them (fun fact: Most Silver Age Superman stories did the same thing). He also has an in story reason for this, given his obsession of collecting data on heroes. Plus the fact that his quirk has to be passed down was a nice touch, and a good allusion to legacy heroes. As you can plainly see, I loved Midoriya and the show as a whole.

Cons: But that’s not to say that there aren’t bad things about this anime. For one, villains show up in the last few episodes, but they’re underdeveloped. The actual manga, which I devoured after watching this show,  does the same thing, switching between school arcs and villain arcs. The other heroes are also underdeveloped, with All-Might being the only one to get any real character development. The main theme seems to revolve around the term “underdeveloped,” which can all be sourced to the fact that the anime only got 13 episodes. It does have a second season, but a shoen show like this really needs more episodes in a season. But the first season has a cliff hanger ending. Because, as much as I loved it, you do get the feeling that you’ve only scratched the surface of the story in retrospect.

Watch it: Hit my Superhero feels button (4/5)

MVP: Midoriya

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Or, The Great Hero Deku

Best Episode: Ep.1-2, “Izuki Midoriya: Origin” and “What it takes to be a Hero” (The end made me cry. One of my newest favorite moments in all of anime)

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